Tag Archives: Dates

General Meeting 2022: Face to face again at last

After a break brought on by the pandemic and for the first time since 2019, SUISA will hold its General Meeting at the Bierhübeli in Bern, allowing its members to participate in person and on site. The members of the cooperative are invited to attend in as large a number as possible and to co-determine the fate of their cooperative. Text by Andreas Wegelin

General Meeting 2022: Face to face again at last

After a two-year interruption, 17 June marks the day when the 2022 SUISA General Meeting can once again take place with members being present in person and on site at the Bierhübeli in Bern. (Photo: Sibylle Roth)

On Friday, 17 June 2022, at 11 a.m., it will finally be that time again: After a musical introduction by the Bernese electro-swing group Klischée, the President of the Board, Xavier Dayer, will open this yearʼs SUISA General Meeting.

Members will be provided with information about SUISAʼs business performance in the past year and are asked to approve the 2021 annual result (–10% compared to the record year 2019) which was a sign of getting off lightly despite the pandemic. In addition to other statutory business, the securing of financing for online licensing by the subsidiary Mint Digital Services AG and a revision of the Articles of Association to improve corporate governance will also come up for discussion and resolution.

Election of substitutes and deputies, opening message and declaration according to EU Directive

After 10 years on the Board of Directors, publisher member Christian Siegenthaler (management of Patent Ochsner) decided to step down from the board. The board proposes Christian Baumgartner, management consultant and investor, as his successor.

Our new board member elected last year, State Councillor Johanna Gapany, will address the members with an opening message from politics.

Finally, in accordance with the provisions of the EU Directive on collective management organisations and the Liechtenstein Collecting Societies Act (VGG), the declarations of the members of the Board of Directors and the Executive Committee are disclosed for the first time on questions of theirparticipation in SUISA, amount of remuneration/compensation and actual or potential conflicts of interest.

Voting members welcome

The General Meeting is only open to members of the cooperative, i.e. members who are entitled to vote (see info box at the end of the text). These members will receive a written invitation with the registration documents by the end of May by mail. The invitation contains the agenda and additional information on the agenda items and business to be transacted at the General Meeting.

I hope that as many of you as possible will attend the General Meeting and, together with my colleague Irène Philipp Ziebold and my colleague Vincent Salvadé as well as other SUISA staff members, I look forward to exchanging ideas with you. Face to face again, at last.

New criteria for members who are entitled to vote
The SUISA Board of Directors decided in December 2020 to adapt the criteria for members who are entitled to vote. Authors and publishers will be admitted as members with voting rights if they have been SUISA principals for at least one year and had at least CHF 3,000 in royalties paid out to them since their registration. Previously, this amount was CHF 2,000. This change entered into force in 2021.
Furthermore, the contractual membership relationship will be reverted into a mandate relationship if members received less than CHF 3,000 in distribution payments overall for their works during the last ten years.
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After a break brought on by the pandemic and for the first time since 2019, SUISA will hold its General Meeting at the Bierhübeli in Bern, allowing its members to participate in person and on site. The members of the cooperative are invited to attend in as large a number as possible and to co-determine the fate of their cooperative. Text by Andreas Wegelin

General Meeting 2022: Face to face again at last

After a two-year interruption, 17 June marks the day when the 2022 SUISA General Meeting can once again take place with members being present in person and on site at the Bierhübeli in Bern. (Photo: Sibylle Roth)

On Friday, 17 June 2022, at 11 a.m., it will finally be that time again: After a musical introduction by the Bernese electro-swing group Klischée, the President of the Board, Xavier Dayer,...read more

Applications for the 2022 SUISA Songwriting Camp | plus video

For the fifth time, SUISA is organising a songwriting camp in collaboration with Pele Loriano Productions. It takes place from 4 to 6 July 2022 at the Powerplay Studios in Maur near Zurich. SUISA members can apply for participation. Text by Manu Leuenberger; video by Mike Korner

At the SUISA Songwriting Camp, pop songs are composed in teams of three to five people each. The teams are put together by the artistic director of the camp. In the morning, we start from scratch, by the evening of the same day a complete demo track must be completed and recorded.

The musical style of the songs may include all manifestations of contemporary pop, which could also be successful in the charts, on streaming platforms or on the radio/on TV. On the one hand, the songs should be usable for the Eurovision Song Contest and on the other hand, they should also constitute material that can be offered to publishers and performers.

In order to fulfil this demanding task in a team with professional songwriters and producers from Switzerland and abroad, one must have solid musical knowledge, be able to deliver a creative performance of a high standard under time pressure and be open to criticism and exchange with fellow composers.

The fifth SUISA Songwriting Camp takes place from 4 to 6 July 2022 at the Powerplay Studios in Maur near Zurich. The event is organised by SUISA in collaboration with Pele Loriano Productions. Pele Loriano Productions is responsible for the artistic direction of the Songwriting Camp on behalf of SUISA.

Applications for the 2022 SUISA Songwriting Camp

SUISA members can apply to participate in the 2022 SUISA Songwriting Camp. Are you a producer, songwriter (topliner) or lyricist and you think you meet the requirements in terms of musical craft and skills? Then send us your application, which should include the following:

  • a short biography;
  • meaningful reference songs (mp3 files or internet links);
  • contact details.

Applications should be sent by mail to the address: songwritingcamp (at) suisa (dot) ch
Deadline for applications is on: Sunday, 8 May 2022

Important: Places for SUISA members only are awarded via this application procedure. Those who apply should be able to guarantee that they will be available on one or more of the event days (4 to 6 July 2022). For the time being, the camp is planned to be held on-site at Powerplay Studios with physical/on-site participation of all participants. All participants will be informed in good time about any necessary protective measures or if the event is possibly held in a hybrid format.

Dates and selection of participants

The selection of all artists invited to the camp is made by the artistic director. An appropriate make-up of the participants is crucial for the creative success of the “songwriting sessions”.

Confirmations or invitations and further information on participation in the 2022 SUISA Songwriting Camp will be communicated personally by the artistic director by 26 June 2022.

Letters of refusal will not be sent. Anyone who has not received a confirmation or invitation by 26 June 2022 has not been considered for participation in the 2022 Songwriting Camp.

Experience shows that the number of applications will exceed the number of places available. It should be noted that the application does not create an entitlement to participation at any time. Furthermore, there will be no correspondence regarding the allocation of places. No statements can be made at this time about the implementation of further songwriting camps supported by SUISA.

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  1. Argyle Singh Koncon says:

    Argyle here!

    Would love to join again this year!

    Cheers
    A.

    • Manu Leuenberger says:

      Dear Argyle
      We are pleased that you enjoyed your last participation in our camp. The best thing is to send us your dossier with your application so that we can forward it to the artistic director for the selection.
      Kind regards, SUISA Communication Department

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For the fifth time, SUISA is organising a songwriting camp in collaboration with Pele Loriano Productions. It takes place from 4 to 6 July 2022 at the Powerplay Studios in Maur near Zurich. SUISA members can apply for participation. Text by Manu Leuenberger; video by Mike Korner

At the SUISA Songwriting Camp, pop songs are composed in teams of three to five people each. The teams are put together by the artistic director of the camp. In the morning, we start from scratch, by the evening of the same day a complete demo track must be completed and recorded.

The musical style of the songs may include all manifestations of contemporary pop, which could also be successful in the charts, on streaming platforms or on the radio/on TV. On the one hand, the...read more

SUISA panel at M4music: What influence does streaming have on songwriting? │ plus video

Today, music is often consumed via streaming platforms. With millions of songs available, individual pieces quickly get lost in the crowd. And songs often have to grab the listener in the first few seconds – the next song is just a click away. Does the distribution channel for streaming influence songwriting? This question will be discussed at the SUISA panel at the 2022 M4music Festival. Text by Giorgio Tebaldi; video by Lisa Burth

Gone are the days when music consumers listened to a whole album from the first song to the last in one sitting. In 2021, CDs and records accounted for just over 10% of music sales in Switzerland, according to the industry association IFPI, with the remaining 90% coming from online, of which over 80% is streaming.

The shift from recorded music to streaming is relevant to artists in several ways. In the case of CDs and LPs, remuneration covers the reproduction and sale of physical units in their entirety. Today, creators, performers and producers are paid for individual streams; these only count if a track is listened to for at least 30 seconds. The crux of the matter: For music consumers, the next track is just a click away. For songwriters and performers, this means that they have to grab the listenerʼs interest to keep listening within the first few seconds of a song.

Zurich musician Evelinn Trouble provides a first insight into how composers deal with todayʼs listener behaviour in a video interview.

SUISA panel at M4music: “How streaming is changing songwriting”

The influence of changing music consumption behaviour on songwriters and labels will be discussed at the SUISA panel at this yearʼs M4music Festival. Under the header “How streaming is changing songwriting,” composers, producers and label executives will discuss the impact streaming is having on the way songs are written, produced and released.

The panelists are:

  • Evelinn Trouble, songwriter, singer, producer and visual artist from Zurich
  • Julie Born, Managing Director of Sony Music Switzerland
  • Henrik Amschler aka HSA, songwriter and producer from Zurich
  • Loris Cimino, producer and songwriter from Frankfurt/Zurich

The panel will be moderated by Nina Havel.

The SUISA panel will take place on Friday, 25 March 2022 at 4:00 p.m. at Matchbox in Zurichʼs Schiffbau. The panel is free and open to the public.

The 2022 M4music Festival

After the festival had to be cancelled in 2020 due to the COVID-19 pandemic and was held in a scaled-down form in 2021, the Migros Kulturprozent (Culture Percentage) Pop Music Festival will take place again this year in its usual form on Friday and Saturday, 25 and 26 March 2022 at the Schiffbau in Zurich. In addition to panel discussions, workshops and panels on current topics in the music business, numerous Swiss and international artists will also perform at the festival.

www.m4music.ch

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Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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Today, music is often consumed via streaming platforms. With millions of songs available, individual pieces quickly get lost in the crowd. And songs often have to grab the listener in the first few seconds – the next song is just a click away. Does the distribution channel for streaming influence songwriting? This question will be discussed at the SUISA panel at the 2022 M4music Festival. Text by Giorgio Tebaldi; video by Lisa Burth

Gone are the days when music consumers listened to a whole album from the first song to the last in one sitting. In 2021, CDs and records accounted for just over 10% of music sales in Switzerland, according to the industry association IFPI, with the remaining 90% coming from online, of which over 80% is streaming.

The shift from recorded...read more

“Musicians in Conversation”: Podcast by Helvetiarockt

Under the title “Musicians in Conversation”, Helvetiarockt – the Swiss coordination office and networking platform for female musicians in jazz, pop, and rock, launched a podcast series in December 2020. The second series starts on Friday 7 January 2022. The focus is on fostering the visibility of role models and on networking within the Swiss music scene. SUISA is a partner of the new podcast series. Text by Giorgio Tebaldi

“Musicians in Conversation”: Podcast by Helvetiarockt

In the first episode of the Helvetiarockt podcast, musician and sound engineer Anna Murphy talks about the creative process in songwriting and her path to becoming a sound engineer: she encourages other women to embark on a career in music production. (Photo: Valentina Mahler)

Anna Murphy, La Nefera, Jessiquoi and Jasmin Albash Natalia Anderson – these are just a few of the female, non-binary, trans and intersex musicians and DJ’s who will be given their say in the second series of Helvetiarockt’s “Musicians in Conversation” podcasts. The podcasts discuss music in general, and creative processes and individual experiences in the music business. In the process, Helvetiarockt is looking to create multifarious role models for female musicians.

The podcast guests and their stories are highly motivational cases in point. They show that there are different paths and possibilities for a professional career in the music world, and that no one taking this step is alone. The podcast does not only address aspiring musicians; it essentially seeks to inspire everyone – including non-musicians – and offers a glimpse behind the scenes of the music business.

The interviews are conducted by Natalia Anderson, a Geneva-based musician, DJ, and journalist from London. In its press release, Helvetiarockt quotes Natalia Anderson: “We are trying to demystify the music business and show that there are many different ways to get involved in music. The podcast is about giving visibility to underrepresented groups in the Swiss music scene – in all their facets.”

Women in the music industry

Compared with their male colleagues, women are a minority in the Swiss music industry. According to Helvetiarockt, the share of female musicians on Swiss stages is a meagre 11%. In music production, women are even fewer – only 2%.

This is also reflected in the share of SUISA’s female membership, which is currently only slightly over 19% of the total. Even if the trend is inching upward – in recent years, the proportion of women among SUISA’s new members was 21% in 2018 and 2019, 23% in 2020, and 26% in 2021 – the gender imbalance in the Swiss music industry remains comparatively high given that women represent over 50% of the general population.

The Helvetiarockt podcast aims to give this (still) minority group of musicians and creators greater visibility and to help and encourage aspiring musicians make their way ahead in the music business.

SUISA partners Helvetiarockt

SUISA is partnering the second series of “Musicians in Conversation”. SUISA has supported Helvetiarockt, financially and in terms of visibility, since 2019 as part of a sponsoring commitment.

The second series of the Helvetiarockt podcasts starts on Friday 7 January; a new episode will be released every second week. The guest on the first episode is Anna Murphy, sound engineer, composer, singer, and multi-instrumentalist. In this podcast, Anna talks about the creative process in songwriting and the road to becoming a sound engineer: she encourages other women to embark on a career in music production.

To access the podcasts “Musicians in Conversation”, follow this link:
www.helvetiarockt.ch/podcasts

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Under the title “Musicians in Conversation”, Helvetiarockt – the Swiss coordination office and networking platform for female musicians in jazz, pop, and rock, launched a podcast series in December 2020. The second series starts on Friday 7 January 2022. The focus is on fostering the visibility of role models and on networking within the Swiss music scene. SUISA is a partner of the new podcast series. Text by Giorgio Tebaldi

“Musicians in Conversation”: Podcast by Helvetiarockt

In the first episode of the Helvetiarockt podcast, musician and sound engineer Anna Murphy talks about the creative process in songwriting and her path to becoming a sound engineer: she encourages other women to embark on a career in music production. (Photo: Valentina Mahler)

Anna Murphy, La Nefera, Jessiquoi and Jasmin Albash Natalia Anderson – these are just a few of the female,...read more

SUISA Talks at the Zeiträume Festival Basel 2021

Enjoy ten days of contemporary music and experience how the works, often composed especially for the festival, play with their surroundings, ensnare them or engage with them in a kind of dispute. That is the quintessence of the biennial Zeiträume Festival Basel. Text by Erika Weibel

SUISA Talks at the Zeiträume Festival Basel 2021

Zeiträume Basel Festival pavilion in 2019. (Photo: Anna Katharina Scheidegger)

The fourth instalment of the biennial event for new music and architecture carries the festival title “Die Verwandlung” (‘the transformation’) and offers an extraordinary programme between 9 and 19 September 2021 with more than 20 productions and 20+ premières at more than 30 venues in Basel. Current focal points of urban development are made accessible and exciting new productions by many artists are played there.

Apart from numerous concerts and sound installations, you can also dive into the working environment of the composers during the festival. As such, many SUISA talks take place in the festival pavilion.

SUISA Talks, in the festival pavilion and at the Mittlere Brücke (‘Middle Bridge’)
Greifengasse 1, 4058 Basel
Admission free.

Saturday 4 September 2021
at 11:15, Eleni Ralli & Alexander Grebtschenko – Dialogues & Chimeras
at 13:15, Wanja Aloé – Vor Ort
at 15:15, Marianne Schuppe – Die Summe
at 17:15, Linus Riegger, Clemens Fiechter – Phase 4

Sunday 5 September 2021
at 11:15, Sibylle Hauert (tbc) – H.E.I. Kaserne
at 13:15, Dakota Wayne – Sonic Spaces im Klybeck
15:15 – 16:00, Ah Young Hong (soprano) & Vera Hiltbrunner (soprano) – Poppaea
at 17:15, Jannik Giger – Blind Audition

Tuesday 7 September 2021
at 17:15, Phoebe Bognar & Maria Muñoz – Sonic Spaces im Klybeck

Friday 10 September 2021
at 13:15, Dimitri de Perrot (tbc) – Niemandsland
at 17:15, Paul Brauner – Sonic Spaces im Klybeck

Saturday 11 September 2021
at 11:15, Hansjürgen Wäldele – Son et Lumière: Snurglond
at 13:15, Michael Hersch (composition) & Stephanie Fleischmann (libretto) – Poppaea
at 15:15, Klaus Lang – pflaumenblüten.
at 17:15, Helena Winkelmann – pflaumenblüten.

Sunday 12 September 2021
at 11:15, Eleni Ralli & Alexander Grebtschenko – Dialogues & Chimeras
at 13:15, tbc
at 15:15, Sebastian Mathias, Mila Pavicevic, Meret Kündig – Urban Creatures
at 17:15, Focus topic: IGNM Basel, with Marianne Schuppe & Xenia Fünfschilling

Friday 17 September 2021
at 11:15, Alfred Zimmerlin & Robert Torche – Grenzbahnhof
at 13:15, Michel Roth – Spiel Hölle
at 18:15, Yaron Deutsch (Ensemble Nikel) – Oratorium

Saturday 18 Septemer 2021
at 11:15, Focus topic: Zeitgenössische Musik Szene in Basel
at 13:15, Katharina Rosenberger – Urban Morphologies
at 15:15, Focus topic: Nachhaltiges Bauen

Throw a glance behind the scenes in an open conversation with composers, architects, artists and contributors of the festival.

The pavilion at the Mittlere Brücke is the centrepiece of the festival. This is where you can immerse yourself in the sounds, spaces and themes of the festival in talks, performances, installations as well as at the cocktail bar and meet the artists behind the festival productions in person.

The pavilion (Buol & Zünd), sustainably created with the support of SUISA and planned for multi-year use, will be staged again in a new, transformed form. In the middle of the city, the festival presents itself in an open, accessible and playful way – with numerous musical actions, a sounding cable car, kinetic sound objects and changing cocktails from 3 to 19 September.

Join us and be enchanted by a Basel reinterpreted for you.

www.zeitraeumebasel.com

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Leave a Reply

All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Enjoy ten days of contemporary music and experience how the works, often composed especially for the festival, play with their surroundings, ensnare them or engage with them in a kind of dispute. That is the quintessence of the biennial Zeiträume Festival Basel. Text by Erika Weibel

SUISA Talks at the Zeiträume Festival Basel 2021

Zeiträume Basel Festival pavilion in 2019. (Photo: Anna Katharina Scheidegger)

The fourth instalment of the biennial event for new music and architecture carries the festival title “Die Verwandlung” (‘the transformation’) and offers an extraordinary programme between 9 and 19 September 2021 with more than 20 productions and 20+ premières at more than 30 venues in Basel. Current focal points of urban development are made accessible and exciting new productions by many artists are played there.

Apart from numerous concerts and sound installations, you can also dive into the...read more

The sound of the mountain

For the first time ever, the Floating Notes Festival will be held at the San Bernardino in Graubünden this year. Floating Notes is all about experimental music. In this blog, festival organisers and performers describe how the unique landscape is influencing music and the performances. SUISA is a sponsoring partner of the festival. Guest contribution by Elena Rotondi

Floating Notes Festival: The sound of the mountain

The Floating Notes Festival is going to take place from 23 to 25 July 2021 in Mesocco near the San Bernardino. (Photo: Sebastiano Piattini)

Kety Fusco, founder and programme director of the Floating Notes Festival has a rather specific idea what the heartbeat of her festival is going to be: The performers are going to engage in experimental and unpublished sound research that adapts to the place of the performance, taking into consideration their own artistic and musical backgrounds, and that will make it impossible to separate the content of the performance from the place where it has been created. As a consequence, the Floating Notes Festival is going to be completely new event because music and venue will be brought together in a unique performance. Kety Fusco will launch the opening night of the festival at the spring of the San Bernardino (GR) with her electronic harp on Friday, 23 July.

This, she tells us, shall be the manifest of the idea which stands behind the festival: the desire to unite the aesthetics and history of the San Bernardino, to revive a place which has, historically, always been a point of attraction for international travellers and which still pulls many visitors thanks to the untouched beauty you can still find in some places. All of this with a view to the future with the atmospheric, innovative and experimental music which is going to populate the environment and fill it with new meaning.

The performers appearing in the programme have been asked how the creative process was influencing their preparation for the festival and their performance on stage. Camilla Sparksss who is going to perform in the Fonte Minerale in the evening, tells us how she is experimenting with a live set specially for the Floating Notes Festival: “Sounds are created which, in my view, come rather close to the sound of the mountain and its gravitas, with its echoes and its dangers. It is going to be a performance which could be perceived as very experimental by people. But you just have to close your eyes and imagine a journey into the interior of the rocks in order to become one with the mountains.”

It is also interesting how Adriano Koch, a young musician, who is going to conclude the evening on Friday, 23 July, links his appearance to the place where he is going to perform: “It is always motivating to see how a place or a venue can change the energy and the artistic message of a song. As such, it is important to me to record a performance in order to preserve this special moment which will never happen again.”

This festival in Graubünden could not continue without the present of the pioneer of instrumental and sound research: The next day, Saturday 24 July, Simon Berz is going to perform a live concert with stones on the San Bernardino pass. The musician explains: “I have created my instrument TECTONIC from volcanic sound stones which I found in Iceland. The stones are now going to sound in another ‘stone room’, the one in San Bernardino.”

The Floating Notes Festival also excels by an event which connects music and body: a guided meditation by Keri Gonzato who will be accompanied with music by Federica Furlani, alias Effe Effe, played back from a sound recording. A soundscape, just made for meditation at more than 2,000 metres above sea level.

The soundtrack of the festival will be premièred on Saturday, 24 July. Ticino-based musician Chiara Dubey has been commissioned with the soundtrack. She describes the creative process of her composition as follows: “In the beginning, there was the idea that I would probably be inspired by the sounds of natural elements into which I would delve into upon my arrival at the San Bernardino. For example, the rustle of the fir trees or the lapping of the water. Since this concert is my first pre-taste of the mountains after a weird year of communal solitude and deafening silence, I decided that I would look inwards for this piece: I was listening to my thoughts and it seemed as if I was finding an old friend again after a long time. I am sure that I was not the only one who had this experience. And I hope that both for me and all attendees it will be liberating to let this song, ‘Stranger’ rumble in the night of the festival, also because our stage will be surrounded by a spectacular mountainous landscape, by a raw, natural, free beauty.”

The closing act of Saturday evening will be Peter Kernel, a well-known duo from Ticino that will be part of the festival in an unusual context and with an equally unusual performance. As such, Aris Bassetti and Barbara Lehnhoff are not going to perform as a typical rock band but prepare an exclusive DJ set which consists of music from the past and will lead us into the future so that it best resonates in the crevices of the surrounding mountains: “For us, it is a central issue to create a certain connection with the audience; we must understand each other in order to create an unforgettable experience. For Floating Notes, we decided to do something exclusive, something that we usually don’t do. We will not perform a normal concert but an experimental DJ set. We will play music which somehow fits well into the context of the mountains and fresh air and we will try to mix it in our own way.”

The Floating Notes Festival is going to take place from 23 to 25 July 2021 in Mesocco (GR) near the San Bernardino. Swiss artists Kety Fusco, Camilla Sparksss, Chiara Dubey, Leoni Leoni, Peter Kernel and Adriano Koch, Federica Furlani (Effe Effe) from Italy and the Icelandic musician Simon Berz are going to perform at the festival. There will also be a guided meditation by Keri Gonzato. Further information can be accessed at www.facebook.com/floatingnotesfestival.
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Fondation Suisa: “Get Going!” goes into the fourth round“Get Going!” goes into the fourth round Since 2018, “Get Going!” has been a regular feature of the support portfolio of the FONDATION SUISA. Now the kick-off financing programme which promotes innovative creative approaches outside the usual “pigeonholes”, enters its fourth round. Read more
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For the first time ever, the Floating Notes Festival will be held at the San Bernardino in Graubünden this year. Floating Notes is all about experimental music. In this blog, festival organisers and performers describe how the unique landscape is influencing music and the performances. SUISA is a sponsoring partner of the festival. Guest contribution by Elena Rotondi

Floating Notes Festival: The sound of the mountain

The Floating Notes Festival is going to take place from 23 to 25 July 2021 in Mesocco near the San Bernardino. (Photo: Sebastiano Piattini)

Kety Fusco, founder and programme director of the Floating Notes Festival has a rather specific idea what the heartbeat of her festival is going to be: The performers are going to engage in experimental and unpublished sound research that adapts to the place of the performance, taking into consideration their own...read more

“Get Going!” goes into the fourth round

Since 2018, “Get Going!” has been a regular feature of the support portfolio of the FONDATION SUISA. Now the kick-off financing programme which promotes innovative creative approaches outside the usual “pigeonholes”, enters its fourth round. Text by FONDATION SUISA

Fondation Suisa: “Get Going!” goes into the fourth round

Last year’s recipients of “Get Going!” (Clockwise from the top left) Isandro Ojeda-García, OY, Réka Csiszér, Pirmin Huber. (Photos: Caio Licínio; Sash Seurat Samson; Romina Kalsi; Gian Marco Castelberg)

When invitations to tender for “Get Going!” were launched for the first time, in 2018, it was “a shot in the dark”, says Urs Schnell, Director of the FONDATION SUISA. Back then, the idea was to look ahead. “Instead of patting an artist on the back after the fact by awarding them a prize, we now invest the money available to us into the future instead.”

So far, four “Get Going!” contributions of CHF 25,000 each have been allocated three times. The unabated interest in this promotion process underlines the changing conditions that music creators find themselves in with respect to many issues. Since the kick-off financing is not linked to a result, it allows musicians to work free from financial and time-related pressures. “On the one hand, the environment over the last years has become more hectic, on the other hand, the pandemic has left many in a void. You can look at it from any which angle, the time factor has become a commodity that should not be underestimated”, explains Schnell.

Applications for “Get Going!” contributions until 30 August 2021

“Get Going!” is aimed at innovative and creative projects that are in danger of falling through the cracks in any conventional application system. FONDATION SUISA intends to move towards artists with “Get Going!”, says Schnell, and adds: “We want to move free creative thinking back into the centre of interest.”

From now on, creators, authors and musicians who can prove a clear relation to current music creation in Switzerland or Liechtenstein, can apply again for “Get Going!”. Four of those kick-off financing packages of CHF 25,000 each will be granted by an expert jury again this year. The deadline to submit applications is 30 August 2021.

In order to show what “Get Going!” actually offers in terms of opportunities, we are going to publish portraits of the recipients of last year’s “Get Going!” contributions on the FONDATION SUISA website and the SUISAblog over the next few weeks.

“Get Going!” on the website of FONDATION SUISA

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Since 2018, “Get Going!” has been a regular feature of the support portfolio of the FONDATION SUISA. Now the kick-off financing programme which promotes innovative creative approaches outside the usual “pigeonholes”, enters its fourth round. Text by FONDATION SUISA

Fondation Suisa: “Get Going!” goes into the fourth round

Last year’s recipients of “Get Going!” (Clockwise from the top left) Isandro Ojeda-García, OY, Réka Csiszér, Pirmin Huber. (Photos: Caio Licínio; Sash Seurat Samson; Romina Kalsi; Gian Marco Castelberg)

When invitations to tender for “Get Going!” were launched for the first time, in 2018, it was “a shot in the dark”, says Urs Schnell, Director of the FONDATION SUISA. Back then, the idea was to look ahead. “Instead of patting an artist on the back after the fact by awarding them a prize, we now invest the money available to us into the future...read more

No physical General Meeting in 2021 either | plus video

Members with voting rights can still co-determine the fate of the SUISA Cooperative by casting their votes in writing. Text by Regula Greuter; Videos by Manu Leuenberger

No physical General Meeting in 2021 either

The big room in the Bierhübeli in Berne remains empty: The SUISA “AGM” 2021 will be held based on voting in written format. (Photo: Manu Leuenberger, edited by Likeberry and Schellenberg Druck AG)

Not quite as expected, the Covid-19 pandemic prevents holding a face-to-face General Meeting again this year. The plan was that the Bierhübeli in Berne should be the venue for this year’s event on 25 June 2021. The current situation, however, allows for no reliable planning of the event and the Board of Directors has consequently decided during its meeting on 22 April 2021 that the General Meeting should be held again this year by participation via voting in writing. That way, all members entitled to vote have the opportunity to participate in the AGM without taking a health risk.

Organisational execution

From 25 May 2021 onwards, the documents for the General Meeting will be dispatched to all members entitled to vote (invitation to voting by letter, information on the General Meeting including the agenda items and the voting form). From the day you receive the documents you can complete the personalised voting form, sign it and return it to SUISA by letter no later than 25 June 2021 (25th June is the latest date of receipt).

The results of the votes are then counted by the election office headed by Dr. Bernhard Wittweiler (head of SUISA’s Legal Department).

The results of the vote and election will be formally established by the President, the Secretary, the CEO and the Head of the Legal Department on the basis of the count and published on the SUISA website on 30 June 2021.

Agenda items of this year’s General Meeting

Apart from the usual statutory business, i.e. ratification of the minutes, decisions on the financial statements, the management report and the annual report of the SUISA cooperative and the SUISA group – the General Meeting will be presented with a motion to adapt the general rules on investment and a surrogate candidate for Géraldine Savary who is stepping down from her post.

Adapting the general rules on investment

It is a matter of increasingly social concern to sustainably manage investments. SUISA is also intending to submit to this. This is why the Board of Directors decided to adapt rules on investment of SUISA by adding the criterion “sustainability”. Apart from the main objectives of the investments, i.e. security and liquidity, the criterion of “sustainability” shall now also be anchored into the general investment rules.

Pursuant to the Articles of Association, the General Meeting is responsible for the general investment policy with regards to the collected remuneration (Article 9.2.2 m).

The Board of Directors therefore proposes that the general rules on investment should be supplemented by the criterion of sustainability.

By-election to the Board

Due to Géraldine Savary who is going to step down (former State Councillor SP/VD) a new member for the Board of Directors will be proposed for election. In accordance with the Articles of Association (Article 9.3.2) apart from SUISA members entitled to vote and be elected, “persons who, on grounds of their position or expertise, have a special involvement with SUISA’s activities” can be elected to the Board of Directors. As a consequence, there were active or former Parliamentarians throughout many years who were members of the Board of Directors who bring valuable experience to SUISA with their expertise.

The Board of Directors therefore proposes that Johanna Gapany (State Councillor FDP/FR) to be newly elected to the SUISA Board of Directors.

Johanna Gapany started her political career in her younger days. This led her from the General Council to the Municipal Council of Bulle, she took a seat in the Grand Council of the Canton of Fribourg from 2016 to 2019 until she was elected in 2019 as the first woman of the Canton of Fribourg to the Council of States. A graduate in business economics, she brings professional experience as a marketing manager in various companies and as a communications manager in a private hospital in Fribourg.

Even though there will be no physical General Meeting in 2021, members with voting rights will be able to have their say on SUISA’s business in writing. We invite you to use this opportunity and to vote!

All documents and details regarding the General Meeting can be accessed at www.suisa.ch/en/members/general-assembly.html. Questions on the process and the agenda items can be sent to the Executive Committee by e-mail: gv (at) suisa (dot) ch

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Members with voting rights can still co-determine the fate of the SUISA Cooperative by casting their votes in writing. Text by Regula Greuter; Videos by Manu Leuenberger

No physical General Meeting in 2021 either

The big room in the Bierhübeli in Berne remains empty: The SUISA “AGM” 2021 will be held based on voting in written format. (Photo: Manu Leuenberger, edited by Likeberry and Schellenberg Druck AG)

Not quite as expected, the Covid-19 pandemic prevents holding a face-to-face General Meeting again this year. The plan was that the Bierhübeli in Berne should be the venue for this year’s event on 25 June 2021. The current situation, however, allows for no reliable planning of the event and the Board of Directors has consequently decided during its meeting on 22 April 2021 that the General Meeting should be held again this year...read more

SUISA Songwriting Camp 2021: now open for applications by SUISA members

The fourth SUISA Songwriting Camp will take place from 5 to 7 July 2021 in the Powerplay Studios in Maur near Zurich. It is possible that due to the corona pandemic not all participants will be able to be present at the studios and will instead join online. SUISA members may apply for participation. Text by Erika Weibel and Manu Leuenberger

SUISA Songwriting Camp 2021: now open for applications by SUISA members

Teamwork at the SUISA Songwriting Camp 2019: start with a blank sheet of paper in the morning and finish with a completed demo track by the evening. (Photo: Tabea Hüberli)

The SUISA Songwriting Camp offers some of its members the opportunity to team up and compose pop songs under professional conditions with renowned producers and songwriters from Switzerland and abroad. Between 30 and 40 musicians usually take part in the three-day event.

Those who wish to participate in the Songwriting Camp must have well-founded musical knowledge, be able to produce high-level creative output under time pressure, and be open to criticism and exchange with their co-writers.

The challenging task: write a pop song in a team of three to five people within a day, according to certain specifications – start with a blank sheet of paper in the morning and finish with a completed demo track by the evening.

Pop songs with hit potential

The musical style of the songs can comprise all facets of contemporary pop music that could also be successful in the charts, on streaming platforms or on radio/TV. The songs are intended to be offered to publishers and artists or even suitable for the Eurovision Song Contest.

The event, jointly organised between SUISA and Pele Loriano Productions, has already produced several internationally successful pop songs that have made it on to the stage at the Eurovision Song Contest (ESC). The song “She Got Me”, co-written and sung by Luca Hänni, reached fourth place at the ESC in 2019. The songs “Répondez-moiˮ (Gjon’s Tears, for the event in 2020 that was eventually cancelled), “Stonesˮ (Zibbz, 2018) and “Sisterˮ (Sisters, the German entry in 2019) also qualified. In 2021, “Amenˮ – sung by Vincent Bueno for Austria – became the fifth song from the SUISA Songwriting Camp to reach the semi-finals or finals of the ESC.

Hybrid version of the camp possible

The coronavirus pandemic is still dictating world events. It may therefore be the case that despite safeguarding measures, physical participation of all parties at the Powerplay Studios will not be possible. For this reason, all applicants must have their own technical infrastructure available that would allow online participation. Specifically, you may need to be able to communicate with songwriters remotely using a computer via Wi-Fi, and be able to make professional digital sound recordings and edit music yourself. A Wi-Fi network is available in the studio. Participants must be able to bring their own computers and the necessary (recording) software.

All participants will be informed in good time about the safeguarding protocols and the possible hybrid implementation of the Songwriting Camp.

Applications for the SUISA Songwriting Camp 2021

This year’s SUISA Songwriting Camp takes place from 5 to 7 July 2021 in the Powerplay Studios in Maur near Zurich. The event is again organised by SUISA in collaboration with Pele Loriano Productions. Pele Loriano Productions is responsible for the artistic direction of the Songwriting Camp on behalf of SUISA.

SUISA members can apply to participate in the SUISA Songwriting Camp 2021:
Are you a producer, songwriter (topliner) or a lyricist, and do you think you meet the requirements in terms of musical skill and ability? Do you also have a solid technical infrastructure (computer that can be connected via Wi-Fi and is equipped for professional digital sound recording and music editing) that you can operate and bring with you? In that case, please send us your application, which should contain the following information:

  • short biography
  • meaningful reference songs (mp3 files or internet links)
  • contact details

Please email applications to: songwritingcamp (at) suisa (dot) ch
Closing date for applications: Monday, 7 June 2021.

Important: Participant places are allocated only to SUISA members through this application process. Those who apply should be able to guarantee that they are available to participate on one or all the event days (5-7 July 2021).

Dates and selection of the participants

All artists invited to the camp are selected by the artistic director. A suitable mix of participants is paramount in the creative success of the songwriting sessions.

The artistic programme director will communicate all confirmation messages and invitations, and further details on participation at the SUISA Songwriting Camp 2021 by 27 June 2021. Rejection letters will not be sent. If you have not received a confirmation message by 27 June 2021, you have not been taken into consideration for the Songwriting Camp 2021.

Experience has shown that the number of applications will far exceed the number of available places. Please note that an application does not constitute a claim to participate in the event. Furthermore, no correspondence will be entered into in relation to the allocation of places. No information can yet be given about the implementation of other songwriting camps supported by SUISA.

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The fourth SUISA Songwriting Camp will take place from 5 to 7 July 2021 in the Powerplay Studios in Maur near Zurich. It is possible that due to the corona pandemic not all participants will be able to be present at the studios and will instead join online. SUISA members may apply for participation. Text by Erika Weibel and Manu Leuenberger

SUISA Songwriting Camp 2021: now open for applications by SUISA members

Teamwork at the SUISA Songwriting Camp 2019: start with a blank sheet of paper in the morning and finish with a completed demo track by the evening. (Photo: Tabea Hüberli)

The SUISA Songwriting Camp offers some of its members the opportunity to team up and compose pop songs under professional conditions with renowned producers and songwriters from Switzerland and abroad. Between 30 and 40 musicians usually take part in the three-day event.

Those...read more

Archipel Festival – a well-established works smithy | plus video

The Archipel Festival is going to give a large audience access to a plethora of new works between 16 and 25 April 2021 from its location in Geneva. The audience will be able to delve into the festival from the comfort of their homes and to log on in order to follow about 70 events which take place each afternoon. Text by Erika Weibel; Video by Nina Müller

The entire festival programme is going to be broadcast via streaming and will be made available via the Archipel website, free of charge. It is also possible to meet artists online, to participate in discussions, answer questions in quizzes, get an impression of the weather and throw a glance into the premises of the event venue.

Archipel provides a festival “under supervision” with a Web TV team which is going to broadcast live for ten days, from noon to midnight. A unique, experimental and artistic project which allows the audience to take part actively on air.

Baptism of fire for new composers

This year, the Archipel Festival has provided composers again with the opportunity to create new works and thus give the audience the pleasure of enjoying these new compositions. Salômé Guillemin-Poeuf, a young composer from Geneva, has, for example, created the work “50 Hertz”, whose première will take place on 21 April 2021 at 7.00pm.

Salômé Guillemin-Poeuf is a designer and musician who lives and works in Geneva. She creates interactive sound installations, performances and musical instruments. Her works have already been performed to be audio- & audiovisually on numerous international stages. The creative and versatile artist recently registered as an associate member of SUISA.

Collaboration with Archipel

SUISA is a sponsor of the festival again. It is great news that the Archipel organisers have found a creative means to adapt to the circumstances and to carry out the festival under strict stipulations in a new format – and thus enable many new works to be performed.

As a sponsor, we would like to point out two of the 70 events in particular:

Première of the work “50 Hertz” by Salômé Guillemin-Poeuf
on 21 April 2021 at 7.00pm

SUISA round table talk on being a composer in Switzerland
on 24 April 2021 at 2.00pm

Broadcast from the Maison communale de Plainpalais via: www.archipel.org
between 16 and 25 April, from noon to midnight each day

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

The Archipel Festival is going to give a large audience access to a plethora of new works between 16 and 25 April 2021 from its location in Geneva. The audience will be able to delve into the festival from the comfort of their homes and to log on in order to follow about 70 events which take place each afternoon. Text by Erika Weibel; Video by Nina Müller

The entire festival programme is going to be broadcast via streaming and will be made available via the Archipel website, free of charge. It is also possible to meet artists online, to participate in discussions, answer questions in quizzes, get an impression of the weather and throw a glance into the premises of the event venue.

Archipel provides a festival “under supervision” with a Web...read more