Tag Archives: Songwriting camp

Eurovision Song Contest: SUISA Songwriting Camp song in the German qualifier | plus video

Success for the SUISA Songwriting Camp: The song “Sister” created during last year’s camp is in today’s German ESC qualifier. The piece was composed and produced by an international songwriting team consisting of Marine Kaltenbacher, Laurell Barker, Tom Oehler and Thomas Stengaard. The German qualifier “Our song for Israel” (“Unser Lied für Israel”) will hit the stage today, Friday, 22 February 2019. Text by Giorgio Tebaldi; Video by Manu Leuenberger

Tonight’s decision night: Which song will represent Germany in the Eurovision Song Contest (ESC) in May 2019 in Tel Aviv? Among the seven final songs is “Sister” which was created during the SUISA Songwriting Camp in June 2018. The song was written by SUISA members Marine Kaltenbacher and Tom Oehler together with Canadian songwriter Laurell Barker. In the follow-up, Danish producer Thomas Steengard came on board for some finetuning.

“Sister” is a song from the SUISA Songwriting Camp which manages to cross borders beyond those of Switzerland. “Thanks to the ESC and the German qualifier, the positive message which we wanted to send with ‘Sister’, enjoys a much bigger distribution” says singer songwriter Marine Kaltenbacher who performs under the name Submaryne and is from Lausanne. Berne songwriter and producer Tom Oehler also considers the participation of the song in the German qualifier as a huge step: “A song which participates in the ESC may well represent a huge career leap for a songwriter or producer.”

Laurell Barker: Several successes at the ESC

While Tom Oehler and Marine Kaltenbacher participated at a SUISA Songwriting Camp for the first time, Laurell Barker has already gathered ESC experience and took part at the camp, co-organised by SUISA, for a second time.  Not without success: At the first SUISA Songwriting Camp, she was a co-composer of “Stones” by ZiBBZ; the song represented Switzerland at the ESC 2018 in Lisbon. Laurell Barker is already now considered to be a participant at the finale of this year’s ESC: She is one of the composers of the British contribution “Bigger Than Us” sung by Michael Rice. The song qualified directly for the ESC finale, since the UK, together with Germany, France, Italy and Spain, belong to the “Big Five” countries. “I’d be extremely blessed and lucky if I could represent more than just one country in Tel Aviv – that would be crazy”, Laurell Barker says in the video.

“Unser Lied für Israel” today at 8.15pm on ARD

The song is performed by Sisters, a duo consisting of the two singers Carlotta Truman and Laurita Spinelli. The finale of “Our song for Israel” (“Unser Lied für Israel”) is broadcast tonight from 8.15pm onwards live on ARD. The ESC finale in Tel Aviv will take place on 18 May 2019. Germany is also directly qualifying for the finale as one of the “Big Five” countries. Other countries – among them Switzerland – fight for an entry into the finale on 14 and 16 May.

The SUISA Songwriting Camp took place for the second time in June 2018. A total of 36 musicians from 8 countries participated in the 3-day-long event in the Powerplay Studios in Maur. 19 pop songs were created, with varied styles and expressions. The Camp was organised by Pele Loriano Productions and SUISA.

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Creative teamwork at SUISA’s 2018 Songwriting Camp | plus video – SUISA organised the second edition of its Songwriting Camp in cooperation with Pele Loriano Productions. Like the premiere last year the camp again took place at the Powerplay Studios in Maur. A total of 36 musicians from eight different countries attended the three-day event in June 2018, creating 19 pop songs in a wide range of musical styles. Read more
“We wanted to write a song that suits us” | plus video – Siblings Co and Stee Gfeller, better known as ZiBBZ, are battling it out for entry to the Eurovision Song Contest with their song “Stones”. They wrote the song together with Canadian songwriter Laurell Barker at the songwriting camp staged by Pele Loriano Productions and SUISA in August 2017. In the video, the two siblings tell us more about how the song came about and why this kind of songwriting camp is so important. Read more
 “Adiós”: Caribbean-style summer hit with a cembalo | plus video – At the “Swiss Music Awards” 2019, together with four co-composers Loco Escrito can hope for the sought-after concrete blocks in the category “Best Hit” for the song “Adiós”. The musician and music university lecturer Hans Feigenwinter talks about where the strengths of the song lie in a video with his song analysis. Read more
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Success for the SUISA Songwriting Camp: The song “Sister” created during last year’s camp is in today’s German ESC qualifier. The piece was composed and produced by an international songwriting team consisting of Marine Kaltenbacher, Laurell Barker, Tom Oehler and Thomas Stengaard. The German qualifier “Our song for Israel” (“Unser Lied für Israel”) will hit the stage today, Friday, 22 February 2019. Text by Giorgio Tebaldi; Video by Manu Leuenberger

Tonight’s decision night: Which song will represent Germany in the Eurovision Song Contest (ESC) in May 2019 in Tel Aviv? Among the seven final songs is “Sister” which was created during the SUISA Songwriting Camp in June 2018. The song was written by SUISA members Marine Kaltenbacher and Tom Oehler together with Canadian songwriter Laurell Barker. In the follow-up, Danish producer Thomas...read more

Creative teamwork at SUISA’s 2018 Songwriting Camp | plus video

SUISA organised the second edition of its Songwriting Camp in cooperation with Pele Loriano Productions. Like the premiere last year the camp again took place at the Powerplay Studios in Maur. A total of 36 musicians from eight different countries attended the three-day event in June 2018, creating 19 pop songs in a wide range of musical styles. Text and Video by Manu Leuenberger

The musical goal of SUISA’s 2018 Songwriting Camp was to write and compose pop songs suitable for broadcasting and with hit-parade potential, covering the full gamut of contemporary pop music – from urban to singer/songwriter. The participating musicians were divided into teams of 3 to 4 persons with the task of producing one song in one day. The groups changed every day so that the musicians always worked on new songs with new teammates.

Songwriting camps – a well-established format in the pop music branch

The songwriting camp is a well-established production format in the international pop music business. One of the advantages of this format is that it brings together musicians who would not otherwise work together, explained Pele Loriano, the artistic director of the event, in an article about last year’s SUISA Camp published in the “NZZ” (edition of 19.10.2017): “This increases the chance that the special chemistry favouring inspiration will emerge in one of the teams. The great thing about teamwork is that it generates ideas which one person alone would not otherwise have found.”

The foreign producers and songwriters invited by Pele Loriano to the Greifensee were from France, Great Britain, Germany, Belgium, USA, Sweden, and Canada. In picking the artists from Switzerland, the artistic director was literally spoilt for choice: 75 responses were received to SUISA’s call for applications from members. The number of applicants was far larger then the places available.

Many SUISA members were interested and participated

In order to cope with the large demand, the five teams originally planned were increased to six songwriting groups per day. This enabled more SUISA members than planned to enjoy the opportunity of composing songs jointly with international and Swiss songwriters, and to benefit from the inspirational exchange.

Over the three days from 18 to 20 June 2018, a total of 36 music creators participated in the Songwriting Camp. Of the 26 participating SUISA members, six were from the French-speaking part of the country and three from the Ticino; the others came from German-speaking Switzerland. About 40% of the participants were female musicians (14 female, 22 male artists).

At the final “Listening Session” on Wednesday evening, the artists and guests – including representatives of music publishers – listened to the diversified results of the songwriting sessions. Overall, the teams produced 19 pop songs in the most varied musical styles; from ballads to chanson, from indie pop to dance track, with lyrics in French, German, Italian and English. The future will show whether the demo songs from the “hit factory made in Switzerland”, as the “Aargauer Zeitung” called the SUISA Songwriting Camp in its edition of 1 February 2018, will be successful in finding an audience.

More videos and SUISA Music Stories:
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Schedler Music Summit 2018 with Romina KalsiSchedler Music Summit 2018 with Romina Kalsi The sixth recurrence of the Schedler Music Summit, an annual international songwriting camp which is organised by music publishing house Schedler Music, took place between 13 and 18 January 2018 in Lechtal, Austria. For five days, a team of 42 musicians from a variety of musical and geographic contexts with the task to compose a minimum of one song per day. Romina Kalsi, who has been a SUISA member since 2014, was selected by those in charge of the camp and the summit, Fiona Schedler and Alexander Schedler, as one of the nine summit participants from Switzerland. Read more
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SUISA organised the second edition of its Songwriting Camp in cooperation with Pele Loriano Productions. Like the premiere last year the camp again took place at the Powerplay Studios in Maur. A total of 36 musicians from eight different countries attended the three-day event in June 2018, creating 19 pop songs in a wide range of musical styles. Text and Video by Manu Leuenberger

The musical goal of SUISA’s 2018 Songwriting Camp was to write and compose pop songs suitable for broadcasting and with hit-parade potential, covering the full gamut of contemporary pop music – from urban to singer/songwriter. The participating musicians were divided into teams of 3 to 4 persons with the task of producing one song in one day. The groups changed every day so that the musicians always worked...read more

Applications for the SUISA Songwriting Camp 2018

SUISA organises another Songwriting Camp together with Pele Loriano Productions. The second SUISA Songwriting Camp will be held between 18 and 20 June 2018. SUISA members can apply to participate. Text by Manu Leuenberger

Applications for the SUISA Songwriting Camp 2018

The SUISA Songwriting Camp is taking place for a second time in June 2018. Above, a group shot of participants is shown, taken at the Powerplay Studios during the successful première of the Songwriting Camp in August 2017. (Photo: Manu Leuenberger)

The SUISA Songwriting Camp takes place for a second time after its successful première in the summer of 2017 (4 songs from the camp made it to the Swiss ESC final, among them the winning song “Stones”). This year, the Songwriting Camp will be held between Monday 18 and Wednesday 20 June 2018. Planned venue for the event are the Powerplay Studios in Maur near Zurich.

The goal of the Songwriting Camp is to compose pop songs, tailored for radio broadcasts and capable of storming the charts, with the potential to comprise all facets of temporary pop – in the range of “urban” to singer/songwriter. Resulting songs shall have the spectrum to be offered to publishers and artists from the pop scene and to be viable material for the Eurovision Song Contest.

Spaces for SUISA member participation

The exact number of participants’ spaces at the Songwriting Camp will only be made known once the exact set up of the participating songwriters has been completed. At least half of the participants’ spaces are available for SUISA members from all regions of Switzerland. SUISA members will benefit from the opportunity to compose pieces of music together with other professional songwriters from all over the world at the Songwriting Camp.

Participants are expected to exhibit well-versed musical competencies, team spirit, creativity and efficient working styles. Teams of 3-5 people are presented with the task to write a song from scratch within one day during the “songwriting sessions” – the result is a demo version of the completed piece in the evening.

In order to make this cooperation a success, participants must be able to retrieve their creative potential and be open for critique in the exchange with the co-composers. SUISA members Kate Northrop, Lars Christen, Chiara Dubey, Alejandro Reyes and the siblings Co & Stee Gfeller aka Zibbz report of their experience during last year’s SUISA Songwriting Camp in video interviews.

Applications for the SUISA Songwriting Camp 2018

SUISA members may apply for participation in the Songwriting Camp. We are looking for producers, lyricists, composers and songwriters who wish to participate for one or several days at the SUISA Songwriting Camp.

Applications should contain:

  • a short biography;
  • meaningful reference songs (mp3 files or internet links);
  • contact infos (including valid e-mail addresses and phone numbers).

The applications with the documentation should be sent via e-mail, including the subject line “Application – SUISA Songwriting Camp 2018” to:
songwritingcamp (at) suisa (dot) ch
The deadline for applications is 8 April 2018.

Selection process and dates

International artists as well as participating SUISA members are selected by the artistic programme director of the Songwriting Camp. A harmonious mix of participants is paramount for the creative success of the “Songwriting Sessions”. Pele Loriano Productions are going to take on the artistic programme directorship on behalf of SUISA.

The artistic programme director will directly communicate any acceptance messages and invitations as well as further details on the participation at the SUISA Songwriting Camp 2018 by 31 May 2018.

There will be no mail-out of letters of rejection. If you have not received an acceptance message by 31 May 2018 you were not taken into consideration for the Songwriting Camp 2018. Please note that, at no time whatsoever, any claims arise to a participation in the event by sending in an application. There will also not be any correspondence in relation to the actual allocation of spaces. It is currently unconfirmed whether or not SUISA will continue to co-organise Songwriting Camps after June 2018.

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SUISA organises another Songwriting Camp together with Pele Loriano Productions. The second SUISA Songwriting Camp will be held between 18 and 20 June 2018. SUISA members can apply to participate. Text by Manu Leuenberger

Applications for the SUISA Songwriting Camp 2018

The SUISA Songwriting Camp is taking place for a second time in June 2018. Above, a group shot of participants is shown, taken at the Powerplay Studios during the successful première of the Songwriting Camp in August 2017. (Photo: Manu Leuenberger)

The SUISA Songwriting Camp takes place for a second time after its successful première in the summer of 2017 (4 songs from the camp made it to the Swiss ESC final, among them the winning song “Stones”). This year, the Songwriting Camp will be held between Monday 18 and Wednesday 20 June 2018. Planned venue for the event...read more

Schedler Music Summit 2018 with Romina Kalsi

The sixth recurrence of the Schedler Music Summit, an annual international songwriting camp which is organised by music publishing house Schedler Music, took place between 13 and 18 January 2018 in Lechtal, Austria. For five days, a team of 42 musicians from a variety of musical and geographic contexts with the task to compose a minimum of one song per day. Romina Kalsi, who has been a SUISA member since 2014, was selected by those in charge of the camp and the summit, Fiona Schedler and Alexander Schedler, as one of the nine summit participants from Switzerland. Text by Erika Weibel

Schedler Music Summit 2018 with Romina Kalsi

Romina Kalsi, a young singer and songwriter from Ticino was one of the participants of the Schedler Music Summit 2018. From her first experience in an international songwriting camp, Romina brings along three new songs and numerous new contacts to the international music scene. (Photo: Wolfgang Rudigier)

Romina Kalsi, a young singer and songwriter from Ticino, has become known over the last years due to the success of the band Rocky Wood. The frontwoman, singer and co-composer of the tracks has contributed significantly to the success and the creation of the first album “Shimmer” which was published by the band from Ticino in 2014. After that, Romina has selected a new solo path with her project Animor from which a digital EP named “Chasing Gold” emerged.

Creation of the works by Romina Kalsi

Kalsi explains to us that composing one of her songs can sometimes be a long process which easily keeps her busy for three to four months. This is due to the fact that she does not always has the possibility to dedicate all of their time exclusively to songwriting. It’s also possible that the basic idea for a work simply needs to ripen over a certain period of time. She does not set herself a time limit when it comes to composing for herself.

Source of inspiration and starting point for her works are often life experiences which left a mark on her, or synergies which arise in the cooperation with other musicians who respectively trigger a creative process.

Songwriting camp: Three works in three days

The participation in the Schedler Summit is Romina Kalsi’s first experience in an international songwriting camp. Fiona Schedler explained that it was particularly Romina Kalsi’s particular timbre which stood out among more than fifty SUISA authors who had applied, which was, among others, a reason that she was selected to participate in the camp. The camp gained musical variety due to Kalsi’s participation.

Alexander Schedler, the artistic leader of the camp, asked her to compose a piece for her current solo project Animor as a first assignment. It was composed in collaboration with Finnish creator Tobias Grandbacka, Riccardo Bettiol of Switzerland and Ida Björg Leisin from Denmark in one day; it’s title is “Crumble Plastic”. The piece is a pop song which is characterised by reggae elements and whose lyrics have been inspired by a current topic. It is very important for Kalsi that her music contains a message. She is of the opinion that composer carry a major responsibility since they can reach straight for the hearts of the audience with their music.

Kalsi adds that “Crumble Plastic” is the result of a surprising agreement and incredible feeling which immediately arose among the involved musicians. It was nearly written in an organic process, in a long jam session which left enough space to each composer to be able to integrate their ideas into the song.

The other works that the summit representative from Ticino was involved in are “Big Shot”, a melancholic pop song and “At The End Of The World” whose genre is similar to a soundtrack.

The composition process was rather dissimilar to the one for “Crumble Plastic”. Both are the result of intensive communication between the involved composers. In this case, the starting point were the song lyrics, characterised by metaphoric images which were created via the exchange of feelings and personal experiences of various musicians. The result: two poetic sets of lyrics which served as a basis for a nearly mathematical composition of the melody. Each passage of lyrics and music is thus the result of acrimonious work of communicating and integrating experiences of the participating composers.

In the coming months, we will find out where and when “Big Shot” and “At The End Of The World” will be published.

Challenges and advantages of a songwriting camp

Deep and long lasting friendships can arise among the musicians who collaborate during a songwriting camp and exchange very personal experiences at this occasion in order to compose songs together. Sometimes it also happens that the spark among the participants does not jump immediately or that the topics allocated by the artistic leader do not correspond with the reality or nature of the musician.

The limited deadline prescribing that at least one song has to be written per day, the feeling between the musicians and the stress arising from unavoidable confrontation with other songs which are created in the camp, are some additional aspects which either hinder or kindle the composers’ creativity, and they sometimes spur them on to reach maximum performance. As a consequence, and despite the limited time, capturing songs are created in the camp, with which not only the composers of the works but also a broad audience can identify. Alexander Schedler, creative leader of the camp, confirms that Kalsi met these challenges with great enthusiasm and creativity.

From her first experience in an international songwriting camp, Romina does not only bring along three new songs but also numerous contacts to the international music scene. Thanks to the cooperation with rather different musicians, she can also draw from new composition approaches and styles and emerges from this experience with musical maturity. Romina tells us that she has already four projects in the pipeline where she is going to enter into new cooperations with the composers who she met in the songwriting camp. In the coming months, she is particularly focussing on the implementation of her project Animor.

Tracks composed by Romina Kalsi during the summit camp, with the participation of:

“Big Shot”
Romina Kalsi
Dillon Dixon
Phil Sunday
Ida Björg Leisin

“Crumble Plastic”
Romina Kalsi
Riccardo Bettiol
Ida Björg Leisin
Tobias Grandbacka

“At The End Of The World”
Romina Kalsi
Pele Loriano
Tobias Grandbacka

SUISA Sponsoring at the Schedler Summit:
SUISA was one of the sponsors of the Schedler Music Summit 2018. Schedler Music Publishing has been registered with SUISA since 2005 and is active via various sub-publishing agreements in nearly all Western and English-speaking countries. At the Summit 2018, a total of 61 songs were composed with the participation of 42 musicians from 9 countries.

www.animormusic.com
schedlermusicsummit.com
schedlermusic.com

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  1. Bill Kalsi says:

    I feel proud of my daughter.

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The sixth recurrence of the Schedler Music Summit, an annual international songwriting camp which is organised by music publishing house Schedler Music, took place between 13 and 18 January 2018 in Lechtal, Austria. For five days, a team of 42 musicians from a variety of musical and geographic contexts with the task to compose a minimum of one song per day. Romina Kalsi, who has been a SUISA member since 2014, was selected by those in charge of the camp and the summit, Fiona Schedler and Alexander Schedler, as one of the nine summit participants from Switzerland. Text by Erika Weibel

Schedler Music Summit 2018 with Romina Kalsi

Romina Kalsi, a young singer and songwriter from Ticino was one of the participants of the Schedler Music Summit 2018. From her first experience in an international songwriting camp, Romina brings...read more

“The inspiration for my songs often comes from a single word” | plus video

As a composer and lyricist, Alejandro Reyes from Lausanne has two songs in the Swiss final for the Eurovision Song Contest 2018: “Kiss Me” and “Compass”. He also performs the latter track himself. The songs were written at the songwriting camp organised by Pele Loriano Productions and SUISA. Writing music as part of a team was new for Alejandro – and an inspiring process. In an interview, the young songwriter explains more about how his two Eurovision songs came about. Text by Giorgio Tebaldi; video by Manu Leuenberger

“I never imagined having two songs in the Swiss Eurovision final”, says Alejandro. And no wonder: at 25, Alejandro has only been making music for around seven years. For him, both the Eurovision Song Contest and the songwriting camp were entirely new experiences. It was also the first time that he had written songs in collaboration with other composers and lyricists – which made him all the more proud of his success. “Before coming to the camp, I didn’t think I’d have so much to contribute to the process”, he admits.

It was a great experience for the young songwriter: “I was able to share my perspective and my way of working”, he says. “I also gained a lot from the others at the same time – both positive and not-so-positive feedback that helped me grow as a songwriter.” What particularly struck Alejandro about the songwriting camp was the experience of working together with other songwriters, most of whom he had never met before, for just one day. “There was something really unique and authentic that came out of the collaboration – it really captured a moment in time.”

Alejandro was able to choose which of two songs he co-wrote he wanted to perform: “Compass” or “Kiss Me”. He chose “Compass”, as he felt the song’s story resonated more, and it was a song that went very deep. “The very first lines take you to a profound, moving place. The song has a message”, says Alejandro.

He worked together with the Swiss composer and producer Lars Christen and the Canadian songwriter Laurell Barker on “Compass”. “We started with the basic mood of the song and the idea for the story”, says Alejandro, reflecting on the process of creating the song. The outline of the song came together relatively quickly.

When asked about how he writes his songs, Alejandro answered that, “The inspiration for my songs often comes from a single word.” In the case of “Compass”, he imagined someone reorienting themselves – with a compass. And it’s clear where Alejandro Reyes’ own compass is pointing him: towards the Eurovision Song Contest final 2018!

www.alejandro-reyes.com

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Chiara Dubey: “You have three minutes to impress the whole of Europe” | plus video“You have three minutes to impress the whole of Europe” | plus video Ticino-based musician Chiara Dubey has a good chance of representing Switzerland at the Eurovision Song Contest in Lisbon on 12 May 2018 with her song “Secrets and Lies”. The pop ballade was written at the songwriting camp organised by Pele Loriano Productions and SUISA that took place in August 2017. In an interview, Chiara Dubey talks about her collaboration with her co-songwriters Jeroen Swinnen from Belgium and Janie Price from the UK. Read more
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As a composer and lyricist, Alejandro Reyes from Lausanne has two songs in the Swiss final for the Eurovision Song Contest 2018: “Kiss Me” and “Compass”. He also performs the latter track himself. The songs were written at the songwriting camp organised by Pele Loriano Productions and SUISA. Writing music as part of a team was new for Alejandro – and an inspiring process. In an interview, the young songwriter explains more about how his two Eurovision songs came about. Text by Giorgio Tebaldi; video by Manu Leuenberger

“I never imagined having two songs in the Swiss Eurovision final”, says Alejandro. And no wonder: at 25, Alejandro has only been making music for around seven years. For him, both the Eurovision Song Contest and the songwriting camp were entirely new experiences. It...read more

“You have three minutes to impress the whole of Europe” | plus video

Ticino-based musician Chiara Dubey has a good chance of representing Switzerland at the Eurovision Song Contest in Lisbon on 12 May 2018 with her song “Secrets and Lies”. The pop ballade was written at the songwriting camp organised by Pele Loriano Productions and SUISA that took place in August 2017. In an interview, Chiara Dubey talks about her collaboration with her co-songwriters Jeroen Swinnen from Belgium and Janie Price from the UK. Text by Giorgio Tebaldi; video by Manu Leuenberger

As a performer, Chiara Dubey has the most Eurovision experience of the six finalists. The Ticino musician has made it to the final round of artists fighting to perform the Eurovision Song Contest for the third time. She wrote her current song “Secrets and Lies” together with the Belgian songwriter and producer Jeroen Swinnen and the British artist Janie Price at the songwriting camp organised by Pele Loriano Productions and SUISA.

Chiara explains how the song was written. “Jeroen played a chord sequence on the piano and I improvised a melody, based purely on gut instinct. Bit by bit we added more elements and tinkered with it, like a puzzle, until we had an outline we were all happy with. ” The lyrics came from Janie Price, who arrived at the camp with her own texts. “We adapted her lyrics to the new structure and melody”, says Chiara. “Janie wrote the words, and I gave them my own personal touch.”

Composing a song in this way was a new experience for Chiara: “It was a new feeling for me, not having everything under control!” The Swiss musician normally likes to have an overview of the composition, lyrics, arrangement and instrumentation of her music, but this wasn’t the case at the songwriting camp. “You have to relinquish control and create something that works for all of the artists involved”, explains Chiara on the subject of group composition.

In the end, it’s about coming up with the best possible result – after all, as Chiara says, at the Eurovision Song Contest, “You only have three minutes to impress the whole of Europe.”

www.chiaradubey.com

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Ticino-based musician Chiara Dubey has a good chance of representing Switzerland at the Eurovision Song Contest in Lisbon on 12 May 2018 with her song “Secrets and Lies”. The pop ballade was written at the songwriting camp organised by Pele Loriano Productions and SUISA that took place in August 2017. In an interview, Chiara Dubey talks about her collaboration with her co-songwriters Jeroen Swinnen from Belgium and Janie Price from the UK. Text by Giorgio Tebaldi; video by Manu Leuenberger

As a performer, Chiara Dubey has the most Eurovision experience of the six finalists. The Ticino musician has made it to the final round of artists fighting to perform the Eurovision Song Contest for the third time. She wrote her current song “Secrets and Lies” together with the Belgian songwriter and producer...read more

“We wanted to write a song that suits us” | plus video

Siblings Co and Stee Gfeller, better known as ZiBBZ, are battling it out for entry to the Eurovision Song Contest with their song “Stones”. They wrote the song together with Canadian songwriter Laurell Barker at the songwriting camp staged by Pele Loriano Productions and SUISA in August 2017. In the video, the two siblings tell us more about how the song came about and why this kind of songwriting camp is so important. Text by Giorgio Tebaldi; video by Manu Leuenberger

Co and Stee Gfeller commute between Los Angeles and Switzerland. In their LA music lab, the two often take part in songwriting sessions with other musicians – a form of creative exchange missing from Switzerland until now. “It’s so great that now we have a songwriting camp for the first time in Switzerland”, says Co Gfeller.

When they took part in the songwriting camp at Powerplay Studios in August 2017, the siblings wrote two songs in two days. With the song “Stones”, they will be battling it out at the SRF decision show on 4 February 2018, hoping to take part in the Eurovision Song Contest finale in Lisbon.

The Gfellers co-wrote the song with Canadian songwriter Laurell Barker. Working as a trio proved to be highly productive; As ZiBBZ recall in the interview, the basic structure of the song was there in just 30 minutes. The song came about almost “magically” on the day, as they explain.

www.zibbz.com

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Siblings Co and Stee Gfeller, better known as ZiBBZ, are battling it out for entry to the Eurovision Song Contest with their song “Stones”. They wrote the song together with Canadian songwriter Laurell Barker at the songwriting camp staged by Pele Loriano Productions and SUISA in August 2017. In the video, the two siblings tell us more about how the song came about and why this kind of songwriting camp is so important. Text by Giorgio Tebaldi; video by Manu Leuenberger

Co and Stee Gfeller commute between Los Angeles and Switzerland. In their LA music lab, the two often take part in songwriting sessions with other musicians – a form of creative exchange missing from Switzerland until now. “It’s so great that now we have a songwriting camp for the first time...read more

“You always want to write the best song you can” | plus video

Songwriter Kate Northrop is primarily a lyricist, a creative role that doesn’t often land her in the spotlight. Together with three other authors, the SUISA member co-wrote Naeman’s entry to the Eurovision Song Contest, “Kiss Me”. In a video interview, Kate Northrop explains how she came up with the song lyrics and how she was inspired by the songwriting camp organised by SUISA and Pele Loriano Productions. Text by Giorgio Tebaldi, video by Manu Leuenberger

Behind every good song is a good songwriter – and in the case of “Kiss Me”, there were four. The song is among the Swiss finalists for the Eurovision Song Contest 2018, and is performed by Naeman. It was written by Alejandro Reyes from Lausanne, Ken Berglund from Sweden, Eric Lumière from the USA and Kate Northrop.

Kate originally comes from the USA, now lives in Switzerland, and helped write the lyrics. The story the song tells is the result of a team effort: “First, we all told each other what we thought the song’s story was”, the songwriter explains. “Then we tried to capture that with music, words and – above all – emotions.”

Kate had written songs with a number of different co-authors before, but the process at the songwriting camp was an entirely new experience for her: she had 12 hours to write a finished song with a group of artists she had never met before. Kate loved this method of songwriting: “Working with these artists was incredibly inspiring”, she says. “In order to create something, you have to be open to creative ideas from the rest of the group.”

The fact that the songs written at the songwriting camp were being written for the Eurovision Song Contest made no difference to Kate: “I don’t think writing for the Eurovision Song Contest is different from writing any other kind of song. You always want to write the best song you can.”

www.songwave.ch, Kate Northrop’s website

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Songwriter Kate Northrop is primarily a lyricist, a creative role that doesn’t often land her in the spotlight. Together with three other authors, the SUISA member co-wrote Naeman’s entry to the Eurovision Song Contest, “Kiss Me”. In a video interview, Kate Northrop explains how she came up with the song lyrics and how she was inspired by the songwriting camp organised by SUISA and Pele Loriano Productions. Text by Giorgio Tebaldi, video by Manu Leuenberger

Behind every good song is a good songwriter – and in the case of “Kiss Me”, there were four. The song is among the Swiss finalists for the Eurovision Song Contest 2018, and is performed by Naeman. It was written by Alejandro Reyes from Lausanne, Ken Berglund from Sweden, Eric Lumière from the USA and Kate Northrop.

Kate...read more

“Taking part in the songwriting camp was a big win” | plus video

“Compass” is one of the final six Swiss songs competing for entry to the Eurovision Song Contest 2018. It is sung by Alejandro Reyes, who wrote it together with Canadian Laurell Barker and Swiss composer and producer Lars Christen. In an interview with SUISA, Lars Christen talks about the songwriting process. He also explains why he found the songwriting camp such a valuable experience. Text by Giorgio Tebaldi; video by Manu Leuenberger

Lars Christen is a much asked for producer and songwriter. He works with artists such as Bastian Baker, James Gruntz, Damian Lynn and – currently – Marc Sway. The August 2017 songwriting camp, which was staged by Pele Loriano Productions and SUISA and took place at the Powerplay Studios in Maur, was a new experience for the SUISA member. But it paid off. Together with Lausanne-based musician Alejandro Reyes and Canadian Laurell Barker he wrote “Compass”, one of the six songs being considered for Switzerland’s entry in the Eurovision Song Contest.

The song is sung by co-writer Alejandro Reyes himself. “We talked it over with Alejandro – the things that are important to him, what he would like to sing about”, says Lars in the video about the development process of the song. The thing that “Lars the music guy” most valued at the songwriting camp was the exchange with other musicians from home and abroad. “In terms of building a network, taking part in the camp was a big win.”

The SRF decision show is coming up on 4 February 2018, and the songwriting team will find out if “Compass” will represent Switzerland at the Eurovision Song Contest in Lisbon in May. “I hope other people get as much enjoyment out of it as we did when we were writing the song”, says Lars.

www.larsthemusicguy.com

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“Compass” is one of the final six Swiss songs competing for entry to the Eurovision Song Contest 2018. It is sung by Alejandro Reyes, who wrote it together with Canadian Laurell Barker and Swiss composer and producer Lars Christen. In an interview with SUISA, Lars Christen talks about the songwriting process. He also explains why he found the songwriting camp such a valuable experience. Text by Giorgio Tebaldi; video by Manu Leuenberger

Lars Christen is a much asked for producer and songwriter. He works with artists such as Bastian Baker, James Gruntz, Damian Lynn and – currently – Marc Sway. The August 2017 songwriting camp, which was staged by Pele Loriano Productions and SUISA and took place at the Powerplay Studios in Maur, was a new experience for the SUISA member. But...read more

Eurovision Song Contest: Swiss songwriting camp by Pele Loriano Productions and SUISA a huge success

The Swiss broadcaster SRF announced the six songs that will be in the running for the Swiss entry to the Eurovision Song Contest (ESC) 2018 today. Four of the six entries were created at the Swiss songwriting camp held by Pele Loriano Productions and SUISA at Powerplay Studios in Maur. Text by Erika Weibel and Giorgio Tebaldi

Eurovision Song Contest: Swiss songwriting camp by Pele Loriano Productions and SUISA a huge success

Chiara Dubey (on the right), English creative artist Janie Price (in the middle) and the Belgian songwriter and producer Jeroen Swinnen in August 2017 in the Powerplay Studios in Maur. (Photos: Manu Leuenberger)

‘Secrets and Lies’ by Chiara Dubey, ‘Compass’ by Alejandro Reyes, ‘Stones’ by ZiBBZ and ‘Kiss Me’ sung by Naeman – four of the six final songs for the Swiss entry to the ESC 2018 were composed during the songwriting camp that took place at Powerplay Studios in Maur, Zurich from 23 – 25 August 2017. The camp was organised by Pele Loriano Productions in collaboration with SUISA. Pele Loriano is a composer, producer and musical director, and has been a member of SUISA since 1996.

During the three-day songwriting camp, 25 artists teamed up in groups of three to five to compose 18 different tracks. In addition to 13 SUISA members – composers, producers and lyricists from Switzerland – 12 artists from Belgium, Finland, Canada, the Netherlands, Israel, Sweden, the UK and the US attended the workshop. It was the first time a songwriting camp of this kind for the ESC had taken place in Switzerland.

ESC: Swiss songwriting camp by Pele Loriano Productions and SUISA a huge success

The composers, lyricists and producers who were present on the third and last day of the Songwriting Camp in the recording room of Studio A.

Six SUISA members involved with the four final songs

Six SUISA members are represented in the four final songs from the songwriting camp. Three of the songs are performed by the SUISA authors themselves. The following artists are behind the four songs:

‘Secrets and Lies’
Music/lyrics by: Chiara Dubey (CH/SUISA), Janie Price (UK) and Jeroen Swinnen (BE);
performed by: Chiara Dubey

‘Stones’
Music/lyrics by: Co and Stee Gfeller aka ZiBBZ (CH/SUISA) and Laurell Barker (CAN);
performed by: ZiBBZ

‘Kiss Me’
Music/lyrics by: Kate Northrop (USA/SUISA), Alejandro Reyes (CH/SUISA), Eric Lumiere (USA) and Ken Berglund (SE); performed by: Naeman

‘Compass’
Music/lyrics by: Alejandro Reyes (CH/SUISA), Lars Christen (CH/SUISA) and Laurell Barker (CAN);
performed by: Alejandro Reyes

Eurovision Song Contest: Swiss songwriting camp by Pele Loriano Productions and SUISA

SUISA members Alejandro Reyes (on the left) and Lars Christen (on the right) during their session for the song “Compass“ which they had composed together with the Canadian Laurell Barker.

Total of 670 submissions

The four songs from the songwriting camp were chosen from a total of 670 submissions for the Swiss ESC entry. The songs for the Swiss finals show were selected by an independent jury made up of 20 musicians, media professionals, ESC fans and television viewers.

Finals on 4 February 2018

Which of the six final songs will have the honour of representing Switzerland at the ESC 2018 will be decided at the SRF Swiss finals show on 4 February 2018.

Press Release (PDF, 26 KB)

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The Swiss broadcaster SRF announced the six songs that will be in the running for the Swiss entry to the Eurovision Song Contest (ESC) 2018 today. Four of the six entries were created at the Swiss songwriting camp held by Pele Loriano Productions and SUISA at Powerplay Studios in Maur. Text by Erika Weibel and Giorgio Tebaldi

Eurovision Song Contest: Swiss songwriting camp by Pele Loriano Productions and SUISA a huge success

Chiara Dubey (on the right), English creative artist Janie Price (in the middle) and the Belgian songwriter and producer Jeroen Swinnen in August 2017 in the Powerplay Studios in Maur. (Photos: Manu Leuenberger)

‘Secrets and Lies’ by Chiara Dubey, ‘Compass’ by Alejandro Reyes, ‘Stones’ by ZiBBZ and ‘Kiss Me’ sung by Naeman – four of the six final songs for the Swiss entry to the ESC 2018 were composed during the songwriting camp that took place...read more