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SUISA Talks at the Zeiträume Festival Basel 2021

Enjoy ten days of contemporary music and experience how the works, often composed especially for the festival, play with their surroundings, ensnare them or engage with them in a kind of dispute. That is the quintessence of the biennial Zeiträume Festival Basel. Text by Erika Weibel

SUISA Talks at the Zeiträume Festival Basel 2021

Zeiträume Basel Festival pavilion in 2019. (Photo: Anna Katharina Scheidegger)

The fourth instalment of the biennial event for new music and architecture carries the festival title “Die Verwandlung” (‘the transformation’) and offers an extraordinary programme between 9 and 19 September 2021 with more than 20 productions and 20+ premières at more than 30 venues in Basel. Current focal points of urban development are made accessible and exciting new productions by many artists are played there.

Apart from numerous concerts and sound installations, you can also dive into the working environment of the composers during the festival. As such, many SUISA talks take place in the festival pavilion.

SUISA Talks, in the festival pavilion and at the Mittlere Brücke (‘Middle Bridge’)
Greifengasse 1, 4058 Basel
Admission free.

Saturday 4 September 2021
at 11:15, Eleni Ralli & Alexander Grebtschenko – Dialogues & Chimeras
at 13:15, Wanja Aloé – Vor Ort
at 15:15, Marianne Schuppe – Die Summe
at 17:15, Linus Riegger, Clemens Fiechter – Phase 4

Sunday 5 September 2021
at 11:15, Sibylle Hauert (tbc) – H.E.I. Kaserne
at 13:15, Dakota Wayne – Sonic Spaces im Klybeck
15:15 – 16:00, Ah Young Hong (soprano) & Vera Hiltbrunner (soprano) – Poppaea
at 17:15, Jannik Giger – Blind Audition

Tuesday 7 September 2021
at 17:15, Phoebe Bognar & Maria Muñoz – Sonic Spaces im Klybeck

Friday 10 September 2021
at 13:15, Dimitri de Perrot (tbc) – Niemandsland
at 17:15, Paul Brauner – Sonic Spaces im Klybeck

Saturday 11 September 2021
at 11:15, Hansjürgen Wäldele – Son et Lumière: Snurglond
at 13:15, Michael Hersch (composition) & Stephanie Fleischmann (libretto) – Poppaea
at 15:15, Klaus Lang – pflaumenblüten.
at 17:15, Helena Winkelmann – pflaumenblüten.

Sunday 12 September 2021
at 11:15, Eleni Ralli & Alexander Grebtschenko – Dialogues & Chimeras
at 13:15, tbc
at 15:15, Sebastian Mathias, Mila Pavicevic, Meret Kündig – Urban Creatures
at 17:15, Focus topic: IGNM Basel, with Marianne Schuppe & Xenia Fünfschilling

Friday 17 September 2021
at 11:15, Alfred Zimmerlin & Robert Torche – Grenzbahnhof
at 13:15, Michel Roth – Spiel Hölle
at 18:15, Yaron Deutsch (Ensemble Nikel) – Oratorium

Saturday 18 Septemer 2021
at 11:15, Focus topic: Zeitgenössische Musik Szene in Basel
at 13:15, Katharina Rosenberger – Urban Morphologies
at 15:15, Focus topic: Nachhaltiges Bauen

Throw a glance behind the scenes in an open conversation with composers, architects, artists and contributors of the festival.

The pavilion at the Mittlere Brücke is the centrepiece of the festival. This is where you can immerse yourself in the sounds, spaces and themes of the festival in talks, performances, installations as well as at the cocktail bar and meet the artists behind the festival productions in person.

The pavilion (Buol & Zünd), sustainably created with the support of SUISA and planned for multi-year use, will be staged again in a new, transformed form. In the middle of the city, the festival presents itself in an open, accessible and playful way – with numerous musical actions, a sounding cable car, kinetic sound objects and changing cocktails from 3 to 19 September.

Join us and be enchanted by a Basel reinterpreted for you.

www.zeitraeumebasel.com

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Enjoy ten days of contemporary music and experience how the works, often composed especially for the festival, play with their surroundings, ensnare them or engage with them in a kind of dispute. That is the quintessence of the biennial Zeiträume Festival Basel. Text by Erika Weibel

SUISA Talks at the Zeiträume Festival Basel 2021

Zeiträume Basel Festival pavilion in 2019. (Photo: Anna Katharina Scheidegger)

The fourth instalment of the biennial event for new music and architecture carries the festival title “Die Verwandlung” (‘the transformation’) and offers an extraordinary programme between 9 and 19 September 2021 with more than 20 productions and 20+ premières at more than 30 venues in Basel. Current focal points of urban development are made accessible and exciting new productions by many artists are played there.

Apart from numerous concerts and sound installations, you can also dive into the...read more

The sound of the mountain

For the first time ever, the Floating Notes Festival will be held at the San Bernardino in Graubünden this year. Floating Notes is all about experimental music. In this blog, festival organisers and performers describe how the unique landscape is influencing music and the performances. SUISA is a sponsoring partner of the festival. Guest contribution by Elena Rotondi

Floating Notes Festival: The sound of the mountain

The Floating Notes Festival is going to take place from 23 to 25 July 2021 in Mesocco near the San Bernardino. (Photo: Sebastiano Piattini)

Kety Fusco, founder and programme director of the Floating Notes Festival has a rather specific idea what the heartbeat of her festival is going to be: The performers are going to engage in experimental and unpublished sound research that adapts to the place of the performance, taking into consideration their own artistic and musical backgrounds, and that will make it impossible to separate the content of the performance from the place where it has been created. As a consequence, the Floating Notes Festival is going to be completely new event because music and venue will be brought together in a unique performance. Kety Fusco will launch the opening night of the festival at the spring of the San Bernardino (GR) with her electronic harp on Friday, 23 July.

This, she tells us, shall be the manifest of the idea which stands behind the festival: the desire to unite the aesthetics and history of the San Bernardino, to revive a place which has, historically, always been a point of attraction for international travellers and which still pulls many visitors thanks to the untouched beauty you can still find in some places. All of this with a view to the future with the atmospheric, innovative and experimental music which is going to populate the environment and fill it with new meaning.

The performers appearing in the programme have been asked how the creative process was influencing their preparation for the festival and their performance on stage. Camilla Sparksss who is going to perform in the Fonte Minerale in the evening, tells us how she is experimenting with a live set specially for the Floating Notes Festival: “Sounds are created which, in my view, come rather close to the sound of the mountain and its gravitas, with its echoes and its dangers. It is going to be a performance which could be perceived as very experimental by people. But you just have to close your eyes and imagine a journey into the interior of the rocks in order to become one with the mountains.”

It is also interesting how Adriano Koch, a young musician, who is going to conclude the evening on Friday, 23 July, links his appearance to the place where he is going to perform: “It is always motivating to see how a place or a venue can change the energy and the artistic message of a song. As such, it is important to me to record a performance in order to preserve this special moment which will never happen again.”

This festival in Graubünden could not continue without the present of the pioneer of instrumental and sound research: The next day, Saturday 24 July, Simon Berz is going to perform a live concert with stones on the San Bernardino pass. The musician explains: “I have created my instrument TECTONIC from volcanic sound stones which I found in Iceland. The stones are now going to sound in another ‘stone room’, the one in San Bernardino.”

The Floating Notes Festival also excels by an event which connects music and body: a guided meditation by Keri Gonzato who will be accompanied with music by Federica Furlani, alias Effe Effe, played back from a sound recording. A soundscape, just made for meditation at more than 2,000 metres above sea level.

The soundtrack of the festival will be premièred on Saturday, 24 July. Ticino-based musician Chiara Dubey has been commissioned with the soundtrack. She describes the creative process of her composition as follows: “In the beginning, there was the idea that I would probably be inspired by the sounds of natural elements into which I would delve into upon my arrival at the San Bernardino. For example, the rustle of the fir trees or the lapping of the water. Since this concert is my first pre-taste of the mountains after a weird year of communal solitude and deafening silence, I decided that I would look inwards for this piece: I was listening to my thoughts and it seemed as if I was finding an old friend again after a long time. I am sure that I was not the only one who had this experience. And I hope that both for me and all attendees it will be liberating to let this song, ‘Stranger’ rumble in the night of the festival, also because our stage will be surrounded by a spectacular mountainous landscape, by a raw, natural, free beauty.”

The closing act of Saturday evening will be Peter Kernel, a well-known duo from Ticino that will be part of the festival in an unusual context and with an equally unusual performance. As such, Aris Bassetti and Barbara Lehnhoff are not going to perform as a typical rock band but prepare an exclusive DJ set which consists of music from the past and will lead us into the future so that it best resonates in the crevices of the surrounding mountains: “For us, it is a central issue to create a certain connection with the audience; we must understand each other in order to create an unforgettable experience. For Floating Notes, we decided to do something exclusive, something that we usually don’t do. We will not perform a normal concert but an experimental DJ set. We will play music which somehow fits well into the context of the mountains and fresh air and we will try to mix it in our own way.”

The Floating Notes Festival is going to take place from 23 to 25 July 2021 in Mesocco (GR) near the San Bernardino. Swiss artists Kety Fusco, Camilla Sparksss, Chiara Dubey, Leoni Leoni, Peter Kernel and Adriano Koch, Federica Furlani (Effe Effe) from Italy and the Icelandic musician Simon Berz are going to perform at the festival. There will also be a guided meditation by Keri Gonzato. Further information can be accessed at www.facebook.com/floatingnotesfestival.
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Fondation Suisa: “Get Going!” goes into the fourth round“Get Going!” goes into the fourth round Since 2018, “Get Going!” has been a regular feature of the support portfolio of the FONDATION SUISA. Now the kick-off financing programme which promotes innovative creative approaches outside the usual “pigeonholes”, enters its fourth round. Read more
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For the first time ever, the Floating Notes Festival will be held at the San Bernardino in Graubünden this year. Floating Notes is all about experimental music. In this blog, festival organisers and performers describe how the unique landscape is influencing music and the performances. SUISA is a sponsoring partner of the festival. Guest contribution by Elena Rotondi

Floating Notes Festival: The sound of the mountain

The Floating Notes Festival is going to take place from 23 to 25 July 2021 in Mesocco near the San Bernardino. (Photo: Sebastiano Piattini)

Kety Fusco, founder and programme director of the Floating Notes Festival has a rather specific idea what the heartbeat of her festival is going to be: The performers are going to engage in experimental and unpublished sound research that adapts to the place of the performance, taking into consideration their own...read more

“Get Going!” goes into the fourth round

Since 2018, “Get Going!” has been a regular feature of the support portfolio of the FONDATION SUISA. Now the kick-off financing programme which promotes innovative creative approaches outside the usual “pigeonholes”, enters its fourth round. Text by FONDATION SUISA

Fondation Suisa: “Get Going!” goes into the fourth round

Last year’s recipients of “Get Going!” (Clockwise from the top left) Isandro Ojeda-García, OY, Réka Csiszér, Pirmin Huber. (Photos: Caio Licínio; Sash Seurat Samson; Romina Kalsi; Gian Marco Castelberg)

When invitations to tender for “Get Going!” were launched for the first time, in 2018, it was “a shot in the dark”, says Urs Schnell, Director of the FONDATION SUISA. Back then, the idea was to look ahead. “Instead of patting an artist on the back after the fact by awarding them a prize, we now invest the money available to us into the future instead.”

So far, four “Get Going!” contributions of CHF 25,000 each have been allocated three times. The unabated interest in this promotion process underlines the changing conditions that music creators find themselves in with respect to many issues. Since the kick-off financing is not linked to a result, it allows musicians to work free from financial and time-related pressures. “On the one hand, the environment over the last years has become more hectic, on the other hand, the pandemic has left many in a void. You can look at it from any which angle, the time factor has become a commodity that should not be underestimated”, explains Schnell.

Applications for “Get Going!” contributions until 30 August 2021

“Get Going!” is aimed at innovative and creative projects that are in danger of falling through the cracks in any conventional application system. FONDATION SUISA intends to move towards artists with “Get Going!”, says Schnell, and adds: “We want to move free creative thinking back into the centre of interest.”

From now on, creators, authors and musicians who can prove a clear relation to current music creation in Switzerland or Liechtenstein, can apply again for “Get Going!”. Four of those kick-off financing packages of CHF 25,000 each will be granted by an expert jury again this year. The deadline to submit applications is 30 August 2021.

In order to show what “Get Going!” actually offers in terms of opportunities, we are going to publish portraits of the recipients of last year’s “Get Going!” contributions on the FONDATION SUISA website and the SUISAblog over the next few weeks.

“Get Going!” on the website of FONDATION SUISA

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Since 2018, “Get Going!” has been a regular feature of the support portfolio of the FONDATION SUISA. Now the kick-off financing programme which promotes innovative creative approaches outside the usual “pigeonholes”, enters its fourth round. Text by FONDATION SUISA

Fondation Suisa: “Get Going!” goes into the fourth round

Last year’s recipients of “Get Going!” (Clockwise from the top left) Isandro Ojeda-García, OY, Réka Csiszér, Pirmin Huber. (Photos: Caio Licínio; Sash Seurat Samson; Romina Kalsi; Gian Marco Castelberg)

When invitations to tender for “Get Going!” were launched for the first time, in 2018, it was “a shot in the dark”, says Urs Schnell, Director of the FONDATION SUISA. Back then, the idea was to look ahead. “Instead of patting an artist on the back after the fact by awarding them a prize, we now invest the money available to us into the future...read more

No physical General Meeting in 2021 either | plus video

Members with voting rights can still co-determine the fate of the SUISA Cooperative by casting their votes in writing. Text by Regula Greuter; Videos by Manu Leuenberger

No physical General Meeting in 2021 either

The big room in the Bierhübeli in Berne remains empty: The SUISA “AGM” 2021 will be held based on voting in written format. (Photo: Manu Leuenberger, edited by Likeberry and Schellenberg Druck AG)

Not quite as expected, the Covid-19 pandemic prevents holding a face-to-face General Meeting again this year. The plan was that the Bierhübeli in Berne should be the venue for this year’s event on 25 June 2021. The current situation, however, allows for no reliable planning of the event and the Board of Directors has consequently decided during its meeting on 22 April 2021 that the General Meeting should be held again this year by participation via voting in writing. That way, all members entitled to vote have the opportunity to participate in the AGM without taking a health risk.

Organisational execution

From 25 May 2021 onwards, the documents for the General Meeting will be dispatched to all members entitled to vote (invitation to voting by letter, information on the General Meeting including the agenda items and the voting form). From the day you receive the documents you can complete the personalised voting form, sign it and return it to SUISA by letter no later than 25 June 2021 (25th June is the latest date of receipt).

The results of the votes are then counted by the election office headed by Dr. Bernhard Wittweiler (head of SUISA’s Legal Department).

The results of the vote and election will be formally established by the President, the Secretary, the CEO and the Head of the Legal Department on the basis of the count and published on the SUISA website on 30 June 2021.

Agenda items of this year’s General Meeting

Apart from the usual statutory business, i.e. ratification of the minutes, decisions on the financial statements, the management report and the annual report of the SUISA cooperative and the SUISA group – the General Meeting will be presented with a motion to adapt the general rules on investment and a surrogate candidate for Géraldine Savary who is stepping down from her post.

Adapting the general rules on investment

It is a matter of increasingly social concern to sustainably manage investments. SUISA is also intending to submit to this. This is why the Board of Directors decided to adapt rules on investment of SUISA by adding the criterion “sustainability”. Apart from the main objectives of the investments, i.e. security and liquidity, the criterion of “sustainability” shall now also be anchored into the general investment rules.

Pursuant to the Articles of Association, the General Meeting is responsible for the general investment policy with regards to the collected remuneration (Article 9.2.2 m).

The Board of Directors therefore proposes that the general rules on investment should be supplemented by the criterion of sustainability.

By-election to the Board

Due to Géraldine Savary who is going to step down (former State Councillor SP/VD) a new member for the Board of Directors will be proposed for election. In accordance with the Articles of Association (Article 9.3.2) apart from SUISA members entitled to vote and be elected, “persons who, on grounds of their position or expertise, have a special involvement with SUISA’s activities” can be elected to the Board of Directors. As a consequence, there were active or former Parliamentarians throughout many years who were members of the Board of Directors who bring valuable experience to SUISA with their expertise.

The Board of Directors therefore proposes that Johanna Gapany (State Councillor FDP/FR) to be newly elected to the SUISA Board of Directors.

Johanna Gapany started her political career in her younger days. This led her from the General Council to the Municipal Council of Bulle, she took a seat in the Grand Council of the Canton of Fribourg from 2016 to 2019 until she was elected in 2019 as the first woman of the Canton of Fribourg to the Council of States. A graduate in business economics, she brings professional experience as a marketing manager in various companies and as a communications manager in a private hospital in Fribourg.

Even though there will be no physical General Meeting in 2021, members with voting rights will be able to have their say on SUISA’s business in writing. We invite you to use this opportunity and to vote!

All documents and details regarding the General Meeting can be accessed at www.suisa.ch/en/members/general-assembly.html. Questions on the process and the agenda items can be sent to the Executive Committee by e-mail: gv (at) suisa (dot) ch

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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Members with voting rights can still co-determine the fate of the SUISA Cooperative by casting their votes in writing. Text by Regula Greuter; Videos by Manu Leuenberger

No physical General Meeting in 2021 either

The big room in the Bierhübeli in Berne remains empty: The SUISA “AGM” 2021 will be held based on voting in written format. (Photo: Manu Leuenberger, edited by Likeberry and Schellenberg Druck AG)

Not quite as expected, the Covid-19 pandemic prevents holding a face-to-face General Meeting again this year. The plan was that the Bierhübeli in Berne should be the venue for this year’s event on 25 June 2021. The current situation, however, allows for no reliable planning of the event and the Board of Directors has consequently decided during its meeting on 22 April 2021 that the General Meeting should be held again this year...read more

SUISA Songwriting Camp 2021: now open for applications by SUISA members

The fourth SUISA Songwriting Camp will take place from 5 to 7 July 2021 in the Powerplay Studios in Maur near Zurich. It is possible that due to the corona pandemic not all participants will be able to be present at the studios and will instead join online. SUISA members may apply for participation. Text by Erika Weibel and Manu Leuenberger

SUISA Songwriting Camp 2021: now open for applications by SUISA members

Teamwork at the SUISA Songwriting Camp 2019: start with a blank sheet of paper in the morning and finish with a completed demo track by the evening. (Photo: Tabea Hüberli)

The SUISA Songwriting Camp offers some of its members the opportunity to team up and compose pop songs under professional conditions with renowned producers and songwriters from Switzerland and abroad. Between 30 and 40 musicians usually take part in the three-day event.

Those who wish to participate in the Songwriting Camp must have well-founded musical knowledge, be able to produce high-level creative output under time pressure, and be open to criticism and exchange with their co-writers.

The challenging task: write a pop song in a team of three to five people within a day, according to certain specifications – start with a blank sheet of paper in the morning and finish with a completed demo track by the evening.

Pop songs with hit potential

The musical style of the songs can comprise all facets of contemporary pop music that could also be successful in the charts, on streaming platforms or on radio/TV. The songs are intended to be offered to publishers and artists or even suitable for the Eurovision Song Contest.

The event, jointly organised between SUISA and Pele Loriano Productions, has already produced several internationally successful pop songs that have made it on to the stage at the Eurovision Song Contest (ESC). The song “She Got Me”, co-written and sung by Luca Hänni, reached fourth place at the ESC in 2019. The songs “Répondez-moiˮ (Gjon’s Tears, for the event in 2020 that was eventually cancelled), “Stonesˮ (Zibbz, 2018) and “Sisterˮ (Sisters, the German entry in 2019) also qualified. In 2021, “Amenˮ – sung by Vincent Bueno for Austria – became the fifth song from the SUISA Songwriting Camp to reach the semi-finals or finals of the ESC.

Hybrid version of the camp possible

The coronavirus pandemic is still dictating world events. It may therefore be the case that despite safeguarding measures, physical participation of all parties at the Powerplay Studios will not be possible. For this reason, all applicants must have their own technical infrastructure available that would allow online participation. Specifically, you may need to be able to communicate with songwriters remotely using a computer via Wi-Fi, and be able to make professional digital sound recordings and edit music yourself. A Wi-Fi network is available in the studio. Participants must be able to bring their own computers and the necessary (recording) software.

All participants will be informed in good time about the safeguarding protocols and the possible hybrid implementation of the Songwriting Camp.

Applications for the SUISA Songwriting Camp 2021

This year’s SUISA Songwriting Camp takes place from 5 to 7 July 2021 in the Powerplay Studios in Maur near Zurich. The event is again organised by SUISA in collaboration with Pele Loriano Productions. Pele Loriano Productions is responsible for the artistic direction of the Songwriting Camp on behalf of SUISA.

SUISA members can apply to participate in the SUISA Songwriting Camp 2021:
Are you a producer, songwriter (topliner) or a lyricist, and do you think you meet the requirements in terms of musical skill and ability? Do you also have a solid technical infrastructure (computer that can be connected via Wi-Fi and is equipped for professional digital sound recording and music editing) that you can operate and bring with you? In that case, please send us your application, which should contain the following information:

  • short biography
  • meaningful reference songs (mp3 files or internet links)
  • contact details

Please email applications to: songwritingcamp (at) suisa (dot) ch
Closing date for applications: Monday, 7 June 2021.

Important: Participant places are allocated only to SUISA members through this application process. Those who apply should be able to guarantee that they are available to participate on one or all the event days (5-7 July 2021).

Dates and selection of the participants

All artists invited to the camp are selected by the artistic director. A suitable mix of participants is paramount in the creative success of the songwriting sessions.

The artistic programme director will communicate all confirmation messages and invitations, and further details on participation at the SUISA Songwriting Camp 2021 by 27 June 2021. Rejection letters will not be sent. If you have not received a confirmation message by 27 June 2021, you have not been taken into consideration for the Songwriting Camp 2021.

Experience has shown that the number of applications will far exceed the number of available places. Please note that an application does not constitute a claim to participate in the event. Furthermore, no correspondence will be entered into in relation to the allocation of places. No information can yet be given about the implementation of other songwriting camps supported by SUISA.

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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The fourth SUISA Songwriting Camp will take place from 5 to 7 July 2021 in the Powerplay Studios in Maur near Zurich. It is possible that due to the corona pandemic not all participants will be able to be present at the studios and will instead join online. SUISA members may apply for participation. Text by Erika Weibel and Manu Leuenberger

SUISA Songwriting Camp 2021: now open for applications by SUISA members

Teamwork at the SUISA Songwriting Camp 2019: start with a blank sheet of paper in the morning and finish with a completed demo track by the evening. (Photo: Tabea Hüberli)

The SUISA Songwriting Camp offers some of its members the opportunity to team up and compose pop songs under professional conditions with renowned producers and songwriters from Switzerland and abroad. Between 30 and 40 musicians usually take part in the three-day event.

Those...read more

Archipel Festival – a well-established works smithy | plus video

The Archipel Festival is going to give a large audience access to a plethora of new works between 16 and 25 April 2021 from its location in Geneva. The audience will be able to delve into the festival from the comfort of their homes and to log on in order to follow about 70 events which take place each afternoon. Text by Erika Weibel; Video by Nina Müller

The entire festival programme is going to be broadcast via streaming and will be made available via the Archipel website, free of charge. It is also possible to meet artists online, to participate in discussions, answer questions in quizzes, get an impression of the weather and throw a glance into the premises of the event venue.

Archipel provides a festival “under supervision” with a Web TV team which is going to broadcast live for ten days, from noon to midnight. A unique, experimental and artistic project which allows the audience to take part actively on air.

Baptism of fire for new composers

This year, the Archipel Festival has provided composers again with the opportunity to create new works and thus give the audience the pleasure of enjoying these new compositions. Salômé Guillemin-Poeuf, a young composer from Geneva, has, for example, created the work “50 Hertz”, whose première will take place on 21 April 2021 at 7.00pm.

Salômé Guillemin-Poeuf is a designer and musician who lives and works in Geneva. She creates interactive sound installations, performances and musical instruments. Her works have already been performed to be audio- & audiovisually on numerous international stages. The creative and versatile artist recently registered as an associate member of SUISA.

Collaboration with Archipel

SUISA is a sponsor of the festival again. It is great news that the Archipel organisers have found a creative means to adapt to the circumstances and to carry out the festival under strict stipulations in a new format – and thus enable many new works to be performed.

As a sponsor, we would like to point out two of the 70 events in particular:

Première of the work “50 Hertz” by Salômé Guillemin-Poeuf
on 21 April 2021 at 7.00pm

SUISA round table talk on being a composer in Switzerland
on 24 April 2021 at 2.00pm

Broadcast from the Maison communale de Plainpalais via: www.archipel.org
between 16 and 25 April, from noon to midnight each day

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Label Suisse and SUISA make Swiss music possible | plus videoLabel Suisse and SUISA make Swiss music possible | plus video The ninth edition of the Label Suisse Festival will take place in Lausanne from 18 to 20 September 2020. Programming of this biennial festival is dedicated to the Swiss music scene with all its diversity. Special highlight: Artists from all genres have composed works especially for the Label Suisse. These works will be performed live at the festival for the first time. SUISA is once again involved as one of the main partners of the festival. Read more
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The Archipel Festival is going to give a large audience access to a plethora of new works between 16 and 25 April 2021 from its location in Geneva. The audience will be able to delve into the festival from the comfort of their homes and to log on in order to follow about 70 events which take place each afternoon. Text by Erika Weibel; Video by Nina Müller

The entire festival programme is going to be broadcast via streaming and will be made available via the Archipel website, free of charge. It is also possible to meet artists online, to participate in discussions, answer questions in quizzes, get an impression of the weather and throw a glance into the premises of the event venue.

Archipel provides a festival “under supervision” with a Web...read more

Swiss Congress on Film and Media Music

From 29 September to 2 October 2020, the film and media music congress “SoundTrack_Zurich” will take place during the Zurich Film Festival. Swiss film and media music professionals can use this event to expand their network, broaden their expertise and exchange ideas with experienced, internationally active business insiders. Text by Erika Weibel

Sountrack Zurich: Swiss Congress on Film and Media Music

SUISA is supporting the first edition of the “SoundTrack_Zurich” film and media music congress, the programme of which is available at www.soundtrackzurich.com. (Photo: SoundTrack_Zurich)

Composers from Switzerland and abroad will share their experience and knowledge with the audience at two nearby locations. During the event, congress participants will have the opportunity to exchange ideas with international guests of the Zurich Film Festival (ZFF) in workshops, panels, case studies and lectures on current topics of the Swiss and European film music scene.

“SoundTrack_Zurich” is closely networked with the ZFF and its guests as well as with the ZHdK (Zurich University of the Arts), where a lively international exchange on university education for film and media music professionals takes place within the framework of the “International Media Music Competition” and Immsane (“International Media Music & Sound Arts – Network in Education”).

Star guest Ray Parker Jr.

Star guest of “SoundTrack_Zurich” is Ray Parker Jr. who composed the title song for the film “Ghostbusters” and will present the world premiere of the documentary “Who You Gonna Call” about his career.

Ray Parker Jr. wrote and performed in hundreds of top 25 hits. He has composed songs, performed on stage and worked as a session musician with some of the biggest icons in the industry, including Barry White, Aretha Franklin, Diana Ross, Tina Turner, The Temptations, The Carpenters and The Supremes.

Copyright issues related to film and media music creation

On the morning of 29 September, lectures and information events will also be held on copyright issues. For example, SUISA experts can answer questions about documentation and cue sheets or provide information on SUISA’s distribution system.

In addition, a panel will be held on the “Digital Challenges” of today’s age, in which IT experts will discuss with business insiders what the future digital value creation in film music creation should look like.

SUISA sponsorship commitment

“Soundtrack_Zurich” is organised by SMECA, curated by Michael P. Aust (“SoundTrack_Cologne”) and organized in cooperation with “SoundTrack_Cologne”, Forum Filmmusik, ZHdK (Zurich University of the Arts) and IMMSANE. “Soundtrack_Zurich” is organisationally and financially independent of the Zurich Film Festival.

“SoundTrack_Zurich” is to become a new hub for actors in the international film music scene. Film and media music creation also plays a very important role in the Swiss music business. For this reason, SUISA is pleased to contribute to the organisation of this event as a sponsor.

Web links to the event and the cooperation partners:

SoundTrack_Zurich
Zurich Film Festival
International Film Music Competition
Immsane.com
Smeca
Forum Filmmusik
ZHdK
SoundTrack_Cologne

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  1. Hallo Erika,
    vielen Dank für die ganzen Infos zum Event. Auf Ray Parker Jr. freue ich mich besonders.
    Werdet ihr im Anschluss wieder darüber berichten?
    Freue mich wieder davon zu lesen.
    Liebe Grüße,
    Christoph

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From 29 September to 2 October 2020, the film and media music congress “SoundTrack_Zurich” will take place during the Zurich Film Festival. Swiss film and media music professionals can use this event to expand their network, broaden their expertise and exchange ideas with experienced, internationally active business insiders. Text by Erika Weibel

Sountrack Zurich: Swiss Congress on Film and Media Music

SUISA is supporting the first edition of the “SoundTrack_Zurich” film and media music congress, the programme of which is available at www.soundtrackzurich.com. (Photo: SoundTrack_Zurich)

Composers from Switzerland and abroad will share their experience and knowledge with the audience at two nearby locations. During the event, congress participants will have the opportunity to exchange ideas with international guests of the Zurich Film Festival (ZFF) in workshops, panels, case studies and lectures on current topics of the Swiss and European film music scene.

“SoundTrack_Zurich”...read more

Label Suisse and SUISA make Swiss music possible | plus video

The ninth edition of the Label Suisse Festival will take place in Lausanne from 18 to 20 September 2020. Programming of this biennial festival is dedicated to the Swiss music scene with all its diversity. Special highlight: Artists from all genres have composed works especially for the Label Suisse. These works will be performed live at the festival for the first time. SUISA is once again involved as one of the main partners of the festival. Text by Erika Weibel

Label Suisse is unique to Switzerland: Every two years, the festival in Lausanne offers the public an insight into Swiss music creation – across geographical and genre boundaries – and thus highlights the current horizons of Swiss musicians of contemporary music from pop, rock, jazz, classical and new folk music in its most diverse forms of expression. More than 60 established as well as emerging artists will be performing as part of the varied programme in various locations in Lausanne over three days.

Exciting composition projects complete the diverse concert programme. Composers from various musical genres have created works for the festival that will be premiered there.

The festival is not only aimed at a music-loving audience but is also a get-together for the Swiss and foreign music and event scene. SUISA, as a cooperative society of composers, lyricists and publishers of music, is once again one of the main partners of the festival, making music in Switzerland possible together with the Label Suisse.

Composition projects

The following compositions were created especially for the 2020 Label Suisse:

Jazz
Nik Bärtsch, composition and piano.
Project in partnership with the Zurich University of the Arts and the Jazzcampus Basel with the participation of young musicians.
Performance: Saturday, 19 September 2020, Salle Paderewski
Further concerts in the twin cities at the Klangbasel Festival (Basel) and at Moods (Zurich)

Classical music
Antoine Chessex, commissioned composition for great organ, chest organ and Hammond
Artists: Simone Keller and Dominik Blum
Project of 35 minutes duration, entitled “Technosphère & Fragmentation”.
Performance: Sunday, 20 September 2020, Eglise St Francois

Isabel Mundry, composition
Collegium Novum Zurich (CNZ) ; Brian Archinal, percussion solo
Title of the work: Noli me tangere (2020)
Performance: Saturday, 19 September 2020, Salle Paderewski

Cod.act – André et Michel Décosterd
“Von Roll Twist 4” – Installation for 6 speakers and one performer (Francesco Biamonte)
André et Michel Décosterd combine their skills, the first being a musician, composer and sound artist and the second an architect and visual artist. Together they develop an artistic work in the form of performances and interactive installations. Their approach starts with a reflection on sound and movement and their possible interaction.
Performance: Saturday,19 September 2020, D! Club

New traditional music
Michel Godard
Works composed especially for the occasion by Michel Godard, conducted by Pascal Emonet. Played by fanfare players of the Valais Brass Band and Jazz Conservatory in a little-known sound approach: the Italian Banda. This orchestra is accompanied by Michel Godard, Pierre Favre, Isa Wiss and Matthieu Michel.

Come along and experience how the sounds of completely new works are brought to an audience for the very first time.

www.labelsuisse.ch

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The ninth edition of the Label Suisse Festival will take place in Lausanne from 18 to 20 September 2020. Programming of this biennial festival is dedicated to the Swiss music scene with all its diversity. Special highlight: Artists from all genres have composed works especially for the Label Suisse. These works will be performed live at the festival for the first time. SUISA is once again involved as one of the main partners of the festival. Text by Erika Weibel

Label Suisse is unique to Switzerland: Every two years, the festival in Lausanne offers the public an insight into Swiss music creation – across geographical and genre boundaries – and thus highlights the current horizons of Swiss musicians of contemporary music from pop, rock, jazz, classical and new folk music in its...read more

No General Meeting 2020 – but voting by correspondence instead

Due to the coronavirus pandemic, the General Meeting cannot take place in its usual form. However, members with voting rights may still have a say in the destiny of their SUISA Cooperative by casting their votes by letter. Text by Andreas Wegelin

No General Assembly 2020 – but voting by correspondence instead

By way of exception, SUISAʼs 2020 General Assembly (GA) will be held by letter: To participate in the vote, members entitled to vote shall return their completed voting form by post, which must reach SUISA by 26 June 2020. (Photo: Juerg Isler, isler-fotografie.ch)

This yearʼs General Meeting, the annual highlight of social life at the SUISA Cooperative, should have taken place on Friday, 26 June 2020, at 11 a.m. at the Bierhübeli in Bern. However, this is not possible because of the corona pandemic, even if it is not yet known exactly when the ban on assembly will be relaxed for which size of events. In any case, the organisation of a general meeting requires a preparation time of about two months.

The Board therefore decided on 29 April 2020 that this yearʼs General Meeting can only be held by correspondence by way of exception. This decision is in conformity with the Federal Council guidelines in the Covid-19 Ordinance 2. In the sense of emergency law, the latter exceptionally permits running an GA in such a way, although the process of forming an opinion will be restricted due to the fact that there will be no “live” discussion at the GA.

1. Organisational execution

From 27 May 2020, all members with voting rights will receive an invitation by mail to participate in the postal vote on the resolutions of the General Meeting. The members entitled to vote have the opportunity to return the completed personalised voting form as soon as they receive the invitation. The letter with the voting form must reach SUISA by 26 June 2020.

The results of the votes are then counted by the election office headed by Dr. Bernhard Wittweiler (head of SUISAʼs Legal Department).

On 30 June 2020, the results of the vote and election will be formally established by the President, the Secretary (who will be in charge of the minutes), the CEO and the Head of the Legal Department on the basis of the count and published on the SUISA website on the same day.

The submitted voting documents are confidential and will be kept until the end of the period of appeal (two months after the resolution is passed, 31 August 2020) and then destroyed.

2. Agenda of the vote by correspondence instead of the 2020 GA

In addition to the usual statutory business – acceptance of the minutes, resolutions on the annual accounts, the management report and the annual report of the SUISA Cooperative and the SUISA Group – two seats on committees must also be filled.

2.1 By-election for the Board
Our long-standing board member Reto Parolari passed away suddenly and completely unexpectedly on 15 December 2019. The Board proposes to elect Melanie Oesch as successor to the Board.

Melanie Oesch grew up near Thun in the canton of Bern and attended the music high school in Thun. She appeared on stage for the first time at the age of five and inspired the audience with her unique tongue twisting. With her many ideas and plans, Melanie is, in many areas, the creative mind at Oeschʼs die Dritten.

Oesch’s die Dritten are a Swiss folk music group from the Bernese Oberland, consisting of Hansueli and Annemarie Oesch, their children Melanie, Kevin and Mike and accordionist Urs Meier. Their breakthrough in the German-speaking world came in 2007: Oeschʼs die Dritten won the young talent competition of the “Musikantenstadl” and since then have been a regular guest in various folk music programmes on television and at major folk music events. In October 2008, they won with the Ku-Ku yodel in the SRF-1 programme “The greatest Swiss hits”. Melanie Oesch revolutionises a certain form of yodelling and contributes to the spread of folk music through her musical activity. Among other things, she was an exceptional yodeler in Stefan Raabʼs “TV total”. Then there was the duet with Helene Fischer, in their Christmas show 2016, which convinced fans and non-fans alike. As an author, she has published two childrensʼ books together with the illustrator Christina Wald.

Melanie Oesch has been a member of SUISA as an author since 2006. The Oesch Music Verlag, which she heads, is also a member of SUISA. She is also a member of the “Phono Performers” expert committee at Swissperform.

2.2 By-election for the Distribution and Works Committee
At the last General Meeting, Grégoire Liechti was elected to SUISA’s Board of Directors. He therefore resigned from the Distribution and Works Committee. The Board proposes Michael Hug from the publishing category as replacement. He is the Managing Director of Ruh Musik AG and leads the family business, founded in 1910, in the 4th generation. Ruh Musik is nationally and internationally known for the publication of brass music; the catalogue also includes numerous works of classical and choral music. Ruh Musik is a sub-publisher for several renowned brass music publishers and has also expanded its catalogue in recent years to include publishers such as Edition Cron Lucerne and Belgano.

Michael Hug and his wife took over the company from his father in 2009. He recognised the signs of the times early on and digitised his entire catalogue. In 2012, he was awarded by the FONDATION SUISA as a publisher for his digital distribution platform for sheet music; the jury particularly praised his innovative spirit and sustainable concept.
Michael Hug is 55 years old and – like all his predecessors in the publishing house – is also musically active himself.

Even in times of crisis, shaping SUISAʼs future is important. For once, those members who would otherwise be prevented from attending the General Meeting may also participate in the written voting process. We hope that many will participate. Information on the General Assembly as well as documents and records can be found at: www.suisa.ch/en/members/general-assembly.html

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Due to the coronavirus pandemic, the General Meeting cannot take place in its usual form. However, members with voting rights may still have a say in the destiny of their SUISA Cooperative by casting their votes by letter. Text by Andreas Wegelin

No General Assembly 2020 – but voting by correspondence instead

By way of exception, SUISAʼs 2020 General Assembly (GA) will be held by letter: To participate in the vote, members entitled to vote shall return their completed voting form by post, which must reach SUISA by 26 June 2020. (Photo: Juerg Isler, isler-fotografie.ch)

This yearʼs General Meeting, the annual highlight of social life at the SUISA Cooperative, should have taken place on Friday, 26 June 2020, at 11 a.m. at the Bierhübeli in Bern. However, this is not possible because of the corona pandemic, even if it is not yet known exactly...read more

A look back at the SUISA General Meeting 2019

Around 150 voting SUISA members attended the annual General Meeting on 21 June 2019 at the Kongresszentrum in Biel to help determine the direction of their cooperative. Among their decisions was the election of Sylvie Reinhard and Grégoire Liechti to the Board of Directors. SUISA members also passed a resolution for fair conditions for music creators in connection with the revision to the copyright law. Text by Giorgio Tebaldi

A look back at the SUISA General Meeting 2019

SUISA members during voting for the Board of Directors for the period 2019-2023 at SUISA’s 2019 General Meeting, 21 June 2019, in the Concert Hall of the Kongresszentrum, Biel. (Photo: Sibylle Roth)

‘Spherical, but more angular than trip hop, more emotionally charged than pop music and as organic as folk’ – that’s how SUISA Vice President Marco Zanotta described Zurich musician Annakin, who opened SUISA’s General Meeting. Together with guitarist Simon Rupp, Philipp Kuhn on keyboards and beatboxer Marzel (alias Marcel Zysset), Annakin – otherwise known as Ann Kathrin Lüthi – played songs from her latest album The End of Eternity, as well as ‘Sting Of Love’ from her 2014 album Stand Your Ground.

While the stage was being rearranged after the brief concert, the assembled SUISA members, guests and SUISA employees were able to watch a video that explained how ‘She Got Me’, the Swiss entry to the Eurovision Song Contest sung by Luca Hänni, came about. The song was written in June 2018 at the SUISA Songwriting Camp by SUISA member Luca Hänni with Canadian songwriters Laurell Barker and Frazer Mac and Swedish producer Jon Hällgren. ‘She Got Me’ reached an outstanding fourth place at the Eurovision grand final, has been streamed more than 30 million times and topped the Swiss single charts.

More women in music

In his welcoming address, SUISA President Xavier Dayer took the occasion of the Swiss women’s strike, which had taken place a week before, as impetus to discuss the proportion of women in music. Women currently represent 16% of SUISA members – leaving plenty of room for improvement. This is one of the reasons that SUISA entered into a partnership with Helvetiarockt in 2019, and invited the coordination and networking centre for jazz, pop and rock musicians to bring an information stand to the general meeting.

Members then approved the Annual Report and Management Report. Also approved were SUISA’s first-ever consolidated accounts, reflecting contributions from the two subsidiaries SUISA Digital Licensing AG and Mint Digital Services in 2018. The general meeting also discharged the Board of Directors, the management team and statutory auditor, and confirmed the mandate for the auditor BDO for 2019.

Sylvie Reinhard and Grégoire Liechti elected to the SUISA Board of Directors

For long-serving Board members Bertrand Liechti and Marco Zanotta, this was their last General Meeting – they are retiring from the SUISA Board after 20 years due to the term limit. In their place, SUISA members elected Sylvie Reinhard, an entrepreneur and Chairwoman of the Board of Directors of the digital magazine ‘Republic’, and Geneva-based music publisher Grégoire Liechti to the Board of Directors. The other 12 Board members, along with the members of the Distribution and Works Committee, were confirmed in office with no objections. At the recommendation of the SUISA Board, the general meeting also elected Marco Zanotta to the ComplaintsCommittee, which was established in 2018.

With the revision in 2018 of SUISA’s Articles of Association and the associated extended responsibilities of the General Meeting, the assembled members voted for the first time on compensation regulations for members of the Board and its committees, and on SUISA’s general investment policy.

Resolution calling for fair copyright legislation

Guest speaker Géraldine Savary, federal councillor and member of the SUISA Board, talked about the ongoing revision of Switzerland’s copyright legislation. In particular, she touched on two points that are critical for music creators. First – if the National Council has its way – hoteliers, owners of holiday homes, hospitals and prisons would not be required to pay copyright fees if their guests, patients or inmates listen to music or watch films on the radio/television devices provided. Second, the new copyright law stipulates a compensation regulation for video on demand (VoD) services that would work in favour of film-makers but would be counter-productive for music creators, as they have already negotiated contractual solutions with the VoD platforms. Accordingly, the use of music must be excluded from this new VoD regulation. The General Meeting passed a resolution in order to draw National Council attention to the importance of these two points in its forthcoming autumn session.

This was followed by updates on the current financial year from Vincent Salvadé, Irène Philipp Ziebold and Andreas Wegelin. Urs Schnell, Director of FONDATION SUISA, then reported on how SUISA’s music promotion foundation had performed in the financial year.

At about 2 pm, Xavier Dayer brought the General Meeting to a close and gave notice of the next General Meeting, which will take place on Friday, 26 June 2020 at the Bierhübeli in Bern.

Afterwards, participants enjoyed a light lunch in the foyer of the Kongresszentrum, an opportunity for SUISA employees, guests and colleagues to talk, sign resolutions, find out about Helvetiarockt projects at the organisation’s stand or even initiate new projects.

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Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Around 150 voting SUISA members attended the annual General Meeting on 21 June 2019 at the Kongresszentrum in Biel to help determine the direction of their cooperative. Among their decisions was the election of Sylvie Reinhard and Grégoire Liechti to the Board of Directors. SUISA members also passed a resolution for fair conditions for music creators in connection with the revision to the copyright law. Text by Giorgio Tebaldi

A look back at the SUISA General Meeting 2019

SUISA members during voting for the Board of Directors for the period 2019-2023 at SUISA’s 2019 General Meeting, 21 June 2019, in the Concert Hall of the Kongresszentrum, Biel. (Photo: Sibylle Roth)

‘Spherical, but more angular than trip hop, more emotionally charged than pop music and as organic as folk’ – that’s how SUISA Vice President Marco Zanotta described Zurich musician Annakin, who opened...read more