Creating music in the era of contamination

A discussion on the deceptively simple theme of ‘contamination in music’ provided much food for thought, reaffirming the desire to talk about music and ideas, to try to understand one another better and more profoundly. Text by guest author Zeno Gabaglio

Jazz in Bess: Creating music in the era of contamination

Round table discussion on the theme of ‘Creating Music in the Era of Contamination’: (from left to right) Zeno Gabaglio, Nadir Vassena, Maurizio Chiaruttini (moderator), Gabriele Pezzoli and Carlo Piccardi. (Photo: Giorgio Tebaldi)

Writing a report on an event you’ve taken part in comes with one major problem: the conflict of interest. This most partial of creatures precludes any reasonable expectation of objectivity, so readers are warned that every aspect of the account from this point will be marked by the utmost subjectivity.

But let’s rewind: on 7 June 2019, a round table discussion on the theme of ‘Creating Music in the Era of Contamination’ took place in the convivial surroundings of Jazz in Bess in Lugano (the closest thing Ticino has to a Jazz club – but this magical venue deserves an article all of its own…). Four diverse exponents of Ticino’s music scene were invited to take part: Nadir Vassena (a composer, teacher and stalwart of the cultural scene for decades, and someone who has enjoyed considerable success across Europe), Gabriele Pezzoli (a jazz composer and pianist who has pursued a distinctly personal and varied creative path), Carlo Piccardi (a musicologist, director of Rete Due for many years, and one of the most devoted connoisseurs and defenders of Ticino’s musical heritage) and the writer Zeno Gabaglio.

It was an eclectic group – like the proverbial box of chocolates – and their mixed backgrounds alone suggested a range of ideas on music. This wealth of opinions emerged rapidly thanks to the moderation – and encouragement – of Maurizio Chiaruttini, a journalist and former producer at RSI.

Search for an own musical identity

‘Contamination seems to have become almost an imperative in every field of artistic expression: contamination between different genres, contamination between languages – cultural and popular, academic and commercial, acoustic and technological – contamination between cultural idioms of disparate origins. In a context such as this, what does it mean to search for your own musical identity, your own style, your own authentic means of expression?’

This was our starting point and, going against every dramatic rule there is, I can tell you right now that there was no arrival point – or at least, there wasn’t just one. Opinions diverged even on the meaning of the term ‘contamination’: some underlined the essentially negative connotations of the word (which, Vassena reminded us, shares the same root as ‘contagion’), while others agreed its distinctness from concepts such as ‘purity’ and ‘identity’. ‘Contaminated’ musicians, of course, cannot be pure; they inevitably lose a small part of their identity to take on something new.

Keeping the focus on terminology, Gabriele Pezzoli suggested a synonym – ‘hybridisation’ – which is less negatively connoted and more open to the variety of stimuli the modern world offers up, and with which Pezzoli identifies.

Masterpieces are often the result of a process

Carlo Piccardi then started off by reminding us that contamination is a broad historical phenomenon that dates back well before the present day. Major historical works – undisputed masterpieces that are universally recognised as uniform creations – were often the result of a process. But the processes required to create a work are hardly ever reported, and even more rarely remembered. It is in precisely these processes that, during the last two thousand years of European music, contamination has played a decisive role.

As mentioned earlier, we didn’t reach any one conclusion, but this discussion on the apparently simple and narrow theme of “contamination in music” led us to secondary themes and observations that – in an era when you might expect the opposite to be true – reaffirmed our desire to talk about music, to discuss ideas as well as sounds, and to try to understand one another better and more profoundly.

www.jazzinbess.ch

Guest author Zeno Gabaglio is a musician/composer and a SUISA Board member.

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A discussion on the deceptively simple theme of ‘contamination in music’ provided much food for thought, reaffirming the desire to talk about music and ideas, to try to understand one another better and more profoundly. Text by guest author Zeno Gabaglio

Jazz in Bess: Creating music in the era of contamination

Round table discussion on the theme of ‘Creating Music in the Era of Contamination’: (from left to right) Zeno Gabaglio, Nadir Vassena, Maurizio Chiaruttini (moderator), Gabriele Pezzoli and Carlo Piccardi. (Photo: Giorgio Tebaldi)

Writing a report on an event you’ve taken part in comes with one major problem: the conflict of interest. This most partial of creatures precludes any reasonable expectation of objectivity, so readers are warned that every aspect of the account from this point will be marked by the utmost subjectivity.

But let’s rewind: on 7 June 2019, a round table...read more

A career as a producer of electronic music?

In cooperation with SUISA and the association “Cultures électroniques”, the Electron Festival, music festival for electronic music in Geneva, is going to organise a discussion panel on Saturday, 04 May 2019. It is the objective of the panel to show composers which means and ways they have available in order to support them for their professional career. Text by Erika Weibel

Electron Festival: A career as a producer of electronic music?

Electron Festival: SUISA panel with networking event on Saturday, 04 May 2019, in Geneva: “A career as a producer of electronic music? A real challenge!” ((Photo: Electron Festival)

The path to success is often strewn with stones for composers and requires a lot of resilience. Numerous successful Swiss producers of electronic music have also had this experience.

In the course of the 2019 Electron Festival, the music festival for electronic music in Geneva, various music producers are going to talk about their careers at a public SUISA panel. During their discussions with those in charge of funding institutions as well as with experts from the music industry, they are going to screen specific support options and jointly analyse the current situation of electronic music in Switzerland. The main objective of the discussion panel is to inform composers on the existing support infrastructure and to follow up on the question whether the existing structures are sufficient.

The audience is cordially invited to contribute its own experiences to the discussion. Once the panel has ended, there is an informal drinks reception offering the audience the opportunity to continue the conversation with those in charge of funding institutions and the artists.

The SUISA panel at the Electron Festival 2019

“A career as a producer of electronic music? A real challenge!”
takes place with a drinks reception afterwards:
on Saturday, 04 May 2019, 4.00pm, at Crea, Rue Eugene Marziano 25, in Geneva

Panellists:
Dominique Berlie, Cultural Counsel, Service culturel (SEC) of the city of Geneva
Marius Käser, Pop music, Pro Helvetia
Albane Schlechten, Director FCMA, Antenne Romande Swiss Music Export
Manuela Jutzi, Co-Managing Director, Helvetia Rockt

Participating music creators:
Deetron
Garance
Ripperton
Opuswerk
Ramin & Reda
Honorée & Kaylee

Presentation: Anne Flament (RTS-Couleur3)

The Electron Festival shall take place between 25 April and 05 May 2019 in Geneva. Further information on the Festival can be accessed here: www.electronfestival.ch

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In cooperation with SUISA and the association “Cultures électroniques”, the Electron Festival, music festival for electronic music in Geneva, is going to organise a discussion panel on Saturday, 04 May 2019. It is the objective of the panel to show composers which means and ways they have available in order to support them for their professional career. Text by Erika Weibel

Electron Festival: A career as a producer of electronic music?

Electron Festival: SUISA panel with networking event on Saturday, 04 May 2019, in Geneva: “A career as a producer of electronic music? A real challenge!” ((Photo: Electron Festival)

The path to success is often strewn with stones for composers and requires a lot of resilience. Numerous successful Swiss producers of electronic music have also had this experience.

In the course of the 2019 Electron Festival, the music festival for electronic music in Geneva,...read more

SUISA Songwriting Camp 2019 now open for applications by SUISA members | plus video

The third SUISA Songwriting Camp shall take place between 24 and 26 June 2019 in the Powerplay Studios in Maur near Zurich. SUISA members may exclusively apply for a participation. The event, jointly organised between SUISA and Pele Loriano Productions, has already spawned several internationally successful pop songs. “She Got Me”, sung and co-written by Luca Hänni, was the second song in a row selected from the SUISA Songwriting Camp to represent Switzerland at the ESC. Text and video by Manu Leuenberger

With the SUISA Songwriting Camp, SUISA offers some of its members the opportunity to team up and compose pop songs with internationally renowned producers and songwriters. Swiss Duo Aliose participated in the most recent SUISA Songwriting Camp. The two SUISA members explain in the video how they perceived their participation.

Those who wish to participate in the Songwriting Camp need to have well-founded musical knowledge, be able to produce high-level creative output when pressed for time and be open for criticism and an exchange with their co-writers.

The challenging task is: To write a pop song in a team which consists of three to five persons within a day, according to certain specifications – you start with a blank sheet of paper in the morning and don’t finish until you have completed a demo track by the evening.

Pop songs with hit potential

The musical style of the songs can comprise all facets of temporary pop music, which could also be successful in the charts, on streaming platforms or on radio/TV. The songs are intended to be offered to publishers and artists on the one hand, and also be suitable for the Eurovision Song Contest on the other hand.

36 music creators from Switzerland and other countries had taken part in the SUISA Songwriting Camp 2018. Of the 19 songs which were written during last year’s instalment of the event, two compositions have meanwhile reached international fame: The works “She Got Me” and “Sister” will feature in the final round of the Eurovision Song Contest 2019 in Tel Aviv for Switzerland and Germany, respectively.

Applications for the SUISA Songwriting Camp 2019

The third SUISA Songwriting Camp shall take place between 24 and 26 June 2019 in the Powerplay Studios in Maur near Zurich. The event is jointly organised by SUISA and Pele Loriano Productions. Pele Loriano Productions is responsible for the artistic direction of the Songwriting Camp on behalf of SUISA.

SUISA members can now apply to take part in the SUISA Songwriter Camp 2019. Are you a producer, songwriter (topliner), or a lyricist and do you think you can fulfil the requirements regarding musical skills and abilities? In that case, please send us your application which should contain the following:

  • a short biography;
  • meaningful reference songs (mp3 files or internet links);
  • contact details.

Please e-mail the applications to the following address: songwritingcamp (at) suisa (dot) ch
Closing date for applications: Monday, 22 April 2019

Important: Participants’ spaces are only allocated to SUISA members by way of this application process. Those who apply should be able to guarantee that they are available to participate on one or all of the event days (24 to 26 June 2019).

Dates and selection of the participants

The selection of all artists who are invited to the camp shall be done via the artistic director. A suitable mix of participants is paramount for the creative success of the songwriting sessions.

The artistic programme director will directly communicate any acceptance messages and invitations as well as further details on the participation at the SUISA Songwriting Camp 2019 by 31 May 2019.

Rejection letters will not be sent. If you have not received an acceptance message by 31 May 2019 you were not taken into consideration for the Songwriting Camp 2019.

The number of applications is expected to exceed the number of available participants’ spaces by far. Please note that, at no time whatsoever, any claims arise to a participation in the event by sending in an application. There will also not be any correspondence in relation to the actual allocation of spaces. It is not possible to comment on any further Songwriting Camps supported by SUISA at this stage.

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  1. Busseniers says:

    J ai eu la chance d avoir un feedback de Jeroen Swinnen, le belge, ce qui m a permis de bien evoluer
    C est egalement , a Jeroen Swinnen, que j ai achete le digidesign pro tools ,
    Merveilleux engin
    Bonne journee a Vous
    Christian Busseniers

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The third SUISA Songwriting Camp shall take place between 24 and 26 June 2019 in the Powerplay Studios in Maur near Zurich. SUISA members may exclusively apply for a participation. The event, jointly organised between SUISA and Pele Loriano Productions, has already spawned several internationally successful pop songs. “She Got Me”, sung and co-written by Luca Hänni, was the second song in a row selected from the SUISA Songwriting Camp to represent Switzerland at the ESC. Text and video by Manu Leuenberger

With the SUISA Songwriting Camp, SUISA offers some of its members the opportunity to team up and compose pop songs with internationally renowned producers and songwriters. Swiss Duo Aliose participated in the most recent SUISA Songwriting Camp. The two SUISA members explain in the video how they perceived their participation.

Those...read more

Switzerland will be represented at the Eurovision Song Contest by Luca Hänni and a song from the SUISA Songwriting Camp | plus video

For the second time in succession, the Swiss entry for the Eurovision Song Contest has come from the SUISA Songwriting Camp. The song “She Got Me” was written last June at the Powerplay Studios by SUISA member Luca Hänni with Canadian songwriters Laurell Barker and Frazer Mac as well as Swedish producer Jon Hällgren. Text and video by Sibylle Roth

The song “She Got Me”, which had the working title of “Dirty Dancing”, was written during the SUISA Songwriting Camp in June 2018 by a four-person team. With Germany taking another song – “Sister” – from the SUISA Songwriting Camp 2018 to the Eurovision Song Contest in Tel Aviv, this represents another major success for the songwriting camp, staged by SUISA in collaboration with Pele Loriano Productions.

“It’s fantastic”, says Luca Hänni, a SUISA member since 2015. The Bern native was first exposed to the broader public in a German casting show in 2012. Since then, he has issued four albums and a number of singles, and recently appeared on stage with Helene Fischer. Eurovision is the next big adventure in his career. Hänni says he’s excited, “and I just want to give the best show possible.”

Last year, Luca Hänni took part in the SUISA Songwriting Camp for the first time, with Canadian songwriters Laurell Barker and Frazer Mac returning for a second time. For Laurell Barker, the Swiss camp is a real success story; she contributed to Switzerland’s Eurovision entry last year as well. She wrote the song “Stones” with ZiBBZ, which is made up of SUISA members Corinne and Stefan Gfeller. Jon Hällgren, the Swedish producer, completes the songwriting quartet. After the camp, he produced “She Got Me” for Eurovision 2019 in collaboration with his son Lukas Hällgren.

This year, Swiss broadcaster SRF left the decision on the Eurovision entry to an international jury of 20 experts and a 100-strong viewer panel in a multiple-stage process. Over 420 songs were entered.

On 16 May 2019 (SRF zwei at 9:00 pm), Switzerland will be battling for a place in the Eurovision Song Contest final in Tel Aviv. The Eurovision final will take place on 18 May 2019 (SRF 1 at 8:00 pm).

The SUISA Songwriting Camp took place in June 2018 for the second time. Overall, 36 musicians from eight countries took part in the three-day event in Powerplay Studios, Maur. This resulted in 19 pop songs in a range of styles. The camp was staged by Pele Loriano Productions and SUISA.

www.lucamusic.ch

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For the second time in succession, the Swiss entry for the Eurovision Song Contest has come from the SUISA Songwriting Camp. The song “She Got Me” was written last June at the Powerplay Studios by SUISA member Luca Hänni with Canadian songwriters Laurell Barker and Frazer Mac as well as Swedish producer Jon Hällgren. Text and video by Sibylle Roth

The song “She Got Me”, which had the working title of “Dirty Dancing”, was written during the SUISA Songwriting Camp in June 2018 by a four-person team. With Germany taking another song – “Sister” – from the SUISA Songwriting Camp 2018 to the Eurovision Song Contest in Tel Aviv, this represents another major success for the songwriting camp, staged by SUISA in collaboration with Pele Loriano Productions.

“It’s fantastic”, says Luca Hänni, a...read more

M4music: Hit the World – this is how international female hit composers did it

Have you ever wondered how hits are created? How a song comes into existence which lets the feet across generations tap to the rhythm? SUISA has been researching these questions and is organising a panel on this topic at the M4music 2019. Text by Erika Weibel

M4music: Hit the World – this is how international female hit composers did it

At the M4music Festival 2019, KT Gorique and Valeska Steiner (top, from left to right) exchange their views on songwriting with Laurell Barker and Shelly Peiken (below, from left to right). (Photos: Jeremie Carron, Christoph Köstlin, Phantasm, Aerin Moreno)

There are female and male songwriters who create their songs entirely by themselves, others, however, write as a team. Sometimes they write for themselves, sometimes they write for performers fromr completely different music genres. How do they go about it? Do female and male composers have a feeling whether something becomes a hit? Can you live off songwriting?

SUISA panel Hit the World – four female songwriters tell their stories

On Friday, 15 March 2019, SUISA is going to organise a round of female experts which is going to discuss exactly those issues at the M4music Festival. For this purpose, SUISA invited four female songwriters who have already celebrated international and national successes in the pop and urban sector.

One participant is writing hits, among others, for Miley Cyrus, Céline Dion, Selena Gomez, Meredith Brooks or Christina Aguilera. The second has contributed to several hundred songs and travels across continents from one songwriting session to the next. The third is a successful Swiss singer songwriter who has a large and loyal fan community. The fourth in the round is currently writing Swiss hip hop history: In 2012, the then 21-year-old won the first freestyle rap world championship in New York. She writes lyrics as well as the beats herself and has been touring successfully in Europe and overseas for several years.

The four songwriters Valeska Steiner, KT Gorique, Laurell Barker and Shelly Peiken are going to answer questions regarding the writing process of successful songs and exchange their experience what their approach to composing their songs is. What matters in their opinion. How they master the challenges that automatically come with the territory.

SUISA-Panel at the M4music: Hit the World – four female songwriters tell their stories
Friday, 15 March 2019, 15:00 – 16:15, Matchbox

Speakers:
Valeska Steiner, musician, BOY, Zurich
KT Gorique, musician, Sion
Laurell Barker, musician, Vancouver/Zurich
Shelly Peiken, musician, Los Angeles

Presentation:
Nina Havel, Zurich

www.m4music.ch

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Festival Archip-elles – Women PowerFestival Archip-elles – Women Power The Geneva Festival for contemporary music creation has dedicated itself to music originating from the pen of women for its 2019 event. Archip-elles presents works by female composers of various generations, origin and aesthetics. On Friday, 05 April 2019, SUISA members are invited to a visit at the Festival. Read more
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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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Have you ever wondered how hits are created? How a song comes into existence which lets the feet across generations tap to the rhythm? SUISA has been researching these questions and is organising a panel on this topic at the M4music 2019. Text by Erika Weibel

M4music: Hit the World – this is how international female hit composers did it

At the M4music Festival 2019, KT Gorique and Valeska Steiner (top, from left to right) exchange their views on songwriting with Laurell Barker and Shelly Peiken (below, from left to right). (Photos: Jeremie Carron, Christoph Köstlin, Phantasm, Aerin Moreno)

There are female and male songwriters who create their songs entirely by themselves, others, however, write as a team. Sometimes they write for themselves, sometimes they write for performers fromr completely different music genres. How do they go about it? Do female and male composers have a feeling...read more

Festival Archip-elles – Women Power

The Geneva Festival for contemporary music creation has dedicated itself to music originating from the pen of women for its 2019 event. Archip-elles presents works by female composers of various generations, origin and aesthetics. On Friday, 05 April 2019, SUISA members are invited to a visit at the Festival. Text by Erika Weibel

Festival Archip-elles – Women Power

At the Festival Archip-elles 2019, the focus is on music by female contemporary composers. (Photo: Festival Archipel)

“In an article by the ‘Guardian’, ‘Female composers largely ignored by concert line-ups”, published on 13 June 2018, 1,445 classical concerts were examined which were planned around the world for the 2018-19 season, and the conclusion was drawn that only 76 events featured a work by a woman”, writes Festival director Marc Texier in the Editorial of this year’s festival guide. The Geneva Festival for Contemporary Music Creation creates a counterweight against this gender-based imbalance in the concert world and ensures that the music by female composers is heard at the 2019 event.

The concert programme of this year’s Festival Archip-elles is complemented by installations, round tables and workshops. On Friday morning, 05 April 2019, the Festival organises a workshop, in collaboration with SUISA, on the topic of copyright for students of the “Haute école de musique Genève”, the “Conservatoire populaire de musique” and the participants of the two academies “Académie Archipel” and Composer’s Next Generation (Ensemble Vortex).

Invitation for SUISA members

The Festival Archipel and SUISA cordially invite SUISA members to spend the evening of 05 April 2019 at the Festival. SUISA members who register their participation can attend free of charge. We are looking forward to your registrations until 31 March 2019 at the latest. Please send an e-mail to: kommunikation (at) suisa (dot) ch

A detailed evening programme, to which SUISA members are invited, is listed below. One programme item of particular interest on said evening is the round table discussion on the topic “to be a female composer in Switzerland”.

Round Table Discussion: To be a female composer in Switzerland

What’s it like for female composers to hold their ground in a world dominated by men? Why is it harder for a female composer to get her works to be performed? Why don’t more women choose a career as a composer?

Marc Texier, Festival director, follows up on these questions in a conversation with the two Swiss female composers Katharina Rosenberger and Annette Schmucki as well as with Dr. Irene Minder-Jeanneret, musicologist with a research focus on gender and music.

Once the discussion is over, the stage is open for the musical part of the evening: In a concert with the ensemble Vortex, the work by Swiss composer Barblina Meierhans will have its premiere, among others. Afterwards, Ella Soto will perform on a DJ set.

Detailed programme, where members are invited on Friday, 05 April 2019, at the Festival Archip-elles in Geneva:

5.00pm, Maison communale de Plainpalais
Visit to the installations of Marianthi Papalexandri and Pe Lang

6.00pm, Maison communale de Plainpalais
Drinks and discussion panel: To be a female composer in Switzerland
Dr. Irène Minder-Jeanneret, musicologist
Katharina Rosenberger, composer
Annette Schmucki, composer
Presentation: Marc Texier

8.00pm, Théâtre Pitoëff
Concert
The ensemble Vortex is going to play works by Barblina Meierhans, Olga Kokcharova, Eva Reiter, Ann Cleare, Clara Iannotta and Jessie Marino.

10.00pm – 1.00 am, Maison communale de Plainpalais
Ella Soto – DJ Set, Carte blanche à La VostokE
La Vostoke is the first radio sender in Switzerland which is a 100% female.

www.archipel.org, festival website

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

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The Geneva Festival for contemporary music creation has dedicated itself to music originating from the pen of women for its 2019 event. Archip-elles presents works by female composers of various generations, origin and aesthetics. On Friday, 05 April 2019, SUISA members are invited to a visit at the Festival. Text by Erika Weibel

Festival Archip-elles – Women Power

At the Festival Archip-elles 2019, the focus is on music by female contemporary composers. (Photo: Festival Archipel)

“In an article by the ‘Guardian’, ‘Female composers largely ignored by concert line-ups”, published on 13 June 2018, 1,445 classical concerts were examined which were planned around the world for the 2018-19 season, and the conclusion was drawn that only 76 events featured a work by a woman”, writes Festival director Marc Texier in the Editorial of this year’s festival guide. The Geneva...read more

Eurovision Song Contest: SUISA Songwriting Camp song in the German qualifier | plus video

Success for the SUISA Songwriting Camp: The song “Sister” created during last year’s camp is in today’s German ESC qualifier. The piece was composed and produced by an international songwriting team consisting of Marine Kaltenbacher, Laurell Barker, Tom Oehler and Thomas Stengaard. The German qualifier “Our song for Israel” (“Unser Lied für Israel”) will hit the stage today, Friday, 22 February 2019. Text by Giorgio Tebaldi; Video by Manu Leuenberger

Tonight’s decision night: Which song will represent Germany in the Eurovision Song Contest (ESC) in May 2019 in Tel Aviv? Among the seven final songs is “Sister” which was created during the SUISA Songwriting Camp in June 2018. The song was written by SUISA members Marine Kaltenbacher and Tom Oehler together with Canadian songwriter Laurell Barker. In the follow-up, Danish producer Thomas Steengard came on board for some finetuning.

“Sister” is a song from the SUISA Songwriting Camp which manages to cross borders beyond those of Switzerland. “Thanks to the ESC and the German qualifier, the positive message which we wanted to send with ‘Sister’, enjoys a much bigger distribution” says singer songwriter Marine Kaltenbacher who performs under the name Submaryne and is from Lausanne. Berne songwriter and producer Tom Oehler also considers the participation of the song in the German qualifier as a huge step: “A song which participates in the ESC may well represent a huge career leap for a songwriter or producer.”

Laurell Barker: Several successes at the ESC

While Tom Oehler and Marine Kaltenbacher participated at a SUISA Songwriting Camp for the first time, Laurell Barker has already gathered ESC experience and took part at the camp, co-organised by SUISA, for a second time.  Not without success: At the first SUISA Songwriting Camp, she was a co-composer of “Stones” by ZiBBZ; the song represented Switzerland at the ESC 2018 in Lisbon. Laurell Barker is already now considered to be a participant at the finale of this year’s ESC: She is one of the composers of the British contribution “Bigger Than Us” sung by Michael Rice. The song qualified directly for the ESC finale, since the UK, together with Germany, France, Italy and Spain, belong to the “Big Five” countries. “I’d be extremely blessed and lucky if I could represent more than just one country in Tel Aviv – that would be crazy”, Laurell Barker says in the video.

“Unser Lied für Israel” today at 8.15pm on ARD

The song is performed by Sisters, a duo consisting of the two singers Carlotta Truman and Laurita Spinelli. The finale of “Our song for Israel” (“Unser Lied für Israel”) is broadcast tonight from 8.15pm onwards live on ARD. The ESC finale in Tel Aviv will take place on 18 May 2019. Germany is also directly qualifying for the finale as one of the “Big Five” countries. Other countries – among them Switzerland – fight for an entry into the finale on 14 and 16 May.

The SUISA Songwriting Camp took place for the second time in June 2018. A total of 36 musicians from 8 countries participated in the 3-day-long event in the Powerplay Studios in Maur. 19 pop songs were created, with varied styles and expressions. The Camp was organised by Pele Loriano Productions and SUISA.

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Creative teamwork at SUISA’s 2018 Songwriting Camp | plus video – SUISA organised the second edition of its Songwriting Camp in cooperation with Pele Loriano Productions. Like the premiere last year the camp again took place at the Powerplay Studios in Maur. A total of 36 musicians from eight different countries attended the three-day event in June 2018, creating 19 pop songs in a wide range of musical styles. Read more
“We wanted to write a song that suits us” | plus video – Siblings Co and Stee Gfeller, better known as ZiBBZ, are battling it out for entry to the Eurovision Song Contest with their song “Stones”. They wrote the song together with Canadian songwriter Laurell Barker at the songwriting camp staged by Pele Loriano Productions and SUISA in August 2017. In the video, the two siblings tell us more about how the song came about and why this kind of songwriting camp is so important. Read more
 “Adiós”: Caribbean-style summer hit with a cembalo | plus video – At the “Swiss Music Awards” 2019, together with four co-composers Loco Escrito can hope for the sought-after concrete blocks in the category “Best Hit” for the song “Adiós”. The musician and music university lecturer Hans Feigenwinter talks about where the strengths of the song lie in a video with his song analysis. Read more
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  1. Erika Keller says:

    Es wundert mich, dass nicht mehr Leute für Sisters angerufen haben zumindesten aus dem “Lager” wo daran gearbeitet wurde in der Schweiz. Ich habe auch für Deutschland angerufen. Trotzdem gab es beim puplic voting für Sisters null Punkte.
    Es wird wohl am System der Punktevergabe liegen, welches ich nicht kenne und ich wäre für eine Erklärung dankbar.

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Success for the SUISA Songwriting Camp: The song “Sister” created during last year’s camp is in today’s German ESC qualifier. The piece was composed and produced by an international songwriting team consisting of Marine Kaltenbacher, Laurell Barker, Tom Oehler and Thomas Stengaard. The German qualifier “Our song for Israel” (“Unser Lied für Israel”) will hit the stage today, Friday, 22 February 2019. Text by Giorgio Tebaldi; Video by Manu Leuenberger

Tonight’s decision night: Which song will represent Germany in the Eurovision Song Contest (ESC) in May 2019 in Tel Aviv? Among the seven final songs is “Sister” which was created during the SUISA Songwriting Camp in June 2018. The song was written by SUISA members Marine Kaltenbacher and Tom Oehler together with Canadian songwriter Laurell Barker. In the follow-up, Danish producer Thomas...read more

“Adiós”: Caribbean-style summer hit with a cembalo | plus video

At the “Swiss Music Awards” 2019, together with four co-composers Loco Escrito can hope for the sought-after concrete blocks in the category “Best Hit” for the song “Adiós”. The musician and music university lecturer Hans Feigenwinter talks about where the strengths of the song lie in a video with his song analysis. Text by Giorgio Tebaldi; Video by Sibylle Roth

Nicolas Herzig – Loco Escrito’s real name – seems to have found the success formula for summer hits. After he hit the Swiss Charts with “Sin Ti” in 2017, he outdid his success last year: The single “Adiós” stayed in the Swiss Charts for 29 weeks and climbed all the way to 4th position. The song thus counted among the three most successful Swiss tracks in 2018 and has been nominated for the award as “Best Hit” at the Swiss Music Awards.

Varied and thrilling dramaturgy

Hans Feigenwinter thinks that one interesting aspect of the song was the instrumentation of the stanzas. He is a musician himself and lectures musicology at the music universities in Basel and Lucerne. He thoroughly analyses the song in the video.

For Nicolas Herzig and co-composer and producer Henrik Amschler it was paramount that “Adiós” should remain varied and contain a thrilling dramaturgy. In an interview given in writing, Amschler stated: “Since the song does, for example, not contain a classical bridge with a change of chord after the second chorus but three parts, it was important to us that each part was special in its own way.” The various song parts have therefore also their respective and different moods, as Amschler adds: “The first section of the second part is rhythmical and animates you to dance. The first section of the third part, on the other hand, is spheric and very emotional.”

(International) songwriting team work

In addition to Amschler and Herzig, three other musicians were involved in writing the song “Adiós”. Composer Sandro Dietrich from Graubünden and Latin Rapper, singer, percussionist and music producer Lou Geniuz, aka Lou Zarra, from the same Swiss canton, laid the musical foundation which was already very much developed according to Amschler. With regards to the lyrics, Nicolas Herzig was supported by Columbian musician Jonathan Ruiz Meija. “It was therefore up to Loco and me to continue with the song, to adapt it and to complete it,” writes Amschler.

The songwriters and the producer have deliberately renounced on using too many instruments. “We had actually planned to use more instruments, for example in the chorus”, explains Henrik Amschler. “At the end of the day, however, we decided to reduce in order to provide the vocals with more space by way of various harmonies.” Nevertheless, “Adiós” surprises with interesting sounds, such as a harpsichord or cembalo-like sound – something that is rather unusual for pop music according to Hans Feigenwinter.

“Swiss Music Awards”: SUISA awards the songwriter of the “Best Hit”

“Adiós” is one of the three songs that have been nominated for the “Best Hit” at the next “Swiss Music Awards” which will be awarded at the Culture and Congress Centre Lucerne (Kultur- und Kongresszentrum Luzern KKL) on Saturday, 16 February 2019. SUISA is a “supporting partner” of the event. For the fourth time, the “Best Hit” award is also issued to composers and lyricists of the winning song on behalf of SUISA. The nominated songs are:

  • “079” by Lo & Leduc (songwriter: Lorenz Häberli, Maurice Könz, Luc Oggier)
  • «Adiós» by Loco Escrito (songwriter: Henrik Amschler, Sandro Dietrich, Nicolas Herzig, Jonathan Ruiz Mejia, Luigi Zarra)
  • «Us Mänsch» by Bligg feat. Marc Sway (songwriter: Marco Bliggensdorfer, Fred Herrmann, Marc Sway)

www.locoescrito.com
www.henrik-hsa-amschler.ch

Hans Feigenwinter comes from Basel. During his early years, he played in pop and indie rock bands. Lateron, he studied piano at the Swiss Jazz School in Berne and has since been active as a pianist and composer in various formations. In addition to solo concerts, he is currently performing in the trios Hans Feigenwinter ZINC and Feigenwinter Oester Pfammatter. He is a lecturer at the music universities in Basel and Lucerne. www.hansfeigenwinter.ch
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“079”: A tragicomic hit story | plus video“079”: A tragicomic hit story | plus video Lo & Leduc and their co-composer Maurice “Dr Mo” Könz have made history with “079”: Last year, the song stayed an entire 21 weeks at the top of the national charts – and thus broke a Swiss record. “079” is one of the three nominated songs for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and lecturer for musicology, Hans Feigenwinter, analysed the hit composition. Read more
“Us Mänsch”: Last minute hit with loads of energy | plus video“Us Mänsch”: Last minute hit with loads of energy | plus video “Us Mänsch” by Bligg and Marc Sway was one of the most successful Swiss songs last year. This despite the fact that the song only made it to the Bligg album “KombiNation” last minute. Now, the song is nominated for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and music university lecturer Hans Feigenwinter has analysed the composition of “Us Mänsch”. Read more
Award for songwriters at the Swiss Music Awards | plus videoAward for songwriters at the Swiss Music Awards | plus video The newcomer Nickless and the renowned producer Thomas Fessler won the first award for songwriters at the Swiss Music Awards 2016. The winning song “Waiting”, jointly composed by the two, didn’t appear out of thin air but is the result of lots of teamwork. At the occasion of the Swiss Music Awards 2017, SUISA will honour the performance of composers and lyricists with an award again. Read more
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At the “Swiss Music Awards” 2019, together with four co-composers Loco Escrito can hope for the sought-after concrete blocks in the category “Best Hit” for the song “Adiós”. The musician and music university lecturer Hans Feigenwinter talks about where the strengths of the song lie in a video with his song analysis. Text by Giorgio Tebaldi; Video by Sibylle Roth

Nicolas Herzig – Loco Escrito’s real name – seems to have found the success formula for summer hits. After he hit the Swiss Charts with “Sin Ti” in 2017, he outdid his success last year: The single “Adiós” stayed in the Swiss Charts for 29 weeks and climbed all the way to 4th position. The song thus counted among the three most successful Swiss tracks in 2018 and has been nominated for...read more

“Us Mänsch”: Last minute hit with loads of energy | plus video

“Us Mänsch” by Bligg and Marc Sway was one of the most successful Swiss songs last year. This despite the fact that the song only made it to the Bligg album “KombiNation” last minute. Now, the song is nominated for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and music university lecturer Hans Feigenwinter has analysed the composition of “Us Mänsch”. Text by Giorgio Tebaldi; Video by Manu Leuenberger

Bligg and Marc Sway have already written some songs together. For the single “Us Mänsch” they took to the microphone together for the first time. Not without success: The single was awarded platinum status in 2018.

Why is the song so attractive for the audience? Hans Feigenwinter who lectures musicology at the music universities in Basel and Lucerne and is a pianist and composer himself, reckons: “There is a lot of energy, it is a very passionate rap.” In his song analysis which can be watched in the video, he recognises something solemn in the piece: “I had to think of a sermon.”

Last minute hit

Apart from Bligg and Marc Sway, Bligg’s long-term producer and co-composer, Fred Herrmann, contributed to writing “Us Mänsch”. In a written interview, Fred Herrmann described how the song was created:

““Us Mänsch” was a typical last minute hit! It was the very last song which we wrote and produced for the album “KombiNation”. Bligg said that he still had a cool idea for some lyrics with a play on words in relation to “Us Mänsch” which he was very keen to realise. Since we were already lagging behind the time schedule rather significantly, we worked simultaneously. While I worked on the composition and the production, Bligg was honing the lyrics into shape and recorded his vocals. He kept sending me new vocal tracks he had recorded which I either implemented straight away or questioned and asked for improvement. It was a real ping pong party! Somehow we had put the song together, but we found that the refrain needed to be recorded by a male singer with a raucous voice. We quickly thought of Marc Sway whom we both have known very well and for a very long time! Mister Sway came to the studio for two hours each and the refrain was ready! The beauty about composing is that every now and then, completely unpredictably, you manage to create a song where everything is just perfect.”

“Swiss Music Awards”: SUISA awards the songwriter of the “Best Hit”

“Us Mänsch” is one of the three songs that have been nominated for the “Best Hit” at the next “Swiss Music Awards” which will be awarded at the Culture and Congress Centre Lucerne (Kultur- und Kongresszentrum Luzern KKL) on Saturday, 16 February 2019. SUISA is a “supporting partner” of the event. For the fourth time, the “Best Hit” award is also issued to composers and lyricists of the winning song on behalf of SUISA. The nominated songs are:

  • “079” by Lo & Leduc (songwriter: Lorenz Häberli, Maurice Könz, Luc Oggier)
  • «Adiós» by Loco Escrito (songwriter: Henrik Amschler, Sandro Dietrich, Nicolas Herzig, Jonathan Ruiz Mejia, Luigi Zarra)
  • «Us Mänsch» by Bligg feat. Marc Sway (songwriter: Marco Bliggensdorfer, Fred Herrmann, Marc Sway)

www.bligg.ch
www.marcsway.ch

Hans Feigenwinter comes from Basel. During his early years, he played in pop and indie rock bands. Lateron, he studied piano at the Swiss Jazz School in Berne and has since been active as a pianist and composer in various formations. In addition to solo concerts, he is currently performing in the trios Hans Feigenwinter ZINC and Feigenwinter Oester Pfammatter. He is a lecturer at the music universities in Basel and Lucerne. www.hansfeigenwinter.ch
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“079”: A tragicomic hit story | plus video“079”: A tragicomic hit story | plus video Lo & Leduc and their co-composer Maurice “Dr Mo” Könz have made history with “079”: Last year, the song stayed an entire 21 weeks at the top of the national charts – and thus broke a Swiss record. “079” is one of the three nominated songs for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and lecturer for musicology, Hans Feigenwinter, analysed the hit composition. Read more
Marc Sway: “You write more songs than fit on an album” | plus video“You write more songs than fit on an album” | plus video When we visited him in his studio in January 2018, the long-term SUISA member Marc Sway allowed us a peek into his creative activities and his professional life as a musician. Mid-October 2018, his single “Beat of My Heart” was released as the precursor for his next album whose creation process was one of the main subjects in the video interview. Read more
Creative teamwork at SUISA’s 2018 Songwriting Camp | plus videoCreative teamwork at SUISA’s 2018 Songwriting Camp | plus video SUISA organised the second edition of its Songwriting Camp in cooperation with Pele Loriano Productions. Like the premiere last year the camp again took place at the Powerplay Studios in Maur. A total of 36 musicians from eight different countries attended the three-day event in June 2018, creating 19 pop songs in a wide range of musical styles. Read more
Collapse article

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“Us Mänsch” by Bligg and Marc Sway was one of the most successful Swiss songs last year. This despite the fact that the song only made it to the Bligg album “KombiNation” last minute. Now, the song is nominated for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and music university lecturer Hans Feigenwinter has analysed the composition of “Us Mänsch”. Text by Giorgio Tebaldi; Video by Manu Leuenberger

Bligg and Marc Sway have already written some songs together. For the single “Us Mänsch” they took to the microphone together for the first time. Not without success: The single was awarded platinum status in 2018.

Why is the song so attractive for the audience? Hans Feigenwinter who lectures musicology at the music universities in Basel and Lucerne and is a...read more

“079”: A tragicomic hit story | plus video

Lo & Leduc and their co-composer Maurice “Dr Mo” Könz have made history with “079”: Last year, the song stayed an entire 21 weeks at the top of the national charts – and thus broke a Swiss record. “079” is one of the three nominated songs for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and lecturer for musicology, Hans Feigenwinter, analysed the hit composition. Text by Giorgio Tebaldi; Video by Sibylle Roth

How “079” found its way into the Swiss charts is already a remarkable story. In February 2018, Lo & Leduc offered the song and the respective album “Update 4.0” for streaming and downloading, free of charge, on their website – “because of joy” as they said in an interview at the time. The audience liked the song so much that it sold more and more and was streamed ever more increasingly. That way, “079” made it to number 1 of the Swiss single charts and held the top spot for 21 weeks.

The song was written by Lorenz Häberli (Lo), Luc Oggier (Leduc) and the Berne composer, DJ and performer Maurice Könz, better known as Dr. Mo. The latter wrote the melody to which Lo & Leduc added the lyrics. “The lyrics and the music were created completely independently of each other”, tells Dr. Mo in relation to the creation process of the piece in a written interview. Both elements had already nearly been finished when they were finally combined. “We had tried to combine the lyrics with another beat, respectively to write another set of lyrics for the beat”, Dr. Mo writes. “These ideas, however, were quickly dismissed. When we then combined those lyrics with that beat, we knew immediately that everything fits perfectly.”

Original, moving, somewhat absurd

Last but not least, the story that the song is about contributed to its success. “It is a tragicomic story. It is original, it is comprehensible, it is moving; it all has something absurd about it”, says pianist and composer Hans Feigenwinter who lectures musicology at the music universities in Basel and Lucerne. His analysis of the song can be seen in the video.

The fact that searching for the right words can be rather time intensive in certain cases, is shown by Dr. Mo on the basis of a specific example: “The search for a suitable personal pronoun lasted the longest. We were unsure whether the story can be understood if two different singers perform it from a first person perspective, all the while are depicting the same person. We thus also thought about telling a story about “him” so that the confusion about the personalities could be remedied. This, however, created problems with the conjugation, rhymes and emotional access. We finally decided, and rightly so, that we would have to impose the first person perspective onto the listener.

“Swiss Music Awards”: SUISA awards the songwriter of the “Best Hit”

“079” is one of the three songs that have been nominated for the “Best Hit” at the next “Swiss Music Awards” which will be awarded at the Culture and Congress Centre Lucerne (Kultur- und Kongresszentrum Luzern KKL) on Saturday, 16 February 2019. SUISA is a “supporting partner” of the event. For the fourth time, the “Best Hit” award is also issued to composers and lyricists of the winning song on behalf of SUISA. The nominated songs are:

  • “079” by Lo & Leduc (songwriter: Lorenz Häberli, Maurice Könz, Luc Oggier)
  • «Adiós» by Loco Escrito (songwriter: Henrik Amschler, Sandro Dietrich, Nicolas Herzig, Jonathan Ruiz Mejia, Luigi Zarra)
  • «Us Mänsch» by Bligg feat. Marc Sway (songwriter: Marco Bliggensdorfer, Fred Herrmann, Marc Sway)

www.lo-leduc.ch
www.drmo.ch

Hans Feigenwinter comes from Basel. During his early years, he played in pop and indie rock bands. Lateron, he studied piano at the Swiss Jazz School in Berne and has since been active as a pianist and composer in various formations. In addition to solo concerts, he is currently performing in the trios Hans Feigenwinter ZINC and Feigenwinter Oester Pfammatter. He is a lecturer at the music universities in Basel and Lucerne. www.hansfeigenwinter.ch
Related articles
Award for songwriters at the Swiss Music Awards | plus videoAward for songwriters at the Swiss Music Awards | plus video The newcomer Nickless and the renowned producer Thomas Fessler won the first award for songwriters at the Swiss Music Awards 2016. The winning song “Waiting”, jointly composed by the two, didn’t appear out of thin air but is the result of lots of teamwork. At the occasion of the Swiss Music Awards 2017, SUISA will honour the performance of composers and lyricists with an award again. Read more
Marc Sway: “You write more songs than fit on an album” | plus video“You write more songs than fit on an album” | plus video When we visited him in his studio in January 2018, the long-term SUISA member Marc Sway allowed us a peek into his creative activities and his professional life as a musician. Mid-October 2018, his single “Beat of My Heart” was released as the precursor for his next album whose creation process was one of the main subjects in the video interview. Read more
Creative teamwork at SUISA’s 2018 Songwriting Camp | plus videoCreative teamwork at SUISA’s 2018 Songwriting Camp | plus video SUISA organised the second edition of its Songwriting Camp in cooperation with Pele Loriano Productions. Like the premiere last year the camp again took place at the Powerplay Studios in Maur. A total of 36 musicians from eight different countries attended the three-day event in June 2018, creating 19 pop songs in a wide range of musical styles. Read more
Collapse article

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All comments will be moderated. This may take some time and we reserve the right not to publish comments that contradict the conditions of use.

Your email address will not be published.

Lo & Leduc and their co-composer Maurice “Dr Mo” Könz have made history with “079”: Last year, the song stayed an entire 21 weeks at the top of the national charts – and thus broke a Swiss record. “079” is one of the three nominated songs for the “Best Hit award at the “Swiss Music Awards” 2019. Musician and lecturer for musicology, Hans Feigenwinter, analysed the hit composition. Text by Giorgio Tebaldi; Video by Sibylle Roth

How “079” found its way into the Swiss charts is already a remarkable story. In February 2018, Lo & Leduc offered the song and the respective album “Update 4.0” for streaming and downloading, free of charge, on their website – “because of joy” as they said in an interview at the time. The audience liked the...read more