Tag Archives: Foundation board

33 1/3 revolutions, 33 1/3 years later

Sometimes the thoughts that come to you while listening to music can be rather strange. This is what happened to me recently when I listened to the wonderful album “Kind of Blue” by Miles Davis. It reminded me that this music was originally released on vinyl, that is, on a long-play. By Urs Schnell, Director FONDATION SUISA

33 1/3 revolutions, 33 1/3 years later

The foundation for music promotion of SUISA turned 33 1/3 years old this year. (Photo: SUISA / Manu Leuenberger)

33 1/3 revolutions per minute – that’s how leisurely a record spins – but incredible things happen on this so meticulously cycled time plane. “So What” – the first bass lines already pull you into another world. The rhythm that rises after that releases thoughts which often begin in places one would not have expected. I admit, had we not just now launched a revamped website, including a new application portal, I would not have delved so deeply into the history of the foundation. And then I would hardly have come across the fact that 33 1/3 not only stands for the revolutions per minute of a long-playing record, but that our FONDATION SUISA turned 33 1/3 years this year – a third of a century.

Miles Davis and John Coltrane, who juggled time planes in pieces like “Freddie Freeloader,” “Blue in Green” and “All Blues”, connecting yesterday with today to sketch a new tomorrow – that is also how I improvised my way mentally through the past, present, and future of our foundation.

The record player – still one of the main protagonists when the foundation was established – quickly disappeared thereafter. With the arrival of the compact disc, the physical sound carrier evaporated into virtual space, and with the loss of something haptic, the music industry was completely torn from its hinges. A gigantic change, especially for those who live from music. But also, for those who support current music creation.

33 1/3 years in the service of music makers and their creativity

Under the fleeting, melancholy sounds of Miles’ trumpet, I thought of the thousands of applications reviewed in those 33 1/3 years, the countless hours spent at foreign fairs to get Swiss music out there. And above all to the many people – whether on the Foundation Board, in the juries, or the administrative office – who have shown an almost unbelievable level of commitment since the foundation was established in 1989, not only to keep the “car” running, but also to keep it on course, again and again, despite drastic changes.

At first, it may sound like a cheap transition to the readers of these fleetingly sketched lines, when a “Get Going!” escapes me at John Coltrane’s lyrical saxophone. But “Kind of Blue”, with its magical moments, reminds us of the humility that music can trigger in its audience. And of the fact that the energy and time we put into our funding programmes are always in the service of the creativity of the music makers.

They are the reason we do what we do. And that’s what it’s all about.

Supporting the creative drive of the Swiss music scene

May economic structures collapse to make way for new realities; may formal conditions change in such a way that musicians must “reinvent” themselves – our task is to constantly adapt in order to keep up with the creative drive. Because the creativity of the Swiss music scene remains unbroken. The kick-off financing campaign “Get Going!” is one of our latest projects, which beyond all conditions, far from genre definitions and stylistic pigeonholes, allows music creators the freedom to develop as they wish.

There will always be good music. And good music will outlive even us – just look at, or listen to, “Kind of Blue”. Yes, even vinyl records are celebrating a brilliant comeback. 33 1/3 revolutions per minute are not bad at all as an anachronistic statement to bits and bytes. Paired with good music, they serve – as proven here – as a stimulant for mental playfulness. Did I mention that in 1959, when “Kind of Blue” was recorded, both Miles Davis and John Coltrane were 33 years old?

And on that note … keep turnin’
Urs Schnell, Director FONDATION SUISA

Related articles
Eight “Get Going!” grants awardedEight “Get Going!” grants awarded This yearʼs “Get Going!” call for entries had a great response among Swiss music makers. After reviewing all the dossiers received, the jury awarded eight start-up grants of CHF 25,000 each. Read more
Helvetiarockt: SUISA supports the voice of female musicians in SwitzerlandHelvetiarockt: SUISA supports the voice of female musicians in Switzerland | plus video Women are still underrepresented in music, on stage and as producers. For this reason, the association Helvetiarockt has been standing up for women in Pop, Jazz and Rock in Switzerland. Since 2019, SUISA is a partner to and supports Helvetiarockt and participated in the “Female* Songwriting Camp” at the Fri-Son, Fribourg, last August. Read more
Hurry, haggle and hope at WomexHurry, haggle and hope at Womex In cooperation with Pro Helvetia, FONDATION SUISA has been providing a Swiss stand at the music exhibition Womex since 2006. But what is the advantage of participating in such an exhibition at all? Ane Hebeisen of the Berne band Da Cruz attended by way of a self-experiment. An unadorned experience report from Budapest. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Sometimes the thoughts that come to you while listening to music can be rather strange. This is what happened to me recently when I listened to the wonderful album “Kind of Blue” by Miles Davis. It reminded me that this music was originally released on vinyl, that is, on a long-play. By Urs Schnell, Director FONDATION SUISA

33 1/3 revolutions, 33 1/3 years later

The foundation for music promotion of SUISA turned 33 1/3 years old this year. (Photo: SUISA / Manu Leuenberger)

33 1/3 revolutions per minute – that’s how leisurely a record spins – but incredible things happen on this so meticulously cycled time plane. “So What” – the first bass lines already pull you into another world. The rhythm that rises after that releases thoughts which often begin in places one would not have expected. I admit,...read more

Spring meeting of the SUISA Board of Directors

The SUISA Board of Directors and its committees held their spring meetings on 11/12 April 2022. After a long break, it is back in full for the first time with face-to-face personal meetings at SUISAʼs headquarters in Zurich. Report from the Board by Andreas Wegelin

Spring meeting of the SUISA Board of Directors

Directorʼs seat in a TV broadcast vehicle: SUISAʼs Board and Executive Committee are preparing to counter the renewed attack on the media fee from the trade sector and the Jungfreisinnige (Young Liberals, Switzerland). (Photo: Cooler8 / Shutterstock.com)

Traditionally, the annual report and the annual financial statements/accounts are finalised and approved at the spring meetings in preparation for and for the attention of the General Meeting. The 2021 annual financial statements matched the previous yearʼs level despite the ongoing pandemic in the year under review. The overall decrease in revenue in 2020 and in 2021 only amounted to 10%, compared to the best-ever result in 2019.

At the same time, we were able to achieve savings on the cost side, in particular thanks to accelerated process automation. This stabilised the decline in terms of the distributable amount. It is even 1% higher than in 2020. High secondary income also allows us to pay an additional 7% distribution on all 2022 settlements again.

Risk management

The annual report also includes the Board of Directors activities in terms of the examination of possible risks and the taking of precautionary mitigating measures to prevent such risks from materialising. Thanks to good information work and lobbying, the CT 3a Tariff (background music) has been much more widely accepted over the last three years since SUISA set up the collection. The Board no longer sees any particular risk here.

On the other hand, the attacks on the media fee from the business sector and the Young Liberals are a cause for concern: The substantial cut in funding for SRG would also have far-reaching consequences for the broadcasting of music by our members. Our Board and Executive Committee will set everything in motion in the years leading up to the referendum to ensure that this scenario does not come to pass.

Partial revision of the Articles of Association, #creatorsforUkraine

The Board also approved a partial revision of the Articles of Association for the attention of the Annual General Meeting, including rules for a good modern corporate governance. For the first time, the emoluments and potential conflicts of interest of the members of the Board of Directors and the Executive Board will also be disclosed to the 2022 Annual General Meeting.

The Board also wishes to express its concern about the war in Ukraine and condemns Russiaʼs war of aggression. It decided to make a donation of CHF 50,000 to the #creatorsforUkraine relief campaign of our umbrella organisation CISAC.

Other agenda items

Other topics of the meeting were the optimal organisation of the representation of the rights of our members in South Africa, possibly through a new agency, and the cooperation with the German GEMA regarding the automated registration of small events with music.

In its function as the Board of the Pension Fund for Authors and Publishers, the SUISA Board of Directors has taken note of the annual financial statements of said foundation, which close successfully with an annual result of CHF 4.7 million thanks to the good securities situation at the end of 2021.

Related articles
Board meetings December: Budget established for the year 2022Board meetings December: Budget established for the year 2022 The meetings of SUISA’s Board of Directors on 12 and 13 December 2021 had unfortunately to be held in the form of a video conference again due to the recommended protective measures. Among other things, the budget for 2022 was approved at the last meetings of the year. Read more
Common Tariff 3a: A hundred thousand new SUISA business customersCommon Tariff 3a: A hundred thousand new SUISA business customers | plus video With regards to Common Tariff 3a (CT 3a), SUISA has been managing all customers directly again since 01 January 2019. In order to do so, data of about 100,000 customers which received their 3a invoices via Billag in the past years, has been migrated into the SUISA systems. A new team of 16 staff is responsible for all customers of this tariff and provides customer service in four languages. Read more
New features in member services of SUISANew features in member services of SUISA SUISA has been enhancing its online service for years now, especially for music authors and music publishers. Self-service is key: It should be easy and comfortable for members to access all SUISA services online. This does not just save time for members: SUISA can thus also increase its efficiency and therefore distribute more money to rightsholders. In 2022, the conditions for membership will also be amended. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The SUISA Board of Directors and its committees held their spring meetings on 11/12 April 2022. After a long break, it is back in full for the first time with face-to-face personal meetings at SUISAʼs headquarters in Zurich. Report from the Board by Andreas Wegelin

Spring meeting of the SUISA Board of Directors

Directorʼs seat in a TV broadcast vehicle: SUISAʼs Board and Executive Committee are preparing to counter the renewed attack on the media fee from the trade sector and the Jungfreisinnige (Young Liberals, Switzerland). (Photo: Cooler8 / Shutterstock.com)

Traditionally, the annual report and the annual financial statements/accounts are finalised and approved at the spring meetings in preparation for and for the attention of the General Meeting. The 2021 annual financial statements matched the previous yearʼs level despite the ongoing pandemic in the year under review. The overall decrease in...read more

SUISA Board meeting, autumn 2021

The Board of Directors and the Committee for Tariffs and Distribution and the one for Organisation and Communication gathered on 29 and 30 September 2021 for their autumn meetings in Lausanne. Report from the Board of Directors by Andreas Wegelin

SUISA Board meeting, autumn 2021

During its autumn meeting, the SUISA Board of Directors elected Francine Jordi (pictured) into the Board of FONDATION SUISA. (Photo: Thomas Buchwalder)

Fortunately, the epidemiological situation allowed the members of the SUISA Board of Directors and the Executive Committee to meet in person again. Of all people, it was ausgerechnet? Councillor of States, Johanna Gapany, newly elected to the Board at the General Meeting 2021, who was only able to join the meeting of the Committee for Organisation and Communication (O+K) via video link due to her participation in the session of the Federal Councillors in Bern. The SUISA meeting schedule 2022 is going to be adapted with the Council sessions in mind.

Cost unit accounting

The Board of Directors dealt with the results of the cost unit accounting for 2020, like every year in its autumn meeting. Based on the cost unit accounting, it can be determined how high the expenditure for collection and distribution is for each tariff in detail.

It is generally known that SUISA deducts a fixed percentage from the settlements to the rightsholders as a cost contribution for its expenditure related to collection and distribution. This percentage, i.e. 15% for performing and broadcasting rights, is a mixed calculation in relation to the effective costs. For example, collecting licence fees for music usages in the hospitality industry (CT H) or for dance and entertainment (CT Hb) is more costly than the collection from radio stations (Tariff A and CT S).

This cost unit accounting also makes these differences visible, and it can also be shown in a time dimension whether the costs for a specific tariff are showing a downward trend thanks to savings and rationalisation measures. The result of the cost unit accounting 2020 was somewhat clouded by the difficult collection situation due to the pandemic, less income but still costs which could not be reduced to the same extent.

Strategy

Every year in its autumn meeting, the Board of Directors takes a look at the strategy of SUISA. The basis paper for this was created in 2019. It was now time to check whether the defined strategic objectives are still to be weighted equally and can be achieved in a meaningful way.

Due to the pandemic, slight adjustments were made; however, the fundamental strategic stance of “asserting oneself in the face of increasing competition through high yields with high cost-awareness and best service quality” remains the same.

Special meeting to discuss online usages

In relation to the company’s strategy, the Board of Directors is going to meet at the end of November in a special meeting to discuss online usages. One reason for this, among others, is also the five-year anniversary of Mint Digital Services, the Joint Venture with the US-American organisation SESAC.

For this special meeting, the Board of Directors approved an agenda and determined the main issues. The objective is to define the needs and expectations of the SUISA members and satisfy them by way of finding suitable measures at Mint Digital Services and the SUISA group of companies.

Distribution of “residuals”

Changes in the distribution rules normally have to be approved by the Swiss Federal Institute of Intellectual Property (in Switzerland) and the Office for Economic Affairs (in Liechtenstein). The competence in the case of distribution rules for collections for online licensing is different: The management of online rights is not subject to federal supervision. As such, the respective changes to distribution rules exclusively fall under the competence of the Distribution and Works Committee and the SUISA Board of Directors.

As part of this competence, the Board of Directors decided in its meeting on 30 September 2021 that item 5.6.1 of the distribution rules be changed respectively reviewed with regards to the distribution of the “residuals” paid by online platforms. “Residuals” are amounts paid by online music platforms for works or parts of works whose rights owners could not be determined and as such no claims were established by any collective management organisation.

Such difficulties arise in such cases when musical works have not been registered in time. For such cases, online providers pay so-called “residuals” after 18 months to the collective management organisation of the country where the music was used.

A so-called “multi-stage invoicing” has been agreed with the online music providers: The usage data of the distribution period will be matched after 90 and after 180 days again against the works database. During that time, it is possible to submit a late registration of the works resulting in a settlement for the work that has been registered late.

The Board of Directors decided that after 180 days, the payments for non-identified works (the “residuals”) shall be paid out as a supplement on top of the other used works in the corresponding distribution period. The alternative that up to five years after the usage, unidentified works can still be registered has been dismissed by the Board of Directors due to cost reasons. It is therefore important that new titles are registered as soon as possible so that online usages can be distributed as adequately as possible.

Francine Jordi elected to the Pension Board of the FONDATION SUISA

The Board of Directors of SUISA is the election committee of the Board of FONDATION SUISA, the foundation for music promotion of SUISA. In its autumn meeting, the Board elected Francine Jordi as a new Pension Board member.

Related articles
Online licensing activities require early work registrationsOnline licensing activities require early work registrations From a sales perspective, online music distribution provides enormous opportunities. With little effort, music can be made available to a global audience within an instant. The distribution of copyright royalties, however, is complex when it comes to online usages. This is also due to the fact that the processes differ from those for performing and broadcasting rights. The most important advice is: First, register the work with SUISA as early as possible, then publish it online. Read more
SUISA and the Covid-19 crisisSUISA and the Covid-19 crisis Since the end of February 2020, it’s not just the music sector that has been confronted with an unforeseen challenge. As a cooperative society for authors and publishers of music and a collective management organisation, how is SUISA dealing with the Covid-19 crisis which has been around for nearly two years? Read more
SUISA Board of Directors holds a physical meeting for the first time in 15 monthsSUISA Board of Directors holds a physical meeting for the first time in 15 months While the General Meeting could only take place by postal vote due to the precautionary measures taken in the context with the corona pandemic for the second time, the Board of Directors decided to hold a physical meeting for the first time in 15 months in Muri near Berne on 24 and 25 June 2021, adhering to the prescribed protective measures. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The Board of Directors and the Committee for Tariffs and Distribution and the one for Organisation and Communication gathered on 29 and 30 September 2021 for their autumn meetings in Lausanne. Report from the Board of Directors by Andreas Wegelin

SUISA Board meeting, autumn 2021

During its autumn meeting, the SUISA Board of Directors elected Francine Jordi (pictured) into the Board of FONDATION SUISA. (Photo: Thomas Buchwalder)

Fortunately, the epidemiological situation allowed the members of the SUISA Board of Directors and the Executive Committee to meet in person again. Of all people, it was ausgerechnet? Councillor of States, Johanna Gapany, newly elected to the Board at the General Meeting 2021, who was only able to join the meeting of the Committee for Organisation and Communication (O+K) via video link due to her participation in the session of the...read more

Erika Hug: Committed and combative

SUISA and FONDATION SUISA are mourning Erika Hug. The publisher and entrepreneur had been influencing the promotion of Swiss music creation for more than three decades, on the SUISA Board of Directors, as a co-founder of FONDATION SUISA and as the president of the foundation board. She passed away unexpectedly on 14 July 2021 at the age of 76. Obituary by Andreas Wegelin and Urs Schnell

Erika Hug: Committed and combative

Erika Hug (1945-2021). (Photo: FONDATION SUISA / Musik Hug)

The Swiss music scene is mourning the loss of Erika Hug, publisher and owner of the established and traditional music business. She passed away completely unexpectedly on 14 July 2021.

Erika Hug had taken on leadership of the renowned Zurich music company as a young woman in the sixth generation. Apart from traditional publishing and sheet music business, the company grew well in the 1980s and entered the new sales business with CDs at an early stage. With her husband, German music entrepreneur Eckard Harke, the sales of music instruments also saw a strong development. One speciality were the two Steinway Piano Galleries in Lausanne and Zurich.

The profound changes in the music business in the course of internet digitisation led to a decline in demand for sheet music, sound recordings or instruments after the turn of the millennium. The Swiss-wide branch network was reduced at the start of the 2000s and the company was finally sold in 2017.

Contribution at SUISA and FONDATION SUISA

Over many years, Erika Hug had been giving her know-how and experience as an entrepreneur to the Cooperative Society, SUISA and the FONDATION SUISA by way of being a member of the SUISA Board of Directors and of the Pension Board of the FONDATION SUISA. From 1985 to 1995, Erika Hug was a Board member of the Cooperative Society SUISA and President of their committee for international relations.

Erika Hug was a founder member of the SUISA foundation for music (today: FONDATION SUISA) in 1989. For 27 years, until the end of 2015, she had been a member of the Foundation Board. From 1990 onwards, Erika Hug first presided the Finance Committee of the Foundation, from 1996 onwards, she became Vice President. Finally, from 2005 she led the Foundation for 10 years as President of the Foundation Board.

Erika Hug had been a major influence on the Cooperative Society and the Foundation over the last 30 years as a publisher and expert in the music business sector. She got involved when it came to access to music and to playing an instrument, especially also with respect to the younger generation and less well-off members of society. The project “make music in the classroom” of FONDATION SUISA is a proof for this. Erika Hug was also a fighter for more women in music and in business.

We mourn a great Swiss personality when it comes to bringing music to the people, and we are grateful for her commitment in the managing committees of our Cooperative Society and Foundation and would like to express our heartfelt condolences to her family.

Collapse article
  1. Ho avuto il piacere di lavorare con Erika Hug per 14 anni nel Consiglio di fondazione della Fondazione Suisa per la musica e, di questa donna, ho sempre apprezzato la chiarezza d’intenti nel promuovere la musica “Made in Switzerland”, la tenacia e le brillanti idee.
    Un’altra sua qualità che ho sempre apprezzato in lei era la capacità di saper mettere a proprio agio le persone, di saperle ascoltare e, se le idee che venivano proposte le sembravano buone, di impegnarsi nella realizzazione senza mai risparmiarsi.
    Di lei serberò sicuramente un buon ricordo.
    R.I.P. Erika

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

SUISA and FONDATION SUISA are mourning Erika Hug. The publisher and entrepreneur had been influencing the promotion of Swiss music creation for more than three decades, on the SUISA Board of Directors, as a co-founder of FONDATION SUISA and as the president of the foundation board. She passed away unexpectedly on 14 July 2021 at the age of 76. Obituary by Andreas Wegelin and Urs Schnell

Erika Hug: Committed and combative

Erika Hug (1945-2021). (Photo: FONDATION SUISA / Musik Hug)

The Swiss music scene is mourning the loss of Erika Hug, publisher and owner of the established and traditional music business. She passed away completely unexpectedly on 14 July 2021.

Erika Hug had taken on leadership of the renowned Zurich music company as a young woman in the sixth generation. Apart from traditional publishing and sheet music business, the...read more

«Get Going!» goes into the third round

«Get Going!» enables new perspectives: The idea of «Get Going!» is based on the philosophy of «making it possible». «Get Going!» consist of a start-up financing. Four such contributions of CHF 25 000.- each per year are advertised. Text by FONDATION SUISA

«Get Going!» goes into the third round

The recipients of the “Get Going!” contributions 2019 (from top left to bottom right): Anna Gosteli, Michel Barengo, Jessiquoi, Félix Bergeron (Iynnu) and Jérémie Zwahlen. (Photos: zVg)

«Get Going!» should be accessible to as many musically creative people as possible. Musicians should be restricted as little as possible in their creative ideas.

«Get Going!» 2020: Call for applications

Application deadline: 31.08.2020

The call for applications is intended to be broadly open and deliberately avoids the usual categories of musical genre, age or project.

Applications may be submitted by authors and musicians who can demonstrate a clear connection with the current Swiss or Liechtenstein music making.

Please note that:

  • We will not accept any additional documents, neither in electronic form nor as hard copies
  • We shall neither engage in any correspondence nor give any information by phone about the selection procedure and the final decision
  • If necessary, the jury may request further information
  • The jury, consisting of four members of the Board of Trustees, will evaluate the applications and make the final selection. The substance and originality of the applicant’s submission will play a decisive role in the selection.

To apply:

You have until 31.08.2020 to fill out the online form below:

«Get Going!» 2020 application form

In the course of autumn 2020, the jury will consider the submitted dossiers. You will then receive feedback on your application.

www.fondation-suisa.ch/en/work-grants

Related articles
Nik Bärtsch: “In this, we are all really challenged as a community”“In this, we are all really challenged as a community” With the “Music for tomorrowˮ project, SUISA aims to support its members in these difficult times. We offer artists a platform where they can talk about their current situation while in lockdown and present one of their works. This week we present the Swiss pianist, composer and music producer Nik Bärtsch and his piece “Modul 5ˮ. In the interview, Nik talks about his everyday life in lockdown with his family and what he has in common with an Australian emergency doctor. Read more
“Répondez-Moi”: Third Swiss ESC song from the SUISA Songwriting Camp“Répondez-Moi”: Third Swiss ESC song from the SUISA Songwriting Camp With “Répondez-Moi”, Switzerland is sending a French-language entry to the Eurovision Song Contest for the first time since 2010. The song was written by Gjon Muharremaj (Gjon’s Tears) and SUISA members Alizé Oswald and Xavier Michel of the Duo Aliose together with Belgian producer Jeroen Swinnen at the SUISA Songwriting Camp. Read more
Setting to musicSetting to music Whether they write choir music or a pop-song, composers are often inspired by an existing text which they want to use or excerpt in their new composition or song. What should you be mindful of in the use of third-party texts? How do you obtain permission to set a text to music, and what points should the permission cover? Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

«Get Going!» enables new perspectives: The idea of «Get Going!» is based on the philosophy of «making it possible». «Get Going!» consist of a start-up financing. Four such contributions of CHF 25 000.- each per year are advertised. Text by FONDATION SUISA

«Get Going!» goes into the third round

The recipients of the “Get Going!” contributions 2019 (from top left to bottom right): Anna Gosteli, Michel Barengo, Jessiquoi, Félix Bergeron (Iynnu) and Jérémie Zwahlen. (Photos: zVg)

«Get Going!» should be accessible to as many musically creative people as possible. Musicians should be restricted as little as possible in their creative ideas.

«Get Going!» 2020: Call for applications

Application deadline: 31.08.2020

The call for applications is intended to be broadly open and deliberately avoids the usual categories of musical genre, age or project.

Applications may be submitted by authors and musicians who can demonstrate a clear connection...read more

New support strategy: “We want to look ahead”

FONDATION SUISA reinforces its activities regarding the support of music in Switzerland and the Principality of Liechtenstein: Each year, four music projects shall be launched under the motto “Get Going!”, and every other year, a bigger amount shall be allocated to works under the slogan “Carte Blanche”. Text by FONDATION SUISA

FONDATION SUISA - New support strategy: “We want to look ahead”

With its revised support policy, FONDATION SUISA intends to locate new creative places and push new projects forward where music creators can exercise their creative ideas in the most unrestricted way possible. (Photo: Alberto Andrei Rosu / Shutterstock.com)

The Foundation Council of the FONDATION SUISA decided to reorient one part of its support policy and to open it up to new perspectives. By way of these actions, the foundation intends to recognise modern requirements against Swiss music creation more. Instead of looking in the rear view mirror, it will look ahead much more in future. Four conceptual projects and one work project shall replace the previous policy of granting an award.

Urs Schnell, Managing Director of FONDATION SUISA, said: “Instead of patting an artist on the shoulder by awarding them a prize after their success, we invest the money we have available with a focus on the future instead.” He adds: “We wish to promote instead of judge and thus increase our focus towards what lies ahead of us.”

“Get Going!” supports new projects

The so-called “Get Going!” initiative is a type of start-up funding. Four “Get Going!” contributions @ CHF 25,000 each will be made available each year. Music creators may apply for a “Get Going!” subsidy from end of June 2018 onwards. What’s important is that “Get Going!” does not compete with or affect any other support projects by FONDATION SUISA, in particular the current application system, existing partnerships, exhibitions and events abroad or the playing of music in classrooms.

Schnell explains: “On the contrary, they are an important start-up support and serve as a supplement to the existing types of promotion. We want to explore new areas for creation. Especially those outside existing pigeon holes which have been established in the support policy in the past. Even though they have proved themselves to be useful, they still contributed to the fact that certain projects end up being neither here nor there.”

Financial independence thanks to the “Carte Blanche”

Rather than being subject to a bidding process, the “Carte Blanche” is instead granted every other year by a jury of experts, and it amounts to CHF 80,000. The “Carte Blanche” is intended to enable the benefiting party to completely focus on their musical activities and creations over a longer period in time. “The promotion as well as the artistic development are in the focus of a “Carte Blanche” and less the result of the work on a specific work” – this is how Schnell describes the framework of this substantial subsidy.

With both support projects, FONDATION SUISA wishes to react to the fast-changing music scenes where innovative creative concepts fail time and again because they don’t fit into the prevailing regulations. FONDATION SUISA therefore deliberately renounces on current genre, age or project categories. “Get Going!” and “Carte Blanche” shall be accessible to as many musical and creative people as possible. Schnell concludes: “Music creators shall face as little restriction in their creative ideas as possible. It is in the ‘in between’ where conventional genre definitions fail, because they fall through the grate, that we wish to become active in future as constructive promoters and supporters.”

The new support policy of FONDATION SUISA shall apply with immediate effect. The first four “Get Going!” projects with CHF 25,000 each shall be opened for application at the end of June 2018. Information on the application will then be uploaded to the website of the foundation.

www.fondation-suisa.ch

Related articles
James Gruntz: “I think it’s particularly exciting when I don’t know which direction a song is going to take”“I think it’s particularly exciting when I don’t know which direction a song is going to take” James Gruntz recently released his new album “Waves”. An important role in the creation of this album is the composer in residence year that the 30-year-old songwriter, multi-instrumentalist, producer and singer has been granted by FONDATION SUISA. Read more
Lyrics for a song: “Anything goes – if it has success”Lyrics for a song: “Anything goes – if it has success” The FONDATION SUISA dedicates its CHF 25,000 recognition award to lyricists of musical works this year. But what makes a song text a success? Guest author Markus Ganz in an interview with journaliste Jean-Martin Büttner. Read more
“Swiss Film Music features great diversity and high quality”“Swiss Film Music features great diversity and high quality” The box-set “Swiss Film Music”, containing three CDs, one DVD and a book, released by FONDATION SUISA, provides fascinating insights into the history of Swiss film music between 1923 and 2012. A conversation with the musicologist and media scientist Mathias Spohr who acted as artistic director for the project. Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

FONDATION SUISA reinforces its activities regarding the support of music in Switzerland and the Principality of Liechtenstein: Each year, four music projects shall be launched under the motto “Get Going!”, and every other year, a bigger amount shall be allocated to works under the slogan “Carte Blanche”. Text by FONDATION SUISA

FONDATION SUISA - New support strategy: “We want to look ahead”

With its revised support policy, FONDATION SUISA intends to locate new creative places and push new projects forward where music creators can exercise their creative ideas in the most unrestricted way possible. (Photo: Alberto Andrei Rosu / Shutterstock.com)

The Foundation Council of the FONDATION SUISA decided to reorient one part of its support policy and to open it up to new perspectives. By way of these actions, the foundation intends to recognise modern requirements against Swiss music creation more. Instead of looking...read more

New Pension Fund Regulations in force from 01 January 2017

During SUISA’s ordinary General Assembly on 24 June 2016 in Berne, the review of the Pension Fund Regulations was ratified by SUISA members. The changes came into force per 01 January 2017. What do the new regulations mean for our members? Text by Irène Philipp Ziebold

New Pension Fund Regulations in force from 01 January 2017

The current regulations for the SUISA Pension Fund for Authors and Publishers is available in Italian, French and German on SUISA’s website. (Image: Manu Leuenberger)

There were various reasons for SUISA tabling a review of the Pension Fund Regulations: The old regulations set off discussions time and again on whether they sufficiently reflected practice, and that the wording was not specific enough. These issues could be remedied with the review. On top of the above issues, the regulations had to be adapted to the current legislation (Federal Law on Occupational Retirement, Survivors’ and Disability Pension Plans/foundation law). Following these amendments, we now have a set of current and fair Pension Fund Regulations.

This is what the system now looks like for our members:

Authors

The Pension Fund for Authors and Publishers (UVF) provides for pension support for our members and affiliates. Once they have reached their pension age, a payment to authors and their respective survivors is guaranteed subject to specific conditions and up to a specific amount at previous levels. The UVF pays such guaranteed income as a pension benefit in such cases if less or no remuneration at all is paid in the course of ongoing distributions. In contrast to a support for the second pillar, the UVF fund only finances the part which authors do no longer receive from the ongoing SUISA distributions.

The UVF fund guarantees authors an income from SUISA when they reach pension age. This is calculated based on the annual average of their previous earnings from the SUISA distributions (the so-called reference income), depends on the membership length and is also multiplied with a factor to be determined by the Pension Board.

The effective pension payment corresponds to the difference between the reference income and the SUISA remuneration in the pension year. The level of the guaranteed income is set at a maximum of CHF 38,500 per annum. Those who receive royalties of more than CHF 38,500 from SUISA distributions for performances and broadcasts, even at pension age, will not be eligible to benefit from the UVF.

The fund is financed by the deductions that SUISA makes from all distributions of the collections arising from performances, broadcasts and compensation claims in Switzerland and Liechtenstein (7.5%).

Publishers

SUISA also makes a deduction on behalf of publishers for the UVF. The UVF thus also provides for pension benefits for publishers if they fulfil the conditions in terms of publishing activities in Switzerland. Publishing companies can, however, not be pensioned. As a consequence, they receive benefits from the fund as soon as they are accepted as affiliates and/or members of SUISA; these benefits are made in the form of contributions to their own occupational benefit institution of the second pillar. It is important that publishers inform SUISA about their occupational benefit institution and submit the relevant payment details.

Revised Pension Fund Regulations

There are no fundamental changes to the SUISA benefits system. The most important changes, apart from some specifications and formulations, are:

  1. Various adaptations to the Federal Law on Occupational Retirement, Survivors’ and Disability Pension Plans (BVG).
  2. Conditions for the pension of civil partners – as per the new BVG definition – are: The same regulation shall apply for registered and (unregistered) surviving partners as for surviving spouses.
  3. New competence of the Pension Board (Board of SUISA) for regulation changes.

On SUISA’s website, under www.suisa.ch/fuersorgereglement the new regulations as well as a synoptical representation is available, comparing the old and currently valid regulations with the relevant amendments and comments.

Related articles
General Assembly 2016 of the Cooperative Society SUISA in the Paul Klee Centre 217 composers, lyricists and publishers of music have taken part in the SUISA General Assembly on 24 June 2016 in Berne in order to execute their right of co-determination on their cooperative. In addition to the guest speech by SRG Director General Roger de Weck, the foundation award ceremony and the composer in residence allocation of the FONDATION SUISA, the amendment of the Pension Fund Regulations was the central issue. Read more
Right in the middle of it and in full swing to improve the service range offered to members A glance on the service range offered by SUISA for its members shows: During the last few years, there have been innovations which brought about more efficiency and quality. Among these are more detailed settlement statements, the web portal “my account” and the digitisation of member files. These improvements signify a continu-ous process with SUISA right in the middle of it – and in full swing at it, as the follow-ing outlook shows: New: quarterly distributions. “My account” is undergoing further development. We are modernising the technology of our works database. Our member services are also subjected to a fundamental review. Read more
Publishing agreements: What do I need to consider? Publishing agreements in Switzerland are governed by the Swiss Code of Obligations (OR) The respective statutory provisions on it are, however, not very detailed. In the case of music publishing agreements in particular, you cannot simply rely on the law. Besides, the contractual parties may also stipulate their own arrangements in the agreement. So what do you have to be aware of with respect to publishing agreements? Read more
Collapse article

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

During SUISA’s ordinary General Assembly on 24 June 2016 in Berne, the review of the Pension Fund Regulations was ratified by SUISA members. The changes came into force per 01 January 2017. What do the new regulations mean for our members? Text by Irène Philipp Ziebold

New Pension Fund Regulations in force from 01 January 2017

The current regulations for the SUISA Pension Fund for Authors and Publishers is available in Italian, French and German on SUISA’s website. (Image: Manu Leuenberger)

There were various reasons for SUISA tabling a review of the Pension Fund Regulations: The old regulations set off discussions time and again on whether they sufficiently reflected practice, and that the wording was not specific enough. These issues could be remedied with the review. On top of the above issues, the regulations had to be adapted to the current legislation (Federal...read more

Bernard Cintas neu im Stiftungsrat der FONDATION SUISA

Sorry, this article is only available in German and French.

hide comments

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Sorry, this article is only available in German and French.

...show comments

SUISA budgetiert für 2015 leicht steigende Einnahmen bei etwas höheren Ausgaben

Sorry, this article is only available in German and French.

hide comments

Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Sorry, this article is only available in German and French.

...show comments