Distribution Rules
New definition of publisher in the Distribution Rules – what does this mean?
Until recently, the Distribution Rules defined publishers as ‘natural or legal persons who have acquired publishing rights for a work, …
Category: Good to know
Music in video games
Music in video games: Licensing and Addendum to Rights Administration Agreement
What is a video game without sound? Video games are hard to imagine without music. Many games become huge hits …
Non-theatrical or dramatico-musical
Small rights and grand rights: who does what?
If there is one matter that regularly triggers heated debate, it is the distinction between small rights and grand rights. …
Online revenues
Residuals from online collections – what’s that and how can I participate in them?
In mid-December, we pay our members the fourth settlement of their online revenues this year. But this time, we’ll put …
plus video
“My account”
The Royalty Report is online
News about “My account”: Thanks to user-friendly graphics, the Royalty Report provides a quick overview of how the copyright royalties …
Social insurances
Are royalties subject to social security (AHV/AVS) contributions?
Do royalties qualify as earnings from self-employment? Swiss AHV/AVS compensation offices follow different practices.
How private copying produces revenue – distribution of blank media levies
Nowadays, the lion’s share of private copying is done from the internet rather than from CDs as in the heyday …
Legal consequences of concert cancellations for Covid-19
Regrettably, owing to the coronavirus, some musical events have had to be cancelled. What are the consequences of such cancellations …
Online licensing activities require early work registrations
From a sales perspective, online music distribution provides enormous opportunities. With little effort, music can be made available to a …
Information on live streams for SUISA members
The corona measures led to a loss of performance and earning opportunities for music creators and to a painful loss …
The Artist’s Agreement compared with the Publishing Agreement
The economic producer (a label, for example) finances the production of sound recordings containing performances by p artists with the …
Setting to music
Whether they write choir music or a pop-song, composers are often inspired by an existing text which they want to …
Changes in distribution for Common Tariff K and Z revenues
The CHF 20 limit for the distribution of revenues under Common Tariffs K (concerts) and Z (circuses) has been eliminated. …
Sampling and Remixes
The articles about arrangements in the “Good to know” series have so far focused on “conventional” arrangements of musical works. …
Arranging works protected by copyright
Musical works in the public domain can be arranged at will. But works which are still protected by copyright, i.e. …
Changes in the distribution of revenues from radio uses
The classifications for radio broadcasting stations have been changed. Starting with the 2019 settlements, a uniform factor of 0.25 will …
Arrangement of works in the public domain
Before you start arranging musical works that are not protected by copyright, it is worth being aware of the legal …
Why SUISA members should also consider joining SWISSPERFORM
Composers and lyricists who are SUISA members and are also active as artists and/or producers and whose performances are broadcast …
Changes to the distribution of collections for internet use
New distribution keys will be used for the distribution of collections for internet use (audio and video on demand offers). …
SUISA settlement dates 2018 - and one improvement
SUISA shall stick to its established settlement dates in 2018. They comprise, in the main, four quarterly settlements as well …
SUISA remuneration is subject to AHV (pension) contributions
Copyright royalties paid out by SUISA are deemed as earned income from independent activities and therefore have to be taken …