Tag Archives: Public service

2018 – a challenging year?!

Review of the Copyright Act, No-Billag-Initiative, online licensing, further development of “my account”… With such topics, SUISA continues to pursue the aim to offer its members efficient services and to create optimal framework conditions. We will face the challenge! By Irène Philipp Ziebold, Director

2018 – a challenging year?!

SUISA supports a NO to the No-Billag-Initiative: “If we did not do anything, we would not live up to our duties as a self-help organisation of music creators” writes Director Irène Philipp Ziebold. (Photo: Manu Leuenberger)

We want to continue to provide efficient services to our members in 2018 and to create optimal framework conditions for them. We have been pursuing these goals in a continuous process for quite a while. For this year we have made a clear note of these intentions and resolutions in our ‘to do’ notepads, since we are facing many challenges in 2018.

With respect to the framework conditions, for example, it is important that authors and publishers benefit better from the online usage of their works with the review of the Copyright Act, or that, in the interest of Swiss music, the reception fees made out of solidarity for public service media are not abolished. In an increasingly cross-border oriented competitive environment, it is, however, also of entrepreneurial importance to optimise the service range offered for members and customers alike.

Since December 2017, statements are made available via “my account”Since December 2017, statements are made available via “my account”
Thanks to the password-protected members’ area “my account”, our members can keep an overview of their distribution statements and distribution settlements. Many members asked us to stop the dispatch by post. We have taken this request into account and introduced the option to renounce on the postal dispatch. Read more

Something we at SUISA can determine as a Cooperative Society is whether a member can access its settlements via “my account”. Since December 2017, only those who have had access to “my account” have been receiving their distributions electronically. It is important in this context that we approach such developments in the interest of our members and never lose sight of the goal to offer high-quality efficient services. Driven by such a motivation, we have continued to improve our services for our members throughout the last few years.

Above and beyond that, we also have the duty as a collective management organisation for copyright to make social and political statements and to create optimal framework conditions as a consequence. Compared to the above mentioned “internal” processes and services, we cannot make the “right” decisions ourselves but influence matters so that the interests of our members are being taken seriously.

Copyright Act Review: Authors and publishers must benefit more from the online exploitation of their worksCopyright Act Review: Authors and publishers must benefit more from the online exploitation of their works
The Federal Council has adopted a dispatch on the new Copyright Act. SUISA is in principle content with the current version of the law. The solutions achieved in the working group for the Copyright Act (AGUR12 II) were implemented. In order for authors, performers, publishers and producers to benefit better from the digitisation, it is necessary to adopt important additions. Read more

We thus engage ourselves to ensure that the creatives, our members as the content suppliers for online platforms do not come out of this empty-handed and that they can expect a modern Copyright Act.

We therefore also support a NO to the No-Billag-Initiative. For many of our members, the public service idea, especially the opportunity to disseminate music and culture, is essential. In this case, the broadcasters of SRG SSR as well as the 35 state-licensed TV and radio stations play a fundamental role. If the reception fees made by Swiss households out of solidarity for their public service media would be abolished, then important platforms for our members for the dissemination of their works would fall away.

Subsidised broadcasters offer more variety and more SUISA repertoireSubsidised broadcasters offer more variety and more SUISA repertoire
Subsidised radio and TV broadcasters in Switzerland and Liechtenstein tend to create more broadcasting space for the music of SUISA members than privately financed channels. Moreover, the majority of the broadcasters supported by the Swiss Federation play more diverse music titles than their counterparts which are focussed on advertising revenue. In the interest of our local music creation and the cultural diversity, we therefore have to reject an abolition of the solidarity-based fees for public service media. Read more

SUISA therefore supports the activities of creators and artists and their associations such as Sonart – music creatives Switzerland, Suisseculture or the Swiss Music Council against No-Billag. If we did not do anything, we would not live up to our duties as a self-help organisation of music creators. And that’s why we take on the challenges 2018 is going to throw at us!

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Review of the Copyright Act, No-Billag-Initiative, online licensing, further development of “my account”… With such topics, SUISA continues to pursue the aim to offer its members efficient services and to create optimal framework conditions. We will face the challenge! By Irène Philipp Ziebold, Director

2018 – a challenging year?!

SUISA supports a NO to the No-Billag-Initiative: “If we did not do anything, we would not live up to our duties as a self-help organisation of music creators” writes Director Irène Philipp Ziebold. (Photo: Manu Leuenberger)

We want to continue to provide efficient services to our members in 2018 and to create optimal framework conditions for them. We have been pursuing these goals in a continuous process for quite a while. For this year we have made a clear note of these intentions and resolutions in our ‘to do’...read more

Subsidised broadcasters offer more variety and more SUISA repertoire

Subsidised radio and TV broadcasters in Switzerland and Liechtenstein tend to create more broadcasting space for the music of SUISA members than privately financed channels. Moreover, the majority of the broadcasters supported by the Swiss Federation play more diverse music titles than their counterparts which are focussed on advertising revenue. In the interest of our local music creation and the cultural diversity, we therefore have to reject an abolition of the solidarity-based fees for public service media. Text by Andreas Wegelin and Manu Leuenberger

Subsidised broadcasters offer more variety and more SUISA repertoire - NO to No Billag

The Association ‘Musikschaffende Schweiz’ (Swiss Music Creatives) presented a “SwissMusicOnAir Award” for the first time in 2017. The prize was awarded to the licensed private radio broadcaster with the highest percentage of Swiss (pop) music in its programme: the subsidised Berne-based local radio Radio BeO. (Photo: Radio BeO)

On average, subsidised Swiss radio channels broadcast a higher percentage of music by SUISA members than private radio channels without any public sector funding. In the case of broadcasters which are subsidised by the Swiss Federation, the number of different music titles in the programme is also usually much higher than in the case of their mainly ad-funded counterparts.

A (co-)funding by the Swiss Federation thus contributes to Swiss music creation and diversity taking place in the broadcast programmes. This conclusion isn’t just plucked out of thin air, as the data included in music use reports reflect, which are available to the two collective management organisations SUISA and Swissperform.

If a company in Switzerland wishes to broadcast radio and/or TV programmes or feed them into cable networks, it requires a licensing agreement with SUISA. Under this agreement, the broadcasters are required to provide exact details relating to the programme they transmit.

Broadcast percentages for music by SUISA members

The information provided on the broadcast music must contain the title of the musical work, the name of the composer(s) and artist(s) as well as the broadcast duration, among others. Such detailed information enables SUISA to carry out a correct distribution of the collected licence fees: The collections will be paid out to those authors and publishers whose works have been transmitted based on the information provided in the broadcast reports for the programmes.

Apart from that, the entirety of the broadcast reports reveals an overview of the entire music programme of a channel. In particular, SUISA is in a position to carry out the analysis of the played music of its own members on a well-founded basis. As soon as at least one of the authors is a SUISA member, the musical piece is considered to be a SUISA work for analytical purposes. A music title whose composers and lyricists are exclusively non-SUISA members are therefore considered to be part of ‘other’ repertoire, irrespective of the artist(s) in the course of establishing the music percentages.

Broadcast percentages SUISA works in 2016 in %

Figures rounded off; source: SUISA. (Graphics: Crafft)

A glance on the calculated broadcast percentages from the year 2016 reveals a clear trend: Subsidised radios create more space for the music of SUISA members than privately funded stations. Please note: Not only the SRG programmes play an increasing portion of SUISA repertoire, but also the local channels such as Radio BeO, Kanal K or Radio Stadtfilter. The latter also receive a share of the radio/TV reception fees. The programme mandate therefore shows its effect in this context.

Programme mandates for the national (SRG) and regional (local broadcasters) public service differ in their respective detail. Both of them are, however, subject to basic provision of Art. 93 of the Federal Constitution of the Swiss Confederation: “Radio and television shall contribute to education and cultural development, to the free shaping of opinion and to entertainment. They shall take account of the particularities of the country and the needs of the Cantons. They shall present events accurately and allow a diversity of opinions to be expressed appropriately.”

Diversity in the music programmes of the Swiss radio channels

The cultural mandate of SRG includes cultural reporting, education in the cultural sector as well as cultural promotion. In the course of this service mandate, SRG has agreed guidelines for the promotion of Swiss music creation in the radio programmes in the Swiss Music Charter together with the associations and institutions of the Swiss music sector. An analysis of radio broadcasts dating back to 2015, based on an evaluation by Swissperform, shows the positive impact of the public service mandate on the programme diversity:

Percentage of Swiss music and programming diversity in Swiss radio channels (2015 Analysis)
SRG broadcasters Percentage of Swiss music across all musical programming Number of different music titles Private broadcasters Percentage of Swiss music across all musical programming Number of different music titles
SRF MW 40.31 28,978 Radio 24 12.16 2,320
Swiss Classic 37.38 4,007 Argovia 10.25 2,669
Swiss Jazz 21.07 10,645 Sunshine 11.75 1,746
Virus 57.60 8,206 Central 16.32 6,885
Swiss Pop 36.78 4,929 Zürisee 10.45 4,319
SRF 3 21.25 13,702 Pilatus 11.32 2,389
SRF 2 8.22 16,826 Energy Zürich 1,670
SRF 1 16.95 12,189
Rete Uno 7.45 8,600
Rete Due 8.99 18,335
Rete Tre 14.73 14,209
RTR 37.23 18,176
RTS 1 6.25 12,728
RTS 2 14.28 27,075
RTS 3 20.89 19,220
Option Musique 12.81 6,881
Total 224,706 41,753
Average 22.64 14,044 12.04 3,143
Source: Swissperform

Based on this analysis, nearly every fourth played music title on SRG channels included Swiss music creators (percentage of CH music: 23%). The average percentage of broadcast Swiss music within ad-funded private channels amounted to a mere 12%.

A comparison of the number of various music titles proves another significant difference within the evaluated programmes: The audience of the SRG channels was able to listen to an average of 14,044 different recordings throughout the year. In the programmes of the private radio channels, the average across 12 months amounted to 3,143 recordings, a significantly lower number of different music titles. To put it bluntly: Private channels had a rotation of 9 different songs per day.

In the interest of Swiss music NO to No Billag

The public initiative, marketed under the deceptive title “No Billag” aims at a complete abolition of radio and TV reception fees. The initiators of this campaign have not set their targets on the collection body Billag. Instead, they intend to establish in the Federal Constitution of the Swiss Confederation that the Swiss Federation shall not subsidise any radio and TV stations. At the same time, if the initiative were to be successful, the previously mentioned basic provision according to which radio and TV must contribute to a cultural development and to take the national particularities of a country into account, would be deleted from the Federal Constitution of the Swiss Confederation without replacement.

In a purely commercially oriented radio and TV landscape, the broadcasters would inevitably focus on their advertising revenues. The current facts on broadcast percentages of Swiss Music and the number of different music titles convey an impression which impact such a finance-driven orientation would have on the programme contents. In the interest of our local music creation and the cultural diversity, we therefore have to categorically reject an abolition of the solidarity-based fees for public service media.

Further information:
Complete evaluations of the broadcast percentages of SUISA works, both in the radio transmissions of SRG as well as in the broadcasts of private radios in 2016 are published here: www.suisa.ch/hit-parades

NO to No Billag – Campaign against the public initiative

A petition to gather signatures is currently launched among Swiss creators and artists for an appeal with which they take a joint position against the No Billag initiative and for a culturally diverse Switzerland. The campaign is coordinated by the Schweizerische Interpretengenossenschaft (Swiss Artists’ Cooperative) SIG and Swissperform and is supported by numerous representatives from cultural sectors such as SUISA, music creators, the Musikrat (Music Council) and many more. In January 2018, creators and artists want to go public with their joint campaign.

The initiative has, however, not just seen resistance from within cultural circles. There are campaigns by various committees and institutions that are engaged in a NO to No Billag / NON à No Billag on 04 March 2018:

Nein zu No Billag, Initiative by the Unikom radios and others
Nonobillag.ch, interest group «NEIN zu No-Billag» (NO to No Billag)
Sendeschluss? Nein!, Association «Nein zum Sendeschluss» (No to transmission shutdown)
Nein zum Anschlag auf unsere Demokratie, Operation Libero
NON à No Billag, Association contre la disparition des radios et TV
Medien für alle – Médias pour tous – Media per tutti, Verein Medien für alle – médias pour tous – media per tutti
Amici della RSI, Associazione Amici della RSI
Salviamo la RSI, Pagina indipendente per la difesa del pluralismo svizzero dei media
No Billag No Svizzera, Comitato No Billag No Svizzera

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  1. Michel says:

    Seit mindestens 8 Jahren habe ich weder einen Fernseher noch ein Radio eingeschaltet. Ich beziehe mein Unterhaltungsprogramm und die Musik von anderen Diensten, bei denen ich selbst wählen kann, was ich sehen oder hören möchte. Und DAFÜR bezahle ich auch.

    Wenn jemand an der tollen “Vielfalt” der subventionierten Sendern hängt, warum soll ICH das bezahlen? Bezahl doch selbst! So wie ich es auch für meine Interessen tue.

    Simples Verursacherprinzip.

    Die Argumente der “Nein zu No-Billag” sind einfach nur lachhaft.

  2. Guldenfels says:

    No Billag, no cultur ?
    Dieser Slogan ist einfach nur Falsch !
    Entstehen doch genau in der Subcultur, weit weg von Subventionen, die Kreativen Würfe dieser Welt.
    Ausserdem gab es schon vor der Billag-Zwangsgebühren Kulturen….

    • Manu Leuenberger says:

      Bei der Genossenschaft SUISA sind über 36 000 Komponisten, Textautoren und Verleger aus allen musikalischen Sparten angemeldet. Darunter befinden sich auch zahlreiche Musikschaffende, die aus dem Independent-Bereich stammen oder in musikalischen Nischenmärkten tätig sind. Gerade diese Musikschaffenden haben vor allem auf den subventionierten Sendern eine Chance, verbreitet zu werden. (Mit-)Finanzierung aus öffentlicher Hand hat nachweislich einen günstigen Effekt darauf, dass lokale Musik oder Nischenmusik gesendet wird. Dies zeigen die im Artikel geschilderten Zahlen der Sendeanteile und der Anzahl der unterschiedlichen Musiktitel auf. Man denke an Sender wie Kanal K, Radio Lora oder auch die Plattform mx3, die ohne Beihilfe aus den Gebühren nicht existieren können.

      Manu Leuenberger / SUISA Kommunikation

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Subsidised radio and TV broadcasters in Switzerland and Liechtenstein tend to create more broadcasting space for the music of SUISA members than privately financed channels. Moreover, the majority of the broadcasters supported by the Swiss Federation play more diverse music titles than their counterparts which are focussed on advertising revenue. In the interest of our local music creation and the cultural diversity, we therefore have to reject an abolition of the solidarity-based fees for public service media. Text by Andreas Wegelin and Manu Leuenberger

Subsidised broadcasters offer more variety and more SUISA repertoire - NO to No Billag

The Association ‘Musikschaffende Schweiz’ (Swiss Music Creatives) presented a “SwissMusicOnAir Award” for the first time in 2017. The prize was awarded to the licensed private radio broadcaster with the highest percentage of Swiss (pop) music in its programme: the subsidised Berne-based local radio Radio BeO. (Photo: Radio BeO)

On...read more

SUISA, an attractive employer

One day ahead of the General Assembly 2017, SUISA’s Committees for Tariffs and Distribution, for Organisation and Communication as well as the entire SUISA Board held their respective meetings. Agenda items for discussion included the auditors’ report, a new set of staff regulations for SUISA employees and a resolution for a strong public service, among others. Report from the Board by Dora Zeller

SUISA, an attractive employer

The SUISA Board approved a revised set of staff regulations following its meeting in June 2017 which provides for the developments in human resources management and helps SUISA to remain an attractive employer. The majority of staff are based in the office location in Zurich-Wollishofen’s Bellariastrasse (pictured). (Photo: SUISA)

The SUISA Board with its 15 members makes up the governing body in charge of steering and overseeing the Cooperative Society. Its members represent Switzerland’s various musical repertoires, professions and language regions. All Board members are also active in one of the three Board Committees.

On 22 June 2017, one day ahead of SUISA’s General Assembly, the members of the Committee for Tariffs and Distribution, and after that, the Committee for Organisation and Communication gathered for their meetings. The main Board held its own session in the afternoon of that day, its members listened to updates, held discussions and cast decisions.

Auditors’ reports

At the end of the business year, BDO, SUISA’s auditors, created two reports: The explanatory report for the Swiss Federal Institute of Intellectual Property, the supervisory authority of the Swiss collective management organisations; and the comprehensive report for the Board. The latter is instrumental for detecting potential for improvement and to deduce the relevant measures that need to be taken.

New staff regulations

The staff regulations for SUISA employees has been updated in 2013 for the last time. Since then, quite a bit has changed. Changes in labour legislation required that executive staff should log their times, provisions for continued pay in cases of illness had to be adapted, the regulations for copyright concerning work output were extended, and the auditors of SUISA had demanded that an anti-corruption article should be implemented into the staff regulations.

Parallel to these changes, the strict attendance times of old were replaced by so-called service times. Flexible working times help employees to get a better work-life balance. SUISA can balance workload peaks better with this new model. Members and customers will hardly notice any changes. The service times correspond with the previous opening times. During these opening times, staff members can be contacted and all service ranges offered are ensured.

The Board has ratified the new staff regulations. SUISA thus holds a set of rules which caters for the developments in human resources management and helps it to remain an attractive employer.

SRG SSR and public service

As already reported, public and political pressure on the public service has been growing. Restrictions or possibly the axing of the latter would have grave consequences for Swiss music creators – not just in terms of financial income. They would lose an important platform for their music and reports about related issues.

The Board has adopted a resolution to be presented at the General Assembly. SUISA members thus request Swiss Parliament members to consider the role of the reception fee-financed broadcasters when they discuss the “No Billag” initiative and when they contemplate the restrictions regarding SRG SSR in order not to weaken the position of the broadcaster. The text of the resolution can be read on the SUISA webpage and can also be electronically signed there.

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One day ahead of the General Assembly 2017, SUISA’s Committees for Tariffs and Distribution, for Organisation and Communication as well as the entire SUISA Board held their respective meetings. Agenda items for discussion included the auditors’ report, a new set of staff regulations for SUISA employees and a resolution for a strong public service, among others. Report from the Board by Dora Zeller

SUISA, an attractive employer

The SUISA Board approved a revised set of staff regulations following its meeting in June 2017 which provides for the developments in human resources management and helps SUISA to remain an attractive employer. The majority of staff are based in the office location in Zurich-Wollishofen’s Bellariastrasse (pictured). (Photo: SUISA)

The SUISA Board with its 15 members makes up the governing body in charge of steering and overseeing the Cooperative Society....read more

Meeting of the SUISA Board – April 2017

During its spring meeting, the SUISA Board dealt with the financial results of the previous year. It approved SUISA’s annual accounts for 2016 as well as those of the Pension Fund for Authors and Publishers. Items on the agenda included the ratification of the 2016 annual report as well as the preparation of individual business items for the General Assembly on 23 June 2017 in Zurich. SUISA’s international involvement emerged during the discussion on the pricing of IPI subscriptions. Report from the Board by Dora Zeller

Meeting of the SUISA Board - April 2017

An important agenda item of the Board’s spring meeting: Preparations for the General Assembly where SUISA members can co-determine the future of their Cooperative Society. (Photo: Manu Leuenberger)

SUISA’s annual statements for 2016 reflect a pleasant result for music authors and publishers: Income from Swiss sources reached new record levels (CHF 136.1m). Total turnover therefore was the highest in the Cooperative Society’s history (CHF 154.3m). The amount which is due for distribution to the rightsholders rose to CHF 128.9m (previous year: CHF 125m).

Annual accounts 2016 of the Pension Fund

The Board members jointly make up the Pension Board of the Pension Fund for Authors and Publishers (UVF). In that capacity, they examined and approved the returns of the UVF Fund. The fund assets have increased. Before it is possible to hold a discussion on how to adjust the insurance benefits, it was decided to wait for the impact of the revised Pension Fund Regulations on the annual accounts 2017 (please also refer to the article “New Pension Fund Regulations in force from 01 January 2017” on the SUISAblog).

SUISA General Assembly 2017 on 23 June in Zurich

This year’s ordinary General Assembly of SUISA shall take place on Friday, 23 June 2017 in the Kaufleuten Festsaal in Zurich. Doors will open at 9.45 am. The meeting will begin at 11.00 am.

During the first part of the GA, mandatory statutory business items will be dealt with. In the second part of the assembly, the following current topics shall be discussed:

SRG & “Service Public”

The term “Service Public” comprises the mission of SRG (Swiss Broadcasting Corporation)  and private broadcasters financed by fees collected by Billag for radio and TV reception. It is perceived as a comprehensive service for society, covering the relevant requirements relating to education, culture and entertainment of the population. The “No-Billag initiative” challenges the “Service Public”. It does not – as the name might suggest – intend to abolish Billag. Its aim is much more to stop the public service financing of broadcasts. SRG and Swiss private broadcasters would be affected since they receive monies from the fees collected by Billag for radio and TV reception. The Council of States has rejected the initiative in its spring session. It is expected that the topic will be tabled for discussion before the National Council in autumn.

Another approach demands that SRG shall renounce on all radio channels which are not part of the “Service Public” mission. The following so-called special category channels would be affected: Radio Swiss Pop/Classic/Jazz, Radio SRF Virus, Radio SRF Musikwelle, and Radio RTS Option Musique would fall silent. Swiss music is often played in the programmes of these special category channels. If these channels were to be abolished, a lot of airtime for music by SUISA members would be lost.

Géraldine Savary, Ständerätin (federal councillor) and SUISA Board member, is going to comment on the political debates in relation to the “Service Public”.

SUISA prepares for the future

SUISA has founded the Joint Venture Mint Digital Services together with US collective management organisation SESAC ((2)). The JV will take on the invoicing and administration of the online licensing activities of SESAC and SUISA and offer its services also to publishers and collective management organisations. One major publisher, Warner/Chappell, has already signed up to the service range offered by Mint Digital Services. Andreas Wegelin is going to report on this important step for the future and the consequences for SUISA and its members.

IPI system: What may it cost?

SUISA has been supplying CISAC societies with the electronic world repository for authors/publishers since 1969. The technical infrastructure of the Interested Parties Information (IPI) system belongs to SUISA. SUISA issues an invoice to collective management organisations which are using the system for the service provided to them by SUISA each year.

The IPI system forms a part of CISAC’s IT tools. The CISAC administrative council has audited the costs of the IT tools. Of all these systems, the IPI has been the most expensive in 2014. Subscription fees for the IPI system had already been lowered at a previous stage. Nevertheless, the management board of the international umbrella organisation demands that the subscription fees are adjusted downwards. Otherwise, it is said, a competitive system will be launched.

The Board members have deliberated on the room for manoeuvring between fair, cost-covering subscription fees and the intention of SUISA to continue operating IPI at a continued high quality standard. The value of the system depends on all collective management organisations entering their data into this one system so that it shall be and remain the one reliable global identification system for authors and rightsholders.

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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During its spring meeting, the SUISA Board dealt with the financial results of the previous year. It approved SUISA’s annual accounts for 2016 as well as those of the Pension Fund for Authors and Publishers. Items on the agenda included the ratification of the 2016 annual report as well as the preparation of individual business items for the General Assembly on 23 June 2017 in Zurich. SUISA’s international involvement emerged during the discussion on the pricing of IPI subscriptions. Report from the Board by Dora Zeller

Meeting of the SUISA Board - April 2017

An important agenda item of the Board’s spring meeting: Preparations for the General Assembly where SUISA members can co-determine the future of their Cooperative Society. (Photo: Manu Leuenberger)

SUISA’s annual statements for 2016 reflect a pleasant result for music authors and publishers: Income from Swiss sources reached new...read more

Attend the SUISA General Assembly 2017 and take part in the decision-making process

SUISA’s ordinary General Assembly shall take place on Friday, 23 June 2017 in the Kaufleuten Festsaal in Zurich. How did financial year 2016 go? Who will be newly elected into the Distribution and Works Committee? What’s next for the “Service Public” at SRG? What are the aims of the recently created JV Mint Digital Services? Text by Dora Zeller

Attend the SUISA General Assembly 2017 and take part in the decision-making process

SUISA members entitled to vote may register for their attendance and participation in the General Assembly until 20 June 2017. (Photo: Juerg Isler, isler-fotografie.ch)

Closure of financial year 2016. The management report, financial statements, profit and loss accounts, cash flow statements including annex, and auditors’ report will be submitted to the General Assembly for approval. Furthermore, management will report on the development of the current financial year, providing an outlook on the coming months, with a focus on Mint Digital Services.

The Joint Venture with the US collective management organisation for music rights, SESAC, will take on the invoicing and administration of the online licensing activities of SESAC and SUISA. The recently founded JV will offer its services also to other market players such as (major) publishers or foreign collective management organisations.

By-elections, politics and promotion

Alex Kirschner retires from the SUISA Distribution and Works Committee. Jonas Zellweger has been nominated as a replacement. Jonas Zellweger is a composer and orchestrates film and advertising music; he also performs live as a theatre musician. He has been a SUISA member since 2009.

Géraldine Savary, Ständerätin (federal councillor) and SUISA Board member, will comment on the ongoing political debates in relation to the financing of SRG (Swiss Broadcasting Corporation) and the “Service Public”. This includes, among other topics, the “No-Billag” initiative and the abolishment of the special category channels of SRG. Both discussion items are relevant for Swiss music creators. They could have an impact on the income of SUISA and therefore the royalties which would be due for distribution to the rightsholders.

Special guest at the SUISA GA will be Jürg Stahl, President of the National Council. The currently most senior Swiss politician is characterised by his diversity: well-integrated in sports, well-connected in politics, well-versed in commercial matters. Whether he has any, and if so, which relations he has to the Swiss cultural and music scene will be revealed during his opening speech.

FONDATION SUISA, SUISA’s foundation for music promotion, is also going to report on its activities of the previous year and will award this year’s foundation prize which is worth CHF 25,000.

Zivilschutz-Big-Band Winterthur

The SUISA GA 2017 will be started off with a performance by the Zivilschutz-Big-Band Winterthur, plus Marie Louise Werth (vocals), Rainer Bischof (Euphonium) and Urs Schnell (flute), conducted by Reto Parolari. (Photo: ZS-Bildarchiv)

How to get there / Catering

Attendees are advised to use public transport for their journey to the General Assembly. There are no reserved parking spaces available. Parking garages Talgarten and Gessnerallee are about 3-15 minutes walk away from the Festsaal Kaufleuten. Coffee and “Gipfeli” will be offered prior to the General Assembly. After the assembly, a buffet lunch will be available.

Further information:
www.suisa.ch/generalversammlung

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Swiss music lives thanks to SRG’s special interest stationsSwiss music lives thanks to SRG’s special interest stations The Transport and Telecommunications Committee of the National Council has moved to close down six SRG special interest stations and has filed a motion in this sense. For Swiss music creators the consequences would be devastating. These stations are precisely those that play and promote local Swiss music. Sign the online petition “Hands off special interest stations” now! Read more
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SUISA’s ordinary General Assembly shall take place on Friday, 23 June 2017 in the Kaufleuten Festsaal in Zurich. How did financial year 2016 go? Who will be newly elected into the Distribution and Works Committee? What’s next for the “Service Public” at SRG? What are the aims of the recently created JV Mint Digital Services? Text by Dora Zeller

Attend the SUISA General Assembly 2017 and take part in the decision-making process

SUISA members entitled to vote may register for their attendance and participation in the General Assembly until 20 June 2017. (Photo: Juerg Isler, isler-fotografie.ch)

Closure of financial year 2016. The management report, financial statements, profit and loss accounts, cash flow statements including annex, and auditors’ report will be submitted to the General Assembly for approval. Furthermore, management will report on the development of the current financial year, providing an outlook on the coming months,...read more

Swiss music lives thanks to SRG’s special interest stations

The Transport and Telecommunications Committee of the National Council has moved to close down six SRG special interest stations and has filed a motion in this sense. For Swiss music creators the consequences would be devastating. These stations are precisely those that play and promote local Swiss music. Sign the online petition “Hands off special interest stations” now! Text by Giorgio Tebaldi and Manu Leuenberger

Swiss music lives thanks to SRG's special interest stations

From the streets of Berne to the stage of the Kulturfabrik in Lyss: The band Troubas Kater performing in dialect appears during the 14th edition of “8×15.” in November 2015. At each of these concert evenings of SRF Virus, 8 Swiss bands can present their talent, and be discovered by the audience in a 15-minute slot. (Photo: SRF)

At the Swiss Music Awards in February 2017, the Zurich duo Dabu Fantastic and their co-composer Gianluca Giger were awarded prizes for the best hit and best composition. The Zurich band is currently one of Switzerland’s most successful pop acts. According to singer Dabu Bucher in a recent interview with SRG (Swiss Broadcasting Company), the band owes its popularity in great part to the SRG radio stations. SRF Virus first played its songs over 10 years’ ago, actively encouraging the band’s career.

The SRG youth station is important for other Swiss artists too. It serves as a springboard for young and (still) unknown musicians. The station provides an important platform for newcomers, through its “8×15.” concert broadcasts for example. 50% of the music broadcast by SRF Virus is Swiss music. Hardly any other station offers its audience so large a proportion of local music.

But if the Transport and Telecommunications Committee of the National Council has its way, that will soon be over. In Motion 17.3010 for a “Reduction in special interest radio stations”, the Committee asks for six SRG radio broadcasting stations to be closed: SRF Virus, SRF Musikwelle, Radio Swiss Classic, Radio Swiss Jazz, Radio Swiss Pop and the French-speaking station Option Musique. According to the motion, these stations “do not perform any true public service mission”.

Public service also means promoting Swiss cultural creation

In its “Report on the revision of the definition and provision of the SRG public service taking into account private digital media”, the Federal Council reviewed the meaning of public service in radio and television broadcasting. In its report, the Federal Council pointed out that the SRG provides “numerous unprofitable services in the interest of society”. These services include promoting Swiss films, Swiss music and Swiss literature. This would hardly be possible without reception fee revenues.

Special interest stations extensively promote Swiss music – pop and rock as well as jazz on SRF Virus, and classical and especially folk music on SRF Musikwelle. As SUISA claims on its website, altogether 22% of the music played on the six special interest stations is Swiss, as against 20% overall for all the SRG stations. By comparison, Swiss private broadcasters play less than 10% of Swiss music on average.

Special interest stations discover and promote Swiss music

Special interest stations are instrumental in discovering and promoting Swiss music. Their reporting about the current Swiss music scene is irreplaceable. It is difficult to imagine private broadcasters throwing themselves into the breach left by closing the special interest stations. Private broadcasters are guided by profit-making principles and are primarily financed by advertising. Therefore, they have to gear most of their programming to an audience which wants to hear hits. Swiss musicians hear this all the time in statements like:  “we don’t make the hits, we just play them”, says singer-songwriter Christoph Trummer, President of the association Musikschaffende Schweiz (Swiss Musicians), in an interview with Musikmarkt, the music magazine.

Closing down the special interest stations would also affect Swiss music creators financially. Between them, the six stations played about 550,000 minutes of music by Swiss authors in 2015. According to SUISA’s 2015 annual report, the licence fees for SRG radio stations average CHF 2.70 per minute of playing time. Thus, broadcasting royalties for the works of Swiss composers, lyricists and publishers on the six SRG special interest stations totalled about CHF 1.5 million. This money does not only go to well-established stars, it also goes to unknown Swiss artists.

Favorable framework conditions for Swiss culture

The motion of the Transport and Telecommunications Committee if accepted would have serious implications for the Swiss music scene. Not only would Switzerland lose these important platforms for showcasing the broad diversity of Swiss musical creation, closing down the special interest stations would have significant financial consequences for artists.

Moreover, one substantive question remains to be answered: is it truly Parliament’s role to decide on broadcasting content? Should the legislative not confine itself to setting the framework conditions for radio and television broadcasters? The proposed motion seeks to decide the fate of individual SRG stations. This goes far beyond setting framework conditions. Swiss music creators have more than deserved favorable framework conditions in their own country.

SRG has been operating «mx3 – The Swiss Music Portal» since 2006. Musicians can use the portal www.mx3.ch to present their music to the public; the SRG stations use the portal for their programming. SRF 3, SRF Virus, Couleur 3, Rete Tre and Radio Rumantsch include songs that musicians have uploaded onto mx3 in their broadcast programming. In 2015, about 22,900 bands showcased their music on the mx3 portal.

Petition: Hands off special interest radios!

The purpose of this petition is to ask the competent parliamentary bodies not to close SRG’s special interest stations.

Sign the online petition “Hands off special interest stations” at www.petitionen24.com

Sie können die Petition auch auf dem Unterschriftenbogen unterzeichnen (PDF).

The petition is sponsored by a broad interest group representing the Swiss music scene. Among others, the following stakeholders support the petition: Schweizer Musikrat, Musikschaffende Schweiz, Schweizer Musiksyndikat, Schweizer Tonkünstlerverein, Schweizerischer Musikerverband SMV, Helvetia Rockt, IndieSuisse, IFPI, Schweizer Interpretengenossenschaft SIG, Orchester.ch, Eidgenössischer Jodlerverband EJV, Schweizerischer Blasmusikverband SBV, Schweizerische Chorvereinigung SCV, Verband Schweizer Volksmusik VSV.

Every single signature counts and is important to ensure that radio stations like Radio Swiss Pop, Radio Swiss Classic, Radio Swiss Jazz, Radio SRF Virus, Radio SRF Musikwelle and Radio RTS Option Musique can continue to broadcast and help audiences discover Swiss music. Further information is available on the petition initiators’ website: www.prospartenradio.ch

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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The Transport and Telecommunications Committee of the National Council has moved to close down six SRG special interest stations and has filed a motion in this sense. For Swiss music creators the consequences would be devastating. These stations are precisely those that play and promote local Swiss music. Sign the online petition “Hands off special interest stations” now! Text by Giorgio Tebaldi and Manu Leuenberger

Swiss music lives thanks to SRG's special interest stations

From the streets of Berne to the stage of the Kulturfabrik in Lyss: The band Troubas Kater performing in dialect appears during the 14th edition of “8×15.” in November 2015. At each of these concert evenings of SRF Virus, 8 Swiss bands can present their talent, and be discovered by the audience in a 15-minute slot. (Photo: SRF)

At the Swiss Music Awards in February 2017, the Zurich...read more