Tag Archives: Foundation for music promotion

Income from performing rights set to rise in 2019

SUISA’s December Board meetings usually focus on the figures for the coming year. Budgets, staffing plans and cost coverage deductions for business year 2019 were thus the central discussion point. Report from the Board by Dora Zeller

Report from the Board: Income from performing rights set to rise in 2019

Neuchâtel Reggae band Moonraisers, shown on the main stage of the Label Suisse Festival in Lausanne in September 2018; the event is co-supported by SUISA. Regarding the income from performing rights, including concerts, SUISA expects an increase during business year 2019. (Photo: Anne Bichsel / Label Suisse)

For the second time in SUISA’s history, the Board inspected the group budget of SUISA on top of its regular inspection of the budget of SUISA, the Cooperative Society and parent company. The latter comprises the numbers of the parent company, the 100% subsidiary company SUISA Digital Licensing (SUISA Digital) and the 50% share in the Joint Venture Mint Digital Services AG. The budgets of SUISA Digital and Mint are approved by the respective administrative boards of the two companies; the relevant numbers are then incorporated into the group accounts.

Increase in income thanks to performing rights

SUISA’s budget for 2019 provides for an increase of the income from the exploitation of copyright in Switzerland and Liechtenstein, especially due to the income from performing rights (more events, higher admission charges). The decline in mechanical/reproduction rights is set to continue. In the case of compensation claims, growth is expected; the same applies to online usage income. Foreign income has been calculated analogously to 2018, secondary income has been set higher.

For business year 2019, a total turnover of CHF 166.5m has been budgeted (2018: CHF 152m). Costs are expected to rise from CHF 29.5m in the previous year to CHF 32.5m. This is due to higher staff costs required for collections regarding Tariff CT 3a (background entertainment) and additional positions in the IT department.

Cost deductions, Articles of Association, Regulations

With respect to the cost deductions, the Board sets a percentage each year in relation to the distribution of the income that is to be deducted in the following year. For 2019, the percentages of the previous year will be retained in the offline sector. Cost deductions in the online business, however, are subject to change; the reason for this is the outsourcing of licensing and partially distribution activities to the subsidiary companies.

SUISA members had agreed to various changes to the Articles of Association at the General Assembly in June 2018. The revision of the Articles of Association also took place in the context of the alignment with the Liechtenstein Collecting Societies Act and the EU Directive on Collective Rights Management (CRM Directive). As a consequence, the division of powers and the organisational policies had to be adapted, and rules of procedure for the newly created Complaints Committee had to be drawn up. The Board has ratified all of these policies.

FONDATION SUISA and Revision of the Swiss Copyright Act

The SUISA Board Committee for Organisation and Communication and the responsible parties of the FONDATION SUISA have established an “annual dialogue” which takes place at the end of the year. This time, Marc Savary, President of the Foundation Board of the FONDATION SUISA reported on the amendments in the respective Statutes and regulations/policies. He also provided an overview on the activities of SUISA’s foundation for music promotion and answered questions of the Committee members.

Furthermore, the Board was concerned about the news that the National Council intends not to adhere to the compromise by the Working Group on Copyright (AGUR12) in its deliberations on the Copyright Revision and plans to provide for an exception regarding TV reception in guest rooms in the law. As a consequence, the new law would be worse than the previous one. The Board has instructed Management to undertake measures so that the Council of States corrects the decision of the National Council.

Related articles
Can the blockchain and the bass strike a harmonious chord?Can the blockchain and the bass strike a harmonious chord? Technological developments that affect the music industry are a constant focus of SUISA’s management committees. Blockchain technology was one of the many important topics on the agenda at the board meetings in October 2018. Read more
SUISA membership in numbersSUISA membership in numbers More than 38,000 authors and publishers have instructed SUISA with the management of their rights. Where are they from, how old are they and are there more men or women who are composers? The figures and graphics below provide an insight into SUISA’s membership structure. Read more
A bird’s eye view of SUISA’s 2018 General AssemblyA bird’s eye view of SUISA’s 2018 General Assembly On 22 June 2018, 208 voting members streamed into the Bierhübeli in Bern. They were there to participate in shaping the destiny of their cooperative society, and to take advantage of the opportunity to network and exchange information. Members, Board members, Executive Committee members, guests from cultural and political spheres, and SUISA staff – all were attending the SUISA’s 2018 Ordinary General Assembly. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

SUISA’s December Board meetings usually focus on the figures for the coming year. Budgets, staffing plans and cost coverage deductions for business year 2019 were thus the central discussion point. Report from the Board by Dora Zeller

Report from the Board: Income from performing rights set to rise in 2019

Neuchâtel Reggae band Moonraisers, shown on the main stage of the Label Suisse Festival in Lausanne in September 2018; the event is co-supported by SUISA. Regarding the income from performing rights, including concerts, SUISA expects an increase during business year 2019. (Photo: Anne Bichsel / Label Suisse)

For the second time in SUISA’s history, the Board inspected the group budget of SUISA on top of its regular inspection of the budget of SUISA, the Cooperative Society and parent company. The latter comprises the numbers of the parent company, the 100% subsidiary company SUISA Digital Licensing (SUISA...read more

“Get Going” contributions and “Carte Blanche” awarded for the first time

As part of its new funding policy, FONDATION SUISA made four “Get Going!” and one “Carte Blanche” grants for the first time. A “Get Going!” start-up funding of CHF 25,000 each is allocated to Beat Gysin, Bertrand Denzler, Michael Künstle and the Duo Eclecta. The “Carte Blanche” amounting to CHF 80,000 is bestowed to Cécile Marti. Text by FONDATION SUISA

FONDATION SUISA: “Get Going” contributions and “Carte Blanche” awarded for the first time

Composer Cécile Marti is awarded the «Carte Blanche» of FONDATION SUISA which is allocated every two years. (Photo: Ingo Höhn)

As part of its new funding policy, FONDATION SUISA intends to react quickly to the fast-changing music scene. In the “inbetween” area, i.e. away from common genre, age or project categories, creative and artistic processes take place which threaten to end up in no man’s land when it comes to the current application process.

As a consequence, four “Get Going!” contributions with CHF 25,000 each have been offered as awards in June, for the first time. “With this annual bidding process, we try to locate creative places and artistic visions which deserve to be funded” said Urs Schnell, FONDATION SUISA MD. “As a consequence, the competition is kept open deliberately.”

With more than 90 bids, the “Get Going!” contributions have had an enormous response among music creators. “The expert jury hasn’t made it too easy for itself to select four recipients from the many highly interesting bids”, Schnell adds. From the description of the artistic purposes that are now funded, it is easy to gauge what this type of start-up funding actually is all about. “At the end of the day, music is about discovering new worlds time and again, to render items audible and tangible and to fathom new perspectives” according to Schnell.

“Get Going!” contributions 2018

The composer Beat Gysin, for example, creates architectonic spaces in the course of his “Leichtbautenreihe” (series of light structures), where unusual audio situations enable the listener new ways to perceive music. Gysin thus investigates the dynamic possibilities resulting from the relationship between space, music and the recipient/listener.

“Space” is also a concept that Michael Künstle is interested in. The composer of film and concert music pairs orchestral tradition with modern innovation in terms of composition and recording in order to create a space composition which becomes accessible in the form of a three-dimensional listening experience.

Saxophonist and composer Bertrand Denzler, on the other hand, locates new compository possibilities via a deliberate non-allocation of his creations to spaces. With a “migrating residence”, he attempts an improvisatory and compository exchange with foreign cultures. The constant dialogue with ever-changing influences is intended to show the way which eventually flows into compository results.

Andrina Bollinger and Marena Whitcher, aka Duo Eclecta, are strolling through interdisciplinary terrain. The singers, performers, multi-instrumentalists, producers and composers collaborate continually with other art forms in order to create new audible, visible and sensible worlds of experience.

“Carte Blanche” to Cécile Marti

The “Carte Blanche amounting to CHF 80,000 which is not offered as part of a bidding process but directly awarded by an expert jury every other year, is intended to enable music creators to focus on their artistic progress without suffering from financial pressures.

Those who have followed the creative career of Cécile Marti over the last years know that the artist originating from Zurich is a worthy recipient of this “Carte Blanche”. Especially her orchestra cycle, “Seven Towers” in 7 parts and for 120 musicians, which had its première concert performed by the SOBS orchestra in Biel in 2016, and has since its inception also been performed by the Berne Symphony Orchestra, the Geneva Camerata and the Basel Sinfonietta, has caused a sensation.

Simultaneously, Marti graduated with a dissertation on musical time course. The “Carte Blanche” now enables her to transfer her initial research in this area into an artistic context. Explored courses of time shall be made visible with the aid of a ballet and by way of sculptures (Marti is also a stone sculptor).

www.fondation-suisa.ch

Related articles
FONDATION SUISA: New support strategy: “We want to look ahead”New support strategy: “We want to look ahead” FONDATION SUISA reinforces its activities regarding the support of music in Switzerland and the Principality of Liechtenstein: Each year, four music projects shall be launched under the motto “Get Going!”, and every other year, a bigger amount shall be allocated to works under the slogan “Carte Blanche”. Read more
Lyrics for a song: “Anything goes – if it has success”Lyrics for a song: “Anything goes – if it has success” The FONDATION SUISA dedicates its CHF 25,000 recognition award to lyricists of musical works this year. But what makes a song text a success? Guest author Markus Ganz in an interview with journaliste Jean-Martin Büttner. Read more
James Gruntz: “I think it’s particularly exciting when I don’t know which direction a song is going to take”“I think it’s particularly exciting when I don’t know which direction a song is going to take” James Gruntz recently released his new album “Waves”. An important role in the creation of this album is the composer in residence year that the 30-year-old songwriter, multi-instrumentalist, producer and singer has been granted by FONDATION SUISA. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

As part of its new funding policy, FONDATION SUISA made four “Get Going!” and one “Carte Blanche” grants for the first time. A “Get Going!” start-up funding of CHF 25,000 each is allocated to Beat Gysin, Bertrand Denzler, Michael Künstle and the Duo Eclecta. The “Carte Blanche” amounting to CHF 80,000 is bestowed to Cécile Marti. Text by FONDATION SUISA

FONDATION SUISA: “Get Going” contributions and “Carte Blanche” awarded for the first time

Composer Cécile Marti is awarded the «Carte Blanche» of FONDATION SUISA which is allocated every two years. (Photo: Ingo Höhn)

As part of its new funding policy, FONDATION SUISA intends to react quickly to the fast-changing music scene. In the “inbetween” area, i.e. away from common genre, age or project categories, creative and artistic processes take place which threaten to end up in no man’s land when it comes to the current application...read more

Strong together

22 June 2018: it’s that time of the year again. As a member of the Cooperative Society SUISA entitled to vote you will be able to decide on the future of your copyright society and to take stock with respect to the past business year at the General Assembly in the Bierhüebli in Bern. By Andreas Wegelin, CEO

Strong together

Voting at SUISA’s General Assembly: The umbrella of the co-operative joins the collective weight of authors’ and publishers’ votes. (Photo: Juerg Isler, isler-fotografie.ch)

Cooperative societies are usually alliances of persons or institutions who have the same or similar goals and interests. The idea behind such associations is as simple as it is effective: Together, we are strong! Economic, social or cultural issues that are presented in a unified manner often gain more momentum and impact than just the voice of an individual.

As your Cooperative Society for authors and publishers of music, we can support your interests. The main objective is to generate fair conditions and guarantee a fair remuneration for music creators. Collective management of rights has become an ever more significant aspect: These days, SUISA negotiates with some corporations which act globally. The market power of such negotiation partners may only be faced with the support and strength of a unified community.

Under such circumstances, it is even more positive that 2017 has been the best year in SUISA’s history from a financial perspective. An overall amount of CHF 131.4m in copyright remuneration can be paid out to rightsholders and sister societies. That is more than ever before.

SUISA annual results: online usage of music exceeds physical formats for first timeSUISA annual results: online usage of music exceeds physical formats for first time
Authors and publishers of music will receive CHF 131.4 million from SUISA this year. Last year the collecting society received CHF 150 million in copyright from domestic and international sources – CHF 2.9 million more than the previous year. In particular, reimbursements from private copying and the online sector contributed to this growth. For the first time, revenues from online music recordings exceeded those from sales of physical formats. But there is still a pressing need for action in the area of streaming. The internet platforms continue to benefit almost exclusively from this growth market, rather than composers, lyricists and publishers of music. Read more

During the coming GA, a revision of SUISA’s Articles of Association is planned for ratification. This has become necessary because a Directive at EU level has been passed with new provisions, especially regarding the transparency of our work. And this is something that affects SUISA, too: SUISA is responsible for Liechtenstein and operates for online usages on an European market level.

Exploitation rights in the EU and review of SUISA’s Articles of AssociationExploitation rights in the EU and review of SUISA’s Articles of Association
Liechtenstein has been – other than Switzerland – a member of the European Economic Area since 1995 and must, as such, accept a major proportion of the European Union legal provisions. What do EU exploitation rights have to do with the revision of the SUISA Articles of Association? Read more

During the GA, you are also going to have the oppoertunity to meet the President of Swissperform. She is going to report on the cooperation among the Swiss collective management organisations.

Why SUISA members should also consider joining SWISSPERFORMWhy SUISA members should also consider joining SWISSPERFORM
Composers and lyricists who are SUISA members and are also active as artists and/or producers and whose performances are broadcast by Swiss or foreign radio and TV channels are entitled to receive a remuneration from SWISSPERFORM. For all those authors-composers-artists/producers, a membership with SWISSPERFORM is thus a necessary addition to their SUISA affiliation in order to safeguard their rights and the full remuneration they are entitled to. Read more

FONDATION SUISA also has got some news on its support activities, and its foundation Director is going to elaborate on that. Finally, the ongoing copyright law revision is expected to be a topic for discussion, since hearings took place among the parliamentary committees last April and May.

New support strategy: “We want to look ahead”New support strategy: “We want to look ahead”
FONDATION SUISA reinforces its activities regarding the support of music in Switzerland and the Principality of Liechtenstein: Each year, four music projects shall be launched under the motto “Get Going!”, and every other year, a bigger amount shall be allocated to works under the slogan “Carte Blanche”. Read more
Copyright law revision: work starts in the parliamentary committeesCopyright law revision: work starts in the parliamentary committees
On 22 November 2017, the Federal Council presented its Message on the revision of the Federal Copyright Act (FCA), and referred the copyright bill (FCA-B) to the two houses of Parliament. The bill reflects the compromise reached by the AGUR12 II working group at the beginning of March 2017. Parliament has started working on the bill, and SUISA was invited to present its point of view on 12 April 2018 at a hearing organised by the Science, Education and Culture Committee of the National Council. SUISA also had the opportunity to state its views before the Legal Affairs Committee of the National Council, first in writing and then orally on 18 May 2018. Read more

All of these topics will be covered by our SUISAblog and SUISAinfo, one of which you are currently reading. Of course, you’ll find out more information and more details if you travel to the GA in Bern. I look forward to welcoming as many of you as possible in person then.

Related articles
SUISA General Assembly 2018: Your opinion counts!SUISA General Assembly 2018: Your opinion counts! SUISA’s ordinary General Assembly takes place on 22 June 2018 in the Bierhübeli in Bern. It will be opened with a music performance by the ad hoc formation Swiss Ländlermix in line with the theme; “Folk music – Switzerland crossways”. Important business items on the agenda are the review of the Articles of Association, the new Complaints Committee and an election of a substitute for the Distribution and Works Committee. Danièle Wüthrich-Meyer, President of Swissperform will attend as guest speaker. Read more
131.4m Swiss Francs for composers, lyricists and publishers131.4m Swiss Francs for composers, lyricists and publishers It was with satisfaction that members of the SUISA Board approved the results of the previous year during their meeting at the end of March 2017. The total turnover was 3.2% higher than that of the previous year. An overall amount of CHF 131.4m can be paid out to rights holders. The Board has, in addition, decided that a supplementary distribution of 7% shall be carried out on top of all regular distributions in 2018. Read more
Copyright Act Review: Authors and publishers must benefit more from the online exploitation of their worksCopyright Act Review: Authors and publishers must benefit more from the online exploitation of their works The Federal Council has adopted a dispatch on the new Copyright Act. SUISA is in principle content with the current version of the law. The solutions achieved in the working group for the Copyright Act (AGUR12 II) were implemented. In order for authors, performers, publishers and producers to benefit better from the digitisation, it is necessary to adopt important additions. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

22 June 2018: it’s that time of the year again. As a member of the Cooperative Society SUISA entitled to vote you will be able to decide on the future of your copyright society and to take stock with respect to the past business year at the General Assembly in the Bierhüebli in Bern. By Andreas Wegelin, CEO

Strong together

Voting at SUISA’s General Assembly: The umbrella of the co-operative joins the collective weight of authors’ and publishers’ votes. (Photo: Juerg Isler, isler-fotografie.ch)

Cooperative societies are usually alliances of persons or institutions who have the same or similar goals and interests. The idea behind such associations is as simple as it is effective: Together, we are strong! Economic, social or cultural issues that are presented in a unified manner often gain more momentum and impact...read more

New support strategy: “We want to look ahead”

FONDATION SUISA reinforces its activities regarding the support of music in Switzerland and the Principality of Liechtenstein: Each year, four music projects shall be launched under the motto “Get Going!”, and every other year, a bigger amount shall be allocated to works under the slogan “Carte Blanche”. Text by FONDATION SUISA

FONDATION SUISA - New support strategy: “We want to look ahead”

With its revised support policy, FONDATION SUISA intends to locate new creative places and push new projects forward where music creators can exercise their creative ideas in the most unrestricted way possible. (Photo: Alberto Andrei Rosu / Shutterstock.com)

The Foundation Council of the FONDATION SUISA decided to reorient one part of its support policy and to open it up to new perspectives. By way of these actions, the foundation intends to recognise modern requirements against Swiss music creation more. Instead of looking in the rear view mirror, it will look ahead much more in future. Four conceptual projects and one work project shall replace the previous policy of granting an award.

Urs Schnell, Managing Director of FONDATION SUISA, said: “Instead of patting an artist on the shoulder by awarding them a prize after their success, we invest the money we have available with a focus on the future instead.” He adds: “We wish to promote instead of judge and thus increase our focus towards what lies ahead of us.”

“Get Going!” supports new projects

The so-called “Get Going!” initiative is a type of start-up funding. Four “Get Going!” contributions @ CHF 25,000 each will be made available each year. Music creators may apply for a “Get Going!” subsidy from end of June 2018 onwards. What’s important is that “Get Going!” does not compete with or affect any other support projects by FONDATION SUISA, in particular the current application system, existing partnerships, exhibitions and events abroad or the playing of music in classrooms.

Schnell explains: “On the contrary, they are an important start-up support and serve as a supplement to the existing types of promotion. We want to explore new areas for creation. Especially those outside existing pigeon holes which have been established in the support policy in the past. Even though they have proved themselves to be useful, they still contributed to the fact that certain projects end up being neither here nor there.”

Financial independence thanks to the “Carte Blanche”

Rather than being subject to a bidding process, the “Carte Blanche” is instead granted every other year by a jury of experts, and it amounts to CHF 80,000. The “Carte Blanche” is intended to enable the benefiting party to completely focus on their musical activities and creations over a longer period in time. “The promotion as well as the artistic development are in the focus of a “Carte Blanche” and less the result of the work on a specific work” – this is how Schnell describes the framework of this substantial subsidy.

With both support projects, FONDATION SUISA wishes to react to the fast-changing music scenes where innovative creative concepts fail time and again because they don’t fit into the prevailing regulations. FONDATION SUISA therefore deliberately renounces on current genre, age or project categories. “Get Going!” and “Carte Blanche” shall be accessible to as many musical and creative people as possible. Schnell concludes: “Music creators shall face as little restriction in their creative ideas as possible. It is in the ‘in between’ where conventional genre definitions fail, because they fall through the grate, that we wish to become active in future as constructive promoters and supporters.”

The new support policy of FONDATION SUISA shall apply with immediate effect. The first four “Get Going!” projects with CHF 25,000 each shall be opened for application at the end of June 2018. Information on the application will then be uploaded to the website of the foundation.

www.fondation-suisa.ch

Related articles
James Gruntz: “I think it’s particularly exciting when I don’t know which direction a song is going to take”“I think it’s particularly exciting when I don’t know which direction a song is going to take” James Gruntz recently released his new album “Waves”. An important role in the creation of this album is the composer in residence year that the 30-year-old songwriter, multi-instrumentalist, producer and singer has been granted by FONDATION SUISA. Read more
Lyrics for a song: “Anything goes – if it has success”Lyrics for a song: “Anything goes – if it has success” The FONDATION SUISA dedicates its CHF 25,000 recognition award to lyricists of musical works this year. But what makes a song text a success? Guest author Markus Ganz in an interview with journaliste Jean-Martin Büttner. Read more
“Swiss Film Music features great diversity and high quality”“Swiss Film Music features great diversity and high quality” The box-set “Swiss Film Music”, containing three CDs, one DVD and a book, released by FONDATION SUISA, provides fascinating insights into the history of Swiss film music between 1923 and 2012. A conversation with the musicologist and media scientist Mathias Spohr who acted as artistic director for the project. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

FONDATION SUISA reinforces its activities regarding the support of music in Switzerland and the Principality of Liechtenstein: Each year, four music projects shall be launched under the motto “Get Going!”, and every other year, a bigger amount shall be allocated to works under the slogan “Carte Blanche”. Text by FONDATION SUISA

FONDATION SUISA - New support strategy: “We want to look ahead”

With its revised support policy, FONDATION SUISA intends to locate new creative places and push new projects forward where music creators can exercise their creative ideas in the most unrestricted way possible. (Photo: Alberto Andrei Rosu / Shutterstock.com)

The Foundation Council of the FONDATION SUISA decided to reorient one part of its support policy and to open it up to new perspectives. By way of these actions, the foundation intends to recognise modern requirements against Swiss music creation more. Instead of looking...read more

“I think it’s particularly exciting when I don’t know which direction a song is going to take”

James Gruntz recently released his new album “Waves”. An important role in the creation of this album is the composer in residence year that the 30-year-old songwriter, multi-instrumentalist, producer and singer has been granted by FONDATION SUISA. Text by guest author Markus Ganz

James Gruntz: “I think it’s particularly exciting when I don’t know which direction a song is going to take”

“It’s a reality that I earn a living with the concert fees and remuneration from the collective management organisations”, explains James Gruntz. (Photo: Gregor Brändli)

With the album “Belvedere”, James Gruntz managed his breakthrough in 2014, corroborated by great chart positions and several awards (“Basel Pop Awards” 2014 and two “Swiss Music Awards” 2015). For the creation of the recently published follow-up album “Waves”, the pressure probably increased for the musician; he grew up in Nidau near Biel, came to Basel at the age of 16, passed his Pop Master degree at the Zurich University of the Arts and is now living in a factory loft in Dulliken near Olten, working on his songs.

James Gruntz puts this pressure into perspective during an interview. “Music has always been a very important part of my life – and it’s going to stay that way, completely irrespective of whether I can earn my living with it or not.” The songwriter, multi-instrumentalist, producer and singer also highlights that his début album was already released ten years ago and that the recently launched album “Waves” is already his sixth. “There was a continuous development: At some point, my songs were played on the radio, and there were more and more engagements and concerts. And so far, reflecting this continued development, each album sold more copies than the previous one.”

The joy of scat

Next, James Gruntz makes the jarring comment that he was glad not having to be part of the golden era of the music industry. “As a consequence, I do not have huge commercial expectations in the album format. It’s a reality that I earn a living with the concert fees and remuneration from the collective management organisations.” His financial position is balanced because he is author, performer and producer, all at the same time, for his songs. In terms of his album sales, his only expectation is that he is able to cover the related costs.

Luckily, James Gruntz still realised the new album “Waves”, since it captivates the listener with an enchanting mix of soul, pop and electronic music. He didn’t have a vision of what his new album would be like when beginning its creation. “The only thing that was clear to me was that, just like in the case of the last album for the piece ‘Heart Keeps Dancing’ I wanted to do something again with scat vocals.” That was when he tried out this special tongue clicking technique for the first time and it found a lot of positive reception. And since he really enjoyed this “extremely”, he wanted to pluck the courage to do more on the new album in terms of this type of music.

Not in it for his own sake

The idiosyncratic use of his voice has an even bigger impact on the music than on his last album, this is also due to the falsetto he uses which is reminiscent of Prince at times, and due to the harmonizer singing for several voices which creates a peculiar alienation. “The playful manipulation of singing is something I simply enjoy very much. It’s important, however, that you don’t just do it, because you can or because it’s technically cool. It has to be able to function by itself and make sense.” At the end of the day, the voice imparts a high recognition value to the album.

The new pieces were created in rather different ways. James Gruntz always carries a Dictaphone on him and records ideas with it. Every now and then he listens to these recordings and searches for ideas “where I feel like developing something from it.” This is when he works on this idea at home alone in his home studio until the song form has been established. “I think it’s particularly exciting when I don’t know which direction a song is going to take. Only when I am aware of that, when I have found my version, that’s when I look for collaboration with other musicians – and I am open to their ideas and input.”

Different origins

He had the idea for the first single, “You”, as early as three years ago, in other words, shortly after the release of the last album. “This piece has been subject to some enormous development before it was finished, it actually became rather different.” Other songs such as “Waves”, were more or less plucked out of thin air and nearly completed within just one day. “This piece is still the demo to some extent. That was possible because it is closer to a mood than to a song and therefore it was more limited in terms of enhancing it.”

The composer in residence year valued at CHF 80,000 that James Gruntz received from FONDATION SUISA in 2016 played an important role in the making of the album. “Waves” was actually meant to be released this spring. “I realised, however, that I needed more time in order to design the album in exactly the way I envisaged it to be. That’s how I was able to postpone the release of the album by half a year without starting to panic that my bank account would drop below zero.”

Is the book the new CD?

The composer in residence year also made a rather special project possible: James Gruntz will publish a 64-page book in time for the tour. “It’s an experiment that I would have had to think about twice without the money from the FONDATION SUISA.” For each song of the new album, a male or female author was asked respectively to write a text, but without any instruction. “What came out of this were poems and stories which are very interesting for me, too, as they show what my music can trigger.”

Behind this book project is the contemplation of James Gruntz that “the CD is, despite its better sound quality, on a downward spiral.” He is still convinced, however, that the majority of the people wish to continue holding something in their hands when they listen to music, just like him. “And a book is a much nicer object than a CD! It also contains the song lyrics; that is good for those listeners that are streaming my music.” The project was also made possible due to the fact that his album is released by the publisher Zytglogge which also includes books in its assortment. That is why James Gruntz can now look forward to his music coming into the bookshops he loves so much since the book also contains a download code for his album (the book is also going to be sold at his concerts).

Concerts 2017/18: 17 Nov. Schüür Lucerne, 18 Nov. Eintracht Kirchberg SG, 24 Nov. Gaswerk Seewen, 25 Nov. Kaserne Basel, 1 Dec. Kofmehl Solothurn, 2 Dec. L’Usine Genève, 8 Dec. Salzhaus Brugg, 9 Dec. Hotel Wetterhorn Hasliberg, 17 Dec. Zauberwald Lenzerheide, 12 Jan. 2018 Salzhaus Winterthur, 19 Jan. Chollerhalle Zug, 20 Jan. Mokka Thun, 16 Feb. Kulturkarussell Rössli Stäfa, 23 Feb. Kulturfabrik KUFA Lyss, 24 Feb. Casino Herisau, 27 Apr. Kühltür Grosshöchstetten.

www.jamesgruntz.com, official website of James Gruntz

Related articles
Lyrics for a song: “Anything goes – if it has success”Lyrics for a song: “Anything goes – if it has success” The FONDATION SUISA dedicates its CHF 25,000 recognition award to lyricists of musical works this year. But what makes a song text a success? Guest author Markus Ganz in an interview with journaliste Jean-Martin Büttner. Read more
“Nothing, nothing at all beats a well-written song”“Nothing, nothing at all beats a well-written song” The international success with Bonaparte is the current highlight of the long-term songwriter career of Tobias Jundt. He penned several hundred titles, spanning a wide stylistic variety, even for or together with other artists. Born in Berne, and now living in Berlin, the composer passes on his knowledge and experience as a guest lecturer at the Zürcher Hochschule der Künste (Zurich University of the Arts) in the subject “songwriting”. An interview with the SUISA member who has been nominated for the Grand Prix Musik in 2016 and performs with his new formation, Mule & Man, at the Festival Label Suisse in Lausanne. Read more
Carrousel: “Sometimes a toy piano helps when you’re looking for a melody” | plus videoCarrousel: “Sometimes a toy piano helps when you’re looking for a melody” | plus video Chromatic, cheerful and charming – thats the sound of Carrousel’s chansons. Hard to imagine that they are created in the sparseness and solitude of the Jura landscape rather than in the backstreets of Paris. “At the beginning of our cooperation, we tried working from Paris”, Sophie Burande laughs with her crystal-clear and yet warm voice. “Thanks to a stipend of the Canton Jura it was possible for us to work and live in Paris for half a year.” She and her life partner Léonard Gogniat found the energetic lifestyle, just as the rich cultural offering, rather stimulating. “But in the end, we preferred to come back to Switzerland.” Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

James Gruntz recently released his new album “Waves”. An important role in the creation of this album is the composer in residence year that the 30-year-old songwriter, multi-instrumentalist, producer and singer has been granted by FONDATION SUISA. Text by guest author Markus Ganz

James Gruntz: “I think it’s particularly exciting when I don’t know which direction a song is going to take”

“It’s a reality that I earn a living with the concert fees and remuneration from the collective management organisations”, explains James Gruntz. (Photo: Gregor Brändli)

With the album “Belvedere”, James Gruntz managed his breakthrough in 2014, corroborated by great chart positions and several awards (“Basel Pop Awards” 2014 and two “Swiss Music Awards” 2015). For the creation of the recently published follow-up album “Waves”, the pressure probably increased for the musician; he grew up in Nidau near Biel, came to Basel at the age of 16, passed his Pop Master...read more

20 years M4music – with SUISA in the midst of it

Over the last 20 years, the M4music festival has become an important get-together of the Swiss Pop music sector. In 2017, its anniversary, the festival offers numerous networking opportunities, information events, evening concerts as well as a showcase stage for young Swiss talents. Such a variety of activities enables the audience to catch a broader, sophisticated glimpse into current music affairs. Text by Erika Weibel

20 years M4music – with SUISA in the midst of it

More than 700 songs were sent in for the Demotape Clinic 2016. Veronice Fusaro (picture) were awarded the main prize “Demo of the Year”, and the “FONDATION SUISA Award” in the category Pop for the song “Come To Naught”. (Photo: Alessandro Della Bella)

SUISA has been involved in the M4music festival for years now. 2017 marks another year where music creators can benefit directly from the expert knowledge of SUISA staff members, and network during the annual ‘Professional-Apéro’ drinks. On top of that, SUISA supports the ‘Showcase Stage’ where Swiss newcomers can present their music to the festival audience.

FONDATION SUISA, SUISA’s charitable foundation for music promotion, is the main partner of the well-established Demotape Clinic, which takes place in the course of the M4music festival. The “FONDATION SUISA Awards” are granted to the best Rock, Pop, Urban and Electronic songs from among the submitted demos. Furthermore, the main prize “Demo of the Year” is awarded together with the Migros-Kulturprozent [Migros ‘Culture Percentage’]. The award show takes place on Saturday, 1 April 2017 at 7.00 pm in the ‘Box im Schiffbau’. At the same event, FONDATION SUISA, the Solothurn Filmtage (‘Film days’), and M4music jointly award prizes for Best Swiss Video Clips 2017.

All information events and performances on the Showcase Stage are free of charge for the audience.

Panels at M4music 2017 with SUISA participation

Friday, 31/03/2017, 14:45, Matchbox
Copyright Debate: Sampling, Remix, Mashup

Samples and remixes can be found all around in the music sector. Nevertheless, this issue often leads to emotional discussions and also triggers the question among professional musicians: What’s allowed, and what isn’t? Where do I have to obtain rights, from whom and when? Questions which have become acute again in the digital age. Can the current copyright legislation provide topical answers? The panel will be presented by SUISA.

Saturday, 01/04/2017, 17:45, Matchbox
Blockchain: More than a hype?

Blockchain is the technology watchword of the day. No other topic inspires the imagination of entrepreneurs, investors and IT strategists more than the concept borrowed from Bitcoin, the digital currency. The financial sector attributes the potential to the Blockchain that it could fundamentally change entire commercial sectors. The Blockchain allows for tamper-proof transactions at cyberspeed without intermediaries. This topic has also caused ripples in the music industry: Income could then be distributed automatically among rights owners and the balance of power in the music industry could shift dramatically. But how exactly does Blockchain work? At the event entry-level knowledge will be conveyed and discussions will be held about the opportunities and challenges for musicians and collective management organisations. Andreas Wegelin, CEO of SUISA, will be a contributor to this discussion at the event.

www.m4music.ch

Related articles
“Nothing, nothing at all beats a well-written song” The international success with Bonaparte is the current highlight of the long-term songwriter career of Tobias Jundt. He penned several hundred titles, spanning a wide stylistic variety, even for or together with other artists. Born in Berne, and now living in Berlin, the composer passes on his knowledge and experience as a guest lecturer at the Zürcher Hochschule der Künste (Zurich University of the Arts) in the subject “songwriting”. An interview with the SUISA member who has been nominated for the Grand Prix Musik in 2016 and performs with his new formation, Mule & Man, at the Festival Label Suisse in Lausanne. Read more
Second attempt to review the Swiss Copyright Act The preliminary draft by the Swiss Federal Council for a review of the Swiss Copyright Act was not able to carry a majority during the consultation. The Federal Councillor in charge, Simonetta Sommaruga, has therefore called upon a working group again. AGUR12 II is asked to work out specific legislative proposals alongside the compromise that had been achieved by AGUR12 and been in place for more than 2 years. Read more
Lyrics for a song: “Anything goes – if it has success” The FONDATION SUISA dedicates its CHF 25,000 recognition award to lyricists of musical works this year. But what makes a song text a success? Guest author Markus Ganz in an interview with journalist Jean-Martin Büttner. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Over the last 20 years, the M4music festival has become an important get-together of the Swiss Pop music sector. In 2017, its anniversary, the festival offers numerous networking opportunities, information events, evening concerts as well as a showcase stage for young Swiss talents. Such a variety of activities enables the audience to catch a broader, sophisticated glimpse into current music affairs. Text by Erika Weibel

20 years M4music – with SUISA in the midst of it

More than 700 songs were sent in for the Demotape Clinic 2016. Veronice Fusaro (picture) were awarded the main prize “Demo of the Year”, and the “FONDATION SUISA Award” in the category Pop for the song “Come To Naught”. (Photo: Alessandro Della Bella)

SUISA has been involved in the M4music festival for years now. 2017 marks another year where music creators can benefit directly from the expert knowledge...read more

Traditional folk music as a basis for more complex compositions

The composer and accordion player Franz «Fränggi» Gehrig receives the FONDATION SUISA Award 2016. The annual recognition award granted by SUISA’s music promotion foundation will be awarded in 2016 in the category “new, current Swiss folk music”. An interview with the 30-year-old award winner from canton Uri on the prize, his musical work and the attraction of old and new traditional folk music. Text/interview by Manu Leuenberger

Traditional folk music as a basis for more complex compositions

Fränggi Gehrig began playing the accordion as an eight-year-old. He studied accordion at the University of Lucerne, in the specialisation field Jazz with a focus on traditional folk music, and also composition. (Photo: Blatthirsch.ch)

Fränggi Gehrig, you are receiving the FONDATION SUISA 2016 award in the category “new, current Swiss folk music”. What does the award mean to you?
Fränggi Gehrig: The award came as a total surprise, as I had no idea when I entered the competition whether I had any chances. That’s why I am now even more happy and am really rather honoured that I am allowed to receive this award.

Many traditions are linked with folk music. What are the challenges if you wish to give folk music a new and current shape?
The most important thing, in my opinion, is never to forget your roots. You have to be careful that you don’t harmonise or rhythmically change melodies in a different way and say this is a new kind of folk music.
I believe that the connection between “traditional” and “new” material won’t work if you have not intensively experienced these traditions over a very long period of time. Especially traditional folk music is very difficult to learn. You need several nights out and the same amount of hours of practice home alone, in order to really be at home in it. It’s my opinion that you need this background in order to give folk music a meaningful new and current shape.

On the one hand, we can often hear you performing old traditional works with your accordion. On the other hand, you write proper compositions for bands such as Rumpus, Stegreif GmbH or the Alpini Vernähmlassig, where you also play. What attracts you to be a performer of old and a composer of new music at the same time?
I like the variety and the range of diverse projects in my work. As I said before, the traditional, “old” music is my base, that’s what I grew up with and I still love playing it very much. I believe it fits better in a cosy boozer where you can dance than in a concert hall. On the other hand, my slightly more complex compositions are more suitable for concert situations. The target audience is, in those cases, totally different, you practically move between two worlds. I like this kind of variety as it inspires me to continue doing both and sometimes combine.

Six years ago, you joined the Swiss Cooperative Society of Music Authors and Publishers. What benefits do you have from a SUISA membership?
I can have my works protected under copyright and benefit when my compositions are performed in public.

Have you already got an idea what you are going to use the FONDATION SUISA award money for?
It is rather likely that I will indulge in buying myself a good instrument which I have been ogling for a while.

Which of the many formations that you play with is currently or in the near future closest to your heart?
It is my aim to push my own quintet forward a bit in future. I also hope that I can continue to enjoy many amazing moments together with my formations and music colleagues.

Official website: www.fraenggigehrig.com

The FONDATION SUISA award is a recognition award with which outstanding creative work is acknowledged which enriches the musical heritage of Switzerland. The award is granted by SUISA’s foundation for the promotion of music ((3)) each year in varying categories and carries a prize money of CHF 25,000. Most recent award winners were: Aliose (category “variety music), Gary Berger («instrumental/vocal composition and electronics), Ruh Musik AG (“Music publishing”), Trummer (“singer-songwriter”) and Michel Steiner and Willi Valotti (“Swiss traditional folk music”).

Related articles
“The FONDATION SUISA Award 2015 gives us a push for the future!”“The FONDATION SUISA Award 2015 gives us a push for the future!” The Duo Aliose receives this year’s FONDATION SUISA Award for its outstanding performances in the musical genre ‘variété’. Since the release of its debut album in 2009, Aliose have performed at more than 250 concerts, of which a third took place outside of Switzerland. Alizé Oswald and Xavier Michel met more than 10 years ago at a workshop for authors, composers and artists. The award winners provided us with a written statement on their music, composing, winning the award and their next album. Read more
“The most difficult question is which sound suits the film best”“The most difficult question is which sound suits the film best” At the occasion of the Locarno Film Festival in August, Swiss composer Peter Scherer was awarded with the Film Music Prize 2015 by FONDATION SUISA. He received the prize worth CHF 25,000 for his music to the film “Dark Star – HR Gigers Welt” by director Belinda Sallin. In a conversation prior to the award ceremony, the SUISA member Peter Scherer spoke about the challenges when composing film music, among other things. Read more
25 years of FONDATION SUISA – a success story25 years of FONDATION SUISA – a success story The FONDATION SUISA, SUISA’s non-profit music foundation, celebrates its 25th anniversary this year. Since its formation in 1989, it has supported Swiss music activities at home and abroad with more than CHF 36m. Founding member Roy Oppenheim casts a personal glance back on the journey in the SUISAblog. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The composer and accordion player Franz «Fränggi» Gehrig receives the FONDATION SUISA Award 2016. The annual recognition award granted by SUISA’s music promotion foundation will be awarded in 2016 in the category “new, current Swiss folk music”. An interview with the 30-year-old award winner from canton Uri on the prize, his musical work and the attraction of old and new traditional folk music. Text/interview by Manu Leuenberger

Traditional folk music as a basis for more complex compositions

Fränggi Gehrig began playing the accordion as an eight-year-old. He studied accordion at the University of Lucerne, in the specialisation field Jazz with a focus on traditional folk music, and also composition. (Photo: Blatthirsch.ch)

Fränggi Gehrig, you are receiving the FONDATION SUISA 2016 award in the category “new, current Swiss folk music”. What does the award mean to you?
Fränggi Gehrig: The award came as a total...read more

Bernard Cintas neu im Stiftungsrat der FONDATION SUISA

Sorry, this article is only available in German and French.

hide comments

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Sorry, this article is only available in German and French.

...show comments

25 years of FONDATION SUISA – a success story

The FONDATION SUISA, SUISA’s non-profit music foundation, celebrates its 25th anniversary this year. Since its formation in 1989, it has supported Swiss music activities at home and abroad with more than CHF 36m. Founding member Roy Oppenheim casts a personal glance back on the journey in the SUISAblog.

25 years of FONDATION SUISA - a success story

The Klangturm at the Arteplage Biel was the sounding landmark of the national exhibition Expo.02 and was financed by FONDATION SUISA and SUISA. (Photo: Felix Eidenbenz)

It was Ulrich Uchtenhagen (1926-2003), the then SUISA CEO who called me in the summer of 1988 and asked me whether I wanted to support him with the formation of a new cultural foundation. As he retired in the same year for reasons of age, his successor, Patrick Liechti (1950-1997) continued the task to that the SUISA foundation for music could be called into life in 1989.

Make Swiss music known all over the world

I was active as a Director at Swiss Radio International and due to the revolutionary events in Europe (Fall of the Berlin Wall in 1989), I strived together with Urs Frauchiger, the then Head of Pro Helvetia, to make Swiss music known all over the world. We wanted to continue the legacy of Lance Tschannen, the tireless inspirer of Swiss music life. Tschannen was the initiator and producer of the Swiss music anthology “Musica Helvetica” which was supported by SRG and SUISA.

I met important protagonists of copyright as well as music such as Hans Ulrich Lehmann, Carlo Florindo Semini, Julien-François Zbinden, Bruno Spoerri, and Jacques Wildberger among a rather ‘young’ Foundation Board of the newly formed SUISA foundation for music. – Together with the first director, the musician Claude Delley, we tried to improve the insufficient information on Swiss music creation. After seemingly insurmountable difficulties, we managed to develop a regular magazine which we also produced electronically after the advent of the internet at the beginning of the 90ies.

Presence at the Locarno Film Festival

I am proud that we managed to win over the former regional Director of the RTSI, Marco Blaser, as President of the Jury for the Swiss Film Music Prize, initiated by the foundation. As a consequence, the SUISA foundation received a regular journalistic presence at the Locarno Film Festival.

Marco Blaser, President of the Jury of the Swiss Film Music Prize of FONDATION SUISA, leads the Award ceremony at the Locarno Film Festival in 2005. (Photo: Claudia Kempf)

Expo.02: Klangturm (“sound tower”) at the Arteplage Biel

We faced another major event to which the foundation contributed in a major way at the beginning of 2000: the EXPO.02. We – Claude Delley, Alfred Meyer, Erika Hug and me – jointly fought for the realisation of the Klangturm at the Arteplage Biel. Success finally came with the support of SUISA and the SUISA foundation. It was a project based on an idea of Andres Bosshard, musician and sound architect. His instrument was a monumental sound tower, his score was legible on computer screens.

Whoever approached the remarkable sound tower could hear the real environmental sounds of lake and Arteplage from afar. They changed into new sound sequences and mutated to some sort of electronic murmuring and roaring when coming closer. The sounds were transmitted via 32 speakers which were installed at seven different levels at a height of 40 metres, partly hovering around, attached to giant balloons, partly hidden as subwoofers in the spectators’ benches.

The audience sat on the floor and on chairs and listened, some only briefly and curious, others for hours. It was an incredibly pleasant and peaceful image that the spectator could witness in this section of the Arteplage Biel. It is likely that the number of Expo visitors to the sound tower topped a million. It was a one-off chance to enthuse a broader population for the interests of music.

Writing Swiss cultural history

Two big names of the Swiss artistic scene: Jazz musician Georges Gruntz (on the left) and cartoonist Nico Cadsky were guests of SUISA and the SUISA foundation at Midem in Cannes in 2002. (Photo: Roy Oppenheim)

Yes, the music foundation has – apart from thousands of subventions to musical projects – written Swiss cultural history, not only due to its financial means but also thanks to many new ideas. Among these are the constant and original presence at international music fairs such as the Musikmesse Frankfurt, Popkomm Berlin or Midem in Cannes. At the latter, the biggest music exhibition worldwide, the jazz musician and publisher Peter Schmidlin organised the “Swiss Jazz Club” for five years, starting in 2000, on behalf of the foundation. It was an internationally successful event where all big Swiss jazz musicians performed, such as Georges Gruntz, Franco Ambrosetti, Kurt Weil, Erika Stucky and others. The involvement of the foundation in the successful initiative jugend + musik (youth & music) to anchor “musical education” into the Federal constitution was another courageous and successful project.

The foundation is still looking for new ways to this day in order to support Swiss composers and artists. Among these is the cooperation developed by the current foundation Director, Urs Schnell, with the audiovisual platform art-tv.ch. The FONDATION SUISA has become indispensable in our country. I would like to express my sincere thanks to it.

Additional information:

  • News release dated 11/12/2014: “FONDATION SUISA supports Swiss music with CHF 36m in 25 years”
  • SUISAinfo members’ magazine, issue 2.14 (pdf), main topic: “SUISA and its foundations”

This guest contribution has been penned by Roy Oppenheim, founder member of the FONDATION SUISA. About the author in brief: After his studies of history of art, history and journalism, Roy Oppenheim wrote numerous books and contributed to many TV programmes as author and producer. Roy Oppenheim also led the culture sector of Swiss Television SF DRS for 13 years, was Director of Schweiz International and the fourth Channels, held the position of Communications Director of SUISA for 10 years and managed the new sculpture museum Rehmann for 7 years. Today, he is President of the Forum Helveticum and the multimedia platform www.art-tv.ch as well of various other cultural foundations.

Related articles
Traditional folk music as a basis for more complex compositions The composer and accordion player Franz «Fränggi» Gehrig receives the FONDATION SUISA Award 2016. The annual recognition award granted by SUISA’s music promotion foundation will be awarded in 2016 in the category “new, current Swiss folk music”. An interview with the 30-year-old award winner from canton Uri on the prize, his musical work and the attraction of old and new traditional folk music. Read more
“Swiss Film Music features great diversity and high quality” The box-set “Swiss Film Music”, containing three CDs, one DVD and a book, released by FONDATION SUISA, provides fascinating insights into the history of Swiss film music between 1923 and 2012. A conversation with the musicologist and media scientist Mathias Spohr who acted as artistic director for the project. Read more
“The FONDATION SUISA Award 2015 gives us a push for the future!” The Duo Aliose receives this year’s FONDATION SUISA Award for its outstanding performances in the musical genre ‘variété’. Since the release of its debut album in 2009, Aliose have performed at more than 250 concerts, of which a third took place outside of Switzerland. Alizé Oswald and Xavier Michel met more than 10 years ago at a workshop for authors, composers and artists. The award winners provided us with a written statement on their music, composing, winning the award and their next album. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The FONDATION SUISA, SUISA’s non-profit music foundation, celebrates its 25th anniversary this year. Since its formation in 1989, it has supported Swiss music activities at home and abroad with more than CHF 36m. Founding member Roy Oppenheim casts a personal glance back on the journey in the SUISAblog.

25 years of FONDATION SUISA - a success story

The Klangturm at the Arteplage Biel was the sounding landmark of the national exhibition Expo.02 and was financed by FONDATION SUISA and SUISA. (Photo: Felix Eidenbenz)

It was Ulrich Uchtenhagen (1926-2003), the then SUISA CEO who called me in the summer of 1988 and asked me whether I wanted to support him with the formation of a new cultural foundation. As he retired in the same year for reasons of age, his successor, Patrick Liechti (1950-1997) continued the task to that the SUISA foundation for...read more