Tag Archives: Complaints Committee

SUISA General Assembly: Our members’ opinion counts

SUISA’s General Assembly takes place in the Kongresszentrum Biel (concert hall) on 21 June 2019. For the first time, two financial statements will be presented to the General Assembly; a novelty in SUISA’s history. Furthermore, there are elections on the agenda: The entire Board needs to be newly elected, as does the Distribution and Works Committee; there are also by-elections for the Complaints Committee. Text by Dora Zeller

SUISA General Assembly 2019: Our members’ opinion counts

Last year, voting members and guests gathered in Berne (see picture). The next General Assembly of SUISA takes place on Friday, 21 June 2019 in the concert hall of the Congress Centre in Biel. (Photo: Manu Leuenberger)

At the SUISA General Assembly 2019, the agenda item annual report includes, apart from the usual financial statements of the Cooperative Society for the year 2018, the consolidated financial statements for the SUISA group and will be presented to voting members for approval for the first time. The consolidated financial statements contain the annual accounts of the organisations which are directly or indirectly controlled by SUISA. They include SUISA Digital Licensing AG, based in Vaduz (FL) as well as the Joint Venture Mint Digital Services AG, where SUISA has 50% in holdings. Both sets of statements were examined by auditing firm BDO and recommended for approval.

Election of the Board

Of the 15 current members of the SUISA Board, 13 are standing for re-election for another term of office. Two previous members are going to leave the Board due to the limitation of the term of office: Marco Zanotta (Vice President) and Bertrand Liechti (President of the Board Committee for Finance and Controlling) have been contributing to SUISA’s developments for 20 years. Prior to their official farewell, they are going to look back on their time in the office and share their memories and some highlights with the audience.

The two nominees for the Board that have been proposed are intended to lower the average age of the Board: Grégoire Liechti, born in 1981, from Geneva, is intended to replace Bertrand Liechti; Sylvie Reinhard, entrepreneur, born in 1980, shall supersede Marco Zanotta. While Grégoire Liechti brings long-term national and international experience in the publishing business to the table, Sylvie Reinhard complements the Board’s skills and knowledge in the digital innovation and culture sector.

Other election business

The Distribution and Works Committee is made up of a maximum of 22 members; 21 are standing for re-election. Grégoire Liechti, member since 2015, stood down from the Committee and is running for a Board position. Regarding the by-elections the nominations committee is going to provide information on the seat that is going to become vacant via the usual publication channels for the GA 2020 and ask the relevant associations of music authors and publishers for a pre-selection.

At the GA 2018, the seat reserved for the second expert remained vacant in the newly created Complaints Committee. The Board is now tabling the motion in the General Assembly to elect Marco Zanotta as an external member into the Complaints Committee. He is neither an associate nor a member of SUISA.

Compensation and investment policy

The Articles of Association which had been revised at the last General Assembly and have been in force since 01 January 2019 provide the General Assembly with new powers. It is responsible for the compensation and other benefits to the President and the Board members and also for the overall investment policy. To this end, the Board is going to present the compensation regulations in force since 2009 and has worked out the general provisions regarding the investment policy and asks for its approval.

Finally, the SUISA GA provides an opportunity once more for members to exchange experience with other members and with guests from politics, culture, associations etc. and to hold conversations with SUISA staff. Use these opportunities for participating in decision-making and exchange and we look forward to a high turnout on Friday, 21 June 2019, in Biel.

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SUISA’s General Assembly takes place in the Kongresszentrum Biel (concert hall) on 21 June 2019. For the first time, two financial statements will be presented to the General Assembly; a novelty in SUISA’s history. Furthermore, there are elections on the agenda: The entire Board needs to be newly elected, as does the Distribution and Works Committee; there are also by-elections for the Complaints Committee. Text by Dora Zeller

SUISA General Assembly 2019: Our members’ opinion counts

Last year, voting members and guests gathered in Berne (see picture). The next General Assembly of SUISA takes place on Friday, 21 June 2019 in the concert hall of the Congress Centre in Biel. (Photo: Manu Leuenberger)

At the SUISA General Assembly 2019, the agenda item annual report includes, apart from the usual financial statements of the Cooperative Society for the year 2018, the consolidated...read more

Income from performing rights set to rise in 2019

SUISA’s December Board meetings usually focus on the figures for the coming year. Budgets, staffing plans and cost coverage deductions for business year 2019 were thus the central discussion point. Report from the Board by Dora Zeller

Report from the Board: Income from performing rights set to rise in 2019

Neuchâtel Reggae band Moonraisers, shown on the main stage of the Label Suisse Festival in Lausanne in September 2018; the event is co-supported by SUISA. Regarding the income from performing rights, including concerts, SUISA expects an increase during business year 2019. (Photo: Anne Bichsel / Label Suisse)

For the second time in SUISA’s history, the Board inspected the group budget of SUISA on top of its regular inspection of the budget of SUISA, the Cooperative Society and parent company. The latter comprises the numbers of the parent company, the 100% subsidiary company SUISA Digital Licensing (SUISA Digital) and the 50% share in the Joint Venture Mint Digital Services AG. The budgets of SUISA Digital and Mint are approved by the respective administrative boards of the two companies; the relevant numbers are then incorporated into the group accounts.

Increase in income thanks to performing rights

SUISA’s budget for 2019 provides for an increase of the income from the exploitation of copyright in Switzerland and Liechtenstein, especially due to the income from performing rights (more events, higher admission charges). The decline in mechanical/reproduction rights is set to continue. In the case of compensation claims, growth is expected; the same applies to online usage income. Foreign income has been calculated analogously to 2018, secondary income has been set higher.

For business year 2019, a total turnover of CHF 166.5m has been budgeted (2018: CHF 152m). Costs are expected to rise from CHF 29.5m in the previous year to CHF 32.5m. This is due to higher staff costs required for collections regarding Tariff CT 3a (background entertainment) and additional positions in the IT department.

Cost deductions, Articles of Association, Regulations

With respect to the cost deductions, the Board sets a percentage each year in relation to the distribution of the income that is to be deducted in the following year. For 2019, the percentages of the previous year will be retained in the offline sector. Cost deductions in the online business, however, are subject to change; the reason for this is the outsourcing of licensing and partially distribution activities to the subsidiary companies.

SUISA members had agreed to various changes to the Articles of Association at the General Assembly in June 2018. The revision of the Articles of Association also took place in the context of the alignment with the Liechtenstein Collecting Societies Act and the EU Directive on Collective Rights Management (CRM Directive). As a consequence, the division of powers and the organisational policies had to be adapted, and rules of procedure for the newly created Complaints Committee had to be drawn up. The Board has ratified all of these policies.

FONDATION SUISA and Revision of the Swiss Copyright Act

The SUISA Board Committee for Organisation and Communication and the responsible parties of the FONDATION SUISA have established an “annual dialogue” which takes place at the end of the year. This time, Marc Savary, President of the Foundation Board of the FONDATION SUISA reported on the amendments in the respective Statutes and regulations/policies. He also provided an overview on the activities of SUISA’s foundation for music promotion and answered questions of the Committee members.

Furthermore, the Board was concerned about the news that the National Council intends not to adhere to the compromise by the Working Group on Copyright (AGUR12) in its deliberations on the Copyright Revision and plans to provide for an exception regarding TV reception in guest rooms in the law. As a consequence, the new law would be worse than the previous one. The Board has instructed Management to undertake measures so that the Council of States corrects the decision of the National Council.

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A bird’s eye view of SUISA’s 2018 General AssemblyA bird’s eye view of SUISA’s 2018 General Assembly On 22 June 2018, 208 voting members streamed into the Bierhübeli in Bern. They were there to participate in shaping the destiny of their cooperative society, and to take advantage of the opportunity to network and exchange information. Members, Board members, Executive Committee members, guests from cultural and political spheres, and SUISA staff – all were attending the SUISA’s 2018 Ordinary General Assembly. Read more
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SUISA’s December Board meetings usually focus on the figures for the coming year. Budgets, staffing plans and cost coverage deductions for business year 2019 were thus the central discussion point. Report from the Board by Dora Zeller

Report from the Board: Income from performing rights set to rise in 2019

Neuchâtel Reggae band Moonraisers, shown on the main stage of the Label Suisse Festival in Lausanne in September 2018; the event is co-supported by SUISA. Regarding the income from performing rights, including concerts, SUISA expects an increase during business year 2019. (Photo: Anne Bichsel / Label Suisse)

For the second time in SUISA’s history, the Board inspected the group budget of SUISA on top of its regular inspection of the budget of SUISA, the Cooperative Society and parent company. The latter comprises the numbers of the parent company, the 100% subsidiary company SUISA Digital Licensing (SUISA...read more

A bird’s eye view of SUISA’s 2018 General Assembly

On 22 June 2018, 208 voting members streamed into the Bierhübeli in Bern. They were there to participate in shaping the destiny of their cooperative society, and to take advantage of the opportunity to network and exchange information. Members, Board members, Executive Committee members, guests from cultural and political spheres, and SUISA staff – all were attending the SUISA’s 2018 Ordinary General Assembly. Text by Dora Zeller

A bird’s eye view of SUISA’s 2018 General Assembly

Voting in the packed hall of the Bierhübeli in Bern during SUISA’s General Assembly on 22 June 2018. (Photo: Manu Leuenberger)

Swiss Ländlermix, an ad hoc group consisting of Bruno Brodt, Jost Ribary, Dani Häusler, René Wicky, Robin Mark, Jacqueline Wachter, Kurt Albert and Stefan Schwarz, opened the General Assembly with a surprise folk-music medley. This cross-section of traditional and contemporary Swiss folk music got the public into the proper mood for the meeting.

Swiss Laendlermix

The General Assembly opened on a musical note with a medley of traditional and contemporary Swiss folk music by the ad hoc group “Swiss Ländlermix”. (Photo: Sibylle Roth)

Before the statutory business, a short film was presented showing the social media platforms launched at the beginning of the year. Apart from the SUISAblog, there are now SUISA Music Stories on Instagram, Facebook, and Youtube.

After the film, the General Assembly approved the annual report, management report, financial statements, cashflows, Notes and auditor’s report for the 2017 financial year. The Board and the Auditor were granted discharge for the reporting year, and the auditing mandate was renewed for 2018.

Amendment of the Articles and election of the Complaints Committee

The main business of the Assembly was the amendment of the Articles of Association. Andreas Wegelin explained why the Articles should be aligned with the Liechtenstein Collecting Societies Act and the EU Directive on Collective Rights Management (CRM Directive). He mentioned the main changes, namely: non-discrimination rules, additional powers to the General Assembly, and greater influence for members. After various suggestions, questions and clarifications, the General Assembly approved the proposed amendments with no negative votes.

The General Assembly also approved the list of candidates for election to the new Complaints Committee. Board members Marco Neeser and Christian Fighera, as well as Danièle Wüthrich-Meyer as external representative (Vice President of the Federal Competition Commission), were elected by a large majority. The same applied for substitutes Roman Camenzind and Zeno Gabaglio (both members of SUISA’s Board) and for external representatives Daniel Alder and Gregor Wild (both attorneys-at-law and members of the Federal Arbitration Commission). Bernhard Wittweiler, Head of SUISA’s Legal Department, was designated Chair of the Complaints Committee. He is a member ex officio of the Complaints Committee and does not have to be elected by the General Assembly.

Natalie Riede

Publisher Natalie Riede (in the picture), a representative of the Swiss electronic music scene, was elected to the Distribution and Works Committee. (Photo: Manu Leuenberger)

Natalie Riede was elected to the Distribution and Works Committee where she replaces Guido Röösli. Through her publishing house, Black Music Management, Natalie Riede has been member of SUISA since 2014; her main focus is on electronica and she represents the Swiss electronic music scene.

In her presentation as Guest Speaker, Danièle Wüthrich-Meyer, President of Swissperform, outlined the activities of the five collective administration societies from the formal, statutory perspective, from the consensual contract- and Articles-based perspective, and from the factual angle.

Podium

SUISA’s Executive Committee reported on the 2017 business year. On the podium, from left to right: Irène Philipp Ziebold, Vincent Salvadé, President Xavier Dayer, Vice-President Marco Zanotta and Andreas Wegelin at the lectern. (Photo: Sibylle Roth)

Vincent Salvadé and Irène Philipp then provided information about the current business year. Andreas Wegelin reported on the Mint Digital Services joint venture and explained a number of current political developments which were liable to impact SUISA’s business activities. Lastly, Urs Schnell, Director of FONDATION SUISA, reported on the business year of SUISA’s foundation for musical promotion.

SUISA’s President, Xavier Dayer, closed the General Assembly, which had been as substantial as it was interesting, at about 2 pm. He indicated that the next General Assembly would be held on Friday, 21 June 2019, in Biel.

After the meeting, participants were invited to a buffet lunch in the garden of the Bierhübeli, where they had the opportunity to exchange views and pursue discussions with other participants and with SUISA staff members.

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On 22 June 2018, 208 voting members streamed into the Bierhübeli in Bern. They were there to participate in shaping the destiny of their cooperative society, and to take advantage of the opportunity to network and exchange information. Members, Board members, Executive Committee members, guests from cultural and political spheres, and SUISA staff – all were attending the SUISA’s 2018 Ordinary General Assembly. Text by Dora Zeller

A bird’s eye view of SUISA’s 2018 General Assembly

Voting in the packed hall of the Bierhübeli in Bern during SUISA’s General Assembly on 22 June 2018. (Photo: Manu Leuenberger)

Swiss Ländlermix, an ad hoc group consisting of Bruno Brodt, Jost Ribary, Dani Häusler, René Wicky, Robin Mark, Jacqueline Wachter, Kurt Albert and Stefan Schwarz, opened the General Assembly with a surprise folk-music medley. This cross-section of traditional and contemporary Swiss folk music got the...read more

Exploitation rights in the EU and review of SUISA’s Articles of Association

Liechtenstein has been – other than Switzerland – a member of the European Economic Area since 1995 and must, as such, accept a major proportion of the European Union legal provisions. What do EU exploitation rights have to do with the revision of the SUISA Articles of Association? Text by Bernhard Wittweiler

Exploitation rights in the EU and review of SUISA’s Articles of Association

Copyright developments in Europe are of importance for Switzerland’s SUISA, too: The image shows CISAC President Jean-Michel Jarre on 06 March 2018 handing a petition to the European Parliament. It had been signed by 14,000 authors and composers requesting fair rules in the digital marketplace in order to stop the “transfer of value” on the internet. (Photo: CISAC / Iris Haidau)

The European Union (EU) had, for quite some time, established rules for the collective management of copyright and neighbouring rights via the collective management organisations. Initially, individual decisions were passed by the EU Commission and the European Court of Justice (ECJ) which were derived from EU Competition Laws. The EU bodies thus managed to break up the strict territorial demarcation between the collective management organisations (CMO) and the exclusivity of the rights assignment, to facilitate rightsholders’ switching to another CMO and to create more competition between the CMOs in general.

In the nascent age of online exploitation of music, the EU Commission set another milestone with its Recommendation of October 2005. It wanted to achieve the biggest possible competition between the CMOs regarding online rights management as well as improve transparency and equal treatment of all rights holders in the CMOs. The Recommendation resulted in the complete freedom of rightsholders to choose which CMO in Europe they wish to entrust with their online rights, in the creation of one-stop-shops for online licences and multi-territorial online licences.

Rules for collective management

But it didn’t stop there. Over the years, the needs grew for a comprehensive and standardised regulation of the collective management organisations’ activities in the EU and for a harmonised internal market as the basis for collective management. Thus, on 26 February 2014, the Directive on collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online uses in the internal market (CRM Directive) was issued. Directives are paramount to laws in significance, but do not take direct effect; instead, they have to be implemented by individual EU member states into their national laws.

The CRM Directive has the aim to set minimal standards regarding an orderly mode of operation of collective management organisations (corporate governance), their finance management, transparency and accountability vis-a-vis members, sister societies and the public, the right of co-determination of members, equal treatment and non-discrimination of rights holders, sister societies and users, settlement of disputes, management and licensing of online rights as well as the supervision of CMOs by the authorities.

EU Directive authoritative for Liechtenstein

The CRM Directive of the EU was declared to be authoritative for the States of the European Economic Area (EEA), and thus also Liechtenstein. Liechtenstein therefore had to adopt the Directive and implement it into its national laws. For this purpose, a new, distinct law was created, the Liechtenstein Collecting Societies Act (VGG), which was passed on 29 March 2018 by the Landtag (Parliament). Previous provisions for the collective management in the copyright laws of Liechtenstein were taken over into the VGG.

SUISA has been active in the Principality of Liechtenstein for decades, since 1999 with its own state licence and under the supervision of the respective authority, the Office of Economic Affairs in Liechtenstein, as the supervisory authority. Authors and publishers from Liechtenstein are SUISA members, SUISA collects licence fees for copyright in Liechtenstein based on its tariffs for the music usages that take place there. Just like in Switzerland, the tariffs and the distribution rules valid for Liechtenstein require a state licence and SUISA has to be accountable to Liechtenstein’s supervisory authority each year regarding its business activities.

Adaptation of SUISA Articles of Association

With its activities and licence to operate in Liechtenstein, SUISA is subject to the provisions in Liechtenstein regarding collective management. We are therefore obliged to fulfil the specifications and requirements of the new VGG – and thus also the CRM Directive of the EU. The new provisions do not entail no earth-shattering or major innovations, we already adhere to the majority of the provisions which have been a matter of course for us for a long time. Nevertheless, there are still some areas that require adaptation.

The necessary changes of the SUISA Articles of Association will be presented to the General Assembly on 22 June 2018 for ratification so that they may enter into force from 01 January 2019.

The most important of the proposed changes to the Articles of Association are the following:

  • SUISA membership is no longer dependent on nationality, residence or any other link to Switzerland or Liechtenstein (authors) respectively a presence in Switzerland or Liechtenstein (publishers) (item 5.1);
  • extension of the competence of the General Assembly (item 9.2.2);
  • preparation and publication of a transparency report which shows various information and key figures in addition to the annual report (item 9.2.3);
  • facilitation of electronic participation at the GA, provided that the statutory provisions (in the Swiss OR, the Swiss Federal Code of Obligations) allow us to do so (item 9.2.10, new);
  • declarations by the Board and Management to the GA regarding conflicts of interest (items 9.3.11 and 9.6.4, new);
  • creation of a Complaints Committee (item 9.5, new).

Revision of the Articles of Association for online business

One important strategic business sector of SUISA that depends on the revision of the Articles of Association is the following: SUISA has been licensing music of SUISA members at pan-European level since 2013 in the online sector, partially even far beyond Europe’s borders. Pursuant to the EU Directive, collective management organisations must meet certain standards in order to be able to carry out cross-border licensing within the European Union.

So that SUISA may continue its pan-European licensing in the online sector, the provisions of the EU Directive must be adhered to. The online business is a focus of SUISA’s strategy for the immediate future. By way of revising the Articles of Association, the conditions will be met that SUISA can directly negotiate with and collect from online providers such as iTunes or Spotify regarding exploitations outside Switzerland and Liechtenstein, too.

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Liechtenstein has been – other than Switzerland – a member of the European Economic Area since 1995 and must, as such, accept a major proportion of the European Union legal provisions. What do EU exploitation rights have to do with the revision of the SUISA Articles of Association? Text by Bernhard Wittweiler

Exploitation rights in the EU and review of SUISA’s Articles of Association

Copyright developments in Europe are of importance for Switzerland’s SUISA, too: The image shows CISAC President Jean-Michel Jarre on 06 March 2018 handing a petition to the European Parliament. It had been signed by 14,000 authors and composers requesting fair rules in the digital marketplace in order to stop the “transfer of value” on the internet. (Photo: CISAC / Iris Haidau)

The European Union (EU) had, for quite some time, established rules for the collective management of copyright and neighbouring rights...read more

131.4m Swiss Francs for composers, lyricists and publishers

It was with satisfaction that members of the SUISA Board approved the results of the previous year during their meeting at the end of March 2017. The total turnover was 3.2% higher than that of the previous year. An overall amount of CHF 131.4m can be paid out to rights holders. The Board has, in addition, decided that a supplementary distribution of 7% shall be carried out on top of all regular distributions in 2018. Report from the Board by Dora Zeller

131.4m Swiss Francs for composers, lyricists and publishers

SUISA managed to yield a total turnover of CHF 159.2m in 2017, including secondary income. Due to the positive outcome, composers, lyricists and publishers receive CHF 2.5m more in royalties for their artistic performances than in the previous year. (Photo: Tabea Hüberli)

Apart from the delightful business result, the Board also received reports on the distribution of the collections of the last year in its meetings in March. As such, CHF 21m were paid to authors and CHF 38.7m to publishers. Transfers to sister societies amounted to CHF 53m.

Further distribution topics featured on the agenda: On the one hand, the Board decided that a supplementary distribution of 7% shall be carried out on top of all regular distributions in 2018. On the other hand, the governing body determined a minimum amount for the distribution of the collections from exploitations by broadcasters. Pursuant to the distribution rules, the distribution per private broadcaster follows the ratio of the licence fee that these broadcasters pay. The prerequisite for this is that the licence fee collected from the broadcaster must be higher than the amount determined by the Board each year. Furthermore, the station logs must be submitted electronically. Last year, the Board had lowered the minimum amount from CHF 15,000 to CHF 5,000. The Board took the decision to maintain this threshold.

General Assembly of SUISA on 22 June 2018 in Berne

The Board members also dedicate a lot of time to the preparation of the General Assembly. It takes place on Friday, 22 June 2018, in Berne. Apart from statutory business, the revision of the Articles of Association is an item on the agenda for the GA. The Articles of Association shall be adapted to the provisions of the EU Directive, which have been implemented into national law in Liechtenstein. Furthermore, such an adaptation is important so that SUISA can continue to carry out cross-border licensing of online usages within the European Union.

A synoptic representation of the changes to the Articles of Association will be posted to the members who are entitled to vote together with the invitation for the GA. The notes to the invitation include further details on the reasons for the intended changes to the provisions. One important issue is the duty to provide members with a complaints procedure. SUISA therefore plans to set up a Complaints Committee. The Board will propose the designated persons to the General Assembly for election.

Further elections are due for the Distribution and Works Committee. Guido Röösli retires and the Board has nominated Natalie Riede for the seat that has become available. She is a young publisher and represents the Swiss electronic music scene.

Mint Digital Services, the joint venture

The Board turned to the international stage with regards to the subject Mint Digital Services. A representative of US partner SESAC explained to Board members what it would take – in his opinion – to be successful in a competitive environment: Tenacity and negotiating skills, paired with intelligent IT software and high data quality are, from his point of view, the necessary tools. These qualities are combined under the joint venture Mint which was launched last year.

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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It was with satisfaction that members of the SUISA Board approved the results of the previous year during their meeting at the end of March 2017. The total turnover was 3.2% higher than that of the previous year. An overall amount of CHF 131.4m can be paid out to rights holders. The Board has, in addition, decided that a supplementary distribution of 7% shall be carried out on top of all regular distributions in 2018. Report from the Board by Dora Zeller

131.4m Swiss Francs for composers, lyricists and publishers

SUISA managed to yield a total turnover of CHF 159.2m in 2017, including secondary income. Due to the positive outcome, composers, lyricists and publishers receive CHF 2.5m more in royalties for their artistic performances than in the previous year. (Photo: Tabea Hüberli)

Apart from the delightful business result, the Board also...read more

SUISA General Assembly 2018: Your opinion counts!

SUISA’s ordinary General Assembly takes place on 22 June 2018 in the Bierhübeli in Bern. It will be opened with a music performance by the ad hoc formation Swiss Ländlermix in line with the theme; “Folk music – Switzerland crossways”. Important business items on the agenda are the review of the Articles of Association, the new Complaints Committee and an election of a substitute for the Distribution and Works Committee. Danièle Wüthrich-Meyer, President of Swissperform will attend as guest speaker. Text by Dora Zeller

SUISA General Assembly 2018: Your opinion counts!

Up to 19 June, members who are eligible to vote can register for SUISA’s General Assembly, which is to be held on 22 June 2018 in the Bierhübeli in Bern. (Photo: Manu Leuenberger)

SUISA’s General Assembly 2018 is determined by the review of the Articles of Association. The music business is changing: increased competition levels, new technologies, international networks, tougher regulations. SUISA wants and has to keep up with the developments and create a base for the successful advancement of the cooperative society.

Changes to the Articles of Association are therefore going to be proposed to the General Assembly. By way of the proposed amendments, SUISA’s Articles of Association will be brought in line with the Act on Collective Management Organisations (CMO Act) of Liechtenstein which has been ratified in March 2018, and thus with the European Directive on the Collective Management of Copyright.

Strengthening members’ rights and online business

The EU Directive which has in the meantime been implemented into national law in Liechtenstein, contains provisions which entail a strengthening of members’ rights. Apart from rules on transparency and for supervision of the collective management organisations, a significant point covers the making available of a complaint procedure for members. SUISA intends to create a Complaints Committee with well-versed persons from the music sector and legally adept experts. It will suggest committee members for election.

Apart from the above, it is necessary to adapt the Articles of Association to the EU Directive in order to continue to be able to licence online exploitations at cross-border level in the European Union. SUISA has been licensing music of SUISA members at pan-European level since 2013 in the online sector, partially even far beyond Europe’s borders.

Pursuant to the EU Directive, collective management organisations must meet certain standards in order to be able to carry out cross-border licensing. By way of revising the Articles of Association, the conditions will be met that SUISA can directly negotiate with and collect from online providers such as iTunes or Spotify regarding exploitations outside Switzerland and Liechtenstein, too. The online business is a focus of SUISA’s strategy for the immediate future. For this purpose, Mint Digital Services were founded together with SESAC (USA).

Statutory business

It features on the agenda each year: statutory business. The annual report, management report, financial statements, profit and loss accounts, cash flow statements, the annex to the annual accounts as well as the auditors’ report will be submitted to the General Assembly for approval. After that, the Board’s and the auditors’ activities are ratified, and an election determining the auditors for the current financial year takes place.

As usual, there will be an interim report on the current financial year. Management will report on the financial development in the first semester. Furthermore, those in charge of FONDATION SUISA will provide an overview of the activities of the foundation in 2017 at this year’s General Assembly.

Elections and guests

Natalie Riede will be proposed to the General Assembly for election into the Distribution and Works Committee as a substitute for Guido Röösli who is stepping down. She represents the Electronica sector, runs her own publishing company and has strong roots in the club scene.

There are multiple opportunities at the General Assembly to enter into conversation with many invited guests, e.g. representatives of music user associations, institutions or copyright experts. SUISA was able to secure a guest presentation by Danièle Wüthrich-Meyer. She is the President of Swissperform, the collective management organisation for neighbouring rights in Switzerland and the Principality of Liechtenstein.

How to get there / Catering

We recommend that participants take public transport to get to the Bierhübeli. The bus from Bern train station stops directly outside the event location. There are no parking spaces available. The Park & Ride car park Neufeld is within 10 minutes walking distance from the Bierhübeli. Coffee and Gipfeli will be offered prior to the General Assembly. After the assembly, a buffet lunch will be available.

SUISA Annual Report 2017On 24. May 2018, SUISA’s 2017 annual report has been published. It is available online or can be ordered as a printed version at: www.suisa.ch/annualreport
The turnover in 2017 is very positive. The results of CHF 139.2m from rights management in Switzerland is 2% above the 2016 results. SUISA can thus distribute a record amount to rights owners who are entitled to receive a payment. Continue reading in the media release (PDF)
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SUISA’s ordinary General Assembly takes place on 22 June 2018 in the Bierhübeli in Bern. It will be opened with a music performance by the ad hoc formation Swiss Ländlermix in line with the theme; “Folk music – Switzerland crossways”. Important business items on the agenda are the review of the Articles of Association, the new Complaints Committee and an election of a substitute for the Distribution and Works Committee. Danièle Wüthrich-Meyer, President of Swissperform will attend as guest speaker. Text by Dora Zeller

SUISA General Assembly 2018: Your opinion counts!

Up to 19 June, members who are eligible to vote can register for SUISA’s General Assembly, which is to be held on 22 June 2018 in the Bierhübeli in Bern. (Photo: Manu Leuenberger)

SUISA’s General Assembly 2018 is determined by the review of the Articles of Association. The music...read more